| Action-Sound Latency: Are Our Tools Fast Enough? AP McPherson, RH Jack, G Moro Proceedings of the International Conference on New Interfaces for Musical …, 2016 | 134 | 2016 |
| Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 79 | 2017 |
| Making high-performance embedded instruments with Bela and Pure Data G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson University of Sussex, 2016 | 72 | 2016 |
| Performer Experience on a Continuous Keyboard Instrument G Moro, AP McPherson Computer Music Journal 44 (2-3), 69-91, 2021 | 10 | 2021 |
| residUUm: user mapping and performance strategies for multilayered live audiovisual generation I Olowe, G Moro, M Barthet | 8 | 2016 |
| Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance G Moro, AP McPherson, MB Sandler The Journal of the Acoustical Society of America 142 (5), 2808-2822, 2017 | 7 | 2017 |
| A platform for low-latency continuous keyboard sensing and sound generation G Moro, A Mcpherson International Conference on New Interfaces for Musical Expression, 2020 | 4 | 2020 |
| Beyond key velocity: continuous sensing for expressive control on the Hammond organ and digital keyboards G Moro Queen Mary University of London, 2020 | 4 | 2020 |
| Approximating non-linear inductors using time-variant linear filters G Moro, AP McPherson Proc. Int. Conf. Digital Audio Effects (DAFx-15), Trondheim, Norway, 249-256, 2015 | 3 | 2015 |
| Bela A McPherson, V Zappi, G Moro, L Donovan, C Heinrichs, A Bin, R Jack, ... | 2 | 2015 |
Andrew McPhersonChair in Design Engineering and Music, Imperial College LondonVerified email at imperial.ac.uk
