| Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, A McPherson New Interfaces for Musical Expression, 2017 | 120 | 2017 |
| Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 79 | 2017 |
| Where does the buck stop? Ethical and political issues with AI in music creation F Morreale Transactions of the International Society for Music Information Retrieval 4 …, 2021 | 76 | 2021 |
| Musical Interface Design: An Experience-oriented Framework F Morreale, A De Angeli, S O’Modhrain New Interfaces for Musical Expression, 2014 | 66 | 2014 |
| NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley New Interfaces for Musical Expression, 2018 | 63* | 2018 |
| Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019 | 59 | 2019 |
| A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley New Interfaces for Musical Expression, 2020 | 57 | 2020 |
| Foundation models for music: A survey Y Ma, A Øland, A Ragni, BMS Del Sette, C Saitis, C Donahue, C Lin, ... arXiv preprint arXiv:2408.14340, 2024 | 51 | 2024 |
| The unwitting labourer: extracting humanness in AI training F Morreale, E Bahmanteymouri, B Burmester, A Chen, M Thorp AI & SOCIETY 39 (5), 2389-2399, 2024 | 48 | 2024 |
| Collaborative creativity: The music room F Morreale, A De Angeli, R Masu, P Rota, N Conci Personal and Ubiquitous Computing 18 (5), 1187-1199, 2014 | 45 | 2014 |
| A quality adaptive multimodal affect recognition system for user-centric multimedia indexing R Gupta, M Khomami Abadi, JA Cárdenes Cabré, F Morreale, TH Falk, ... Proceedings of the 2016 ACM on international conference on multimedia …, 2016 | 39 | 2016 |
| Democratising DMIs: the relationship of expertise and control intimacy RH Jack, J Harrison, F Morreale, A McPherson New Interfaces for Musical Expression, 2018 | 34 | 2018 |
| Magpick: an augmented guitar pick for nuanced control F Morreale, A Guidi, A McPherson New Interfaces for Musical Expression, 2019 | 33 | 2019 |
| Sound designer-generative ai interactions: Towards designing creative support tools for professional sound designers P Kamath, F Morreale, PL Bagaskara, Y Wei, S Nanayakkara Proceedings of the 2024 CHI Conference on Human Factors in Computing Systems …, 2024 | 31 | 2024 |
| The effect of expertise in evaluating emotions in music F Morreale, R Masu, A De Angeli, P Fava University of Jyväskylä, Department of Music, 2013 | 31 | 2013 |
| Evaluating visitor experiences with interactive art F Morreale, A De Angeli Proceedings of the 11th Biannual Conference of the Italian SIGCHI Chapter, 50-57, 2015 | 29 | 2015 |
| Robin: an algorithmic composer for interactive scenarios F Morreale, R Masu, A De Angeli Proceedings of SMC 2013, 10th, 2013 | 29 | 2013 |
| When is a guitar not a guitar? cultural form, input modality and expertise J Harrison, RH Jack, F Morreale, AP McPherson Proceedings of the international conference on new interfaces for musical …, 2018 | 26 | 2018 |
| ARCAA: A framework to analyse the artefact ecology in computer music performance R Masu, M Bettega, NN Correia, T Romão, F Morreale Proceedings of the 9th International Conference on Digital and Interactive …, 2019 | 24 | 2019 |
| Making sense of sensors: Discovery through craft practice with an open-ended sensor material C Nordmoen, J Armitage, F Morreale, R Stewart, A McPherson Proceedings of the 2019 on Designing Interactive Systems Conference, 135-146, 2019 | 23 | 2019 |
Raul MasuConservatory of TrentoVerified email at conservatorio.tn.it
