| An environment for submillisecond-latency audio and sensor processing on BeagleBone Black A McPherson, V Zappi Audio engineering society convention, 965-971, 2015 | 209 | 2015 |
| Action-sound latency: Are our tools fast enough? AP McPherson, RH Jack, G Moro New Interfaces for Musical Expression, 2016 | 134 | 2016 |
| Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, AP McPherson New Interfaces for Musical Expression, 2017 | 120 | 2017 |
| Audio effects: theory, implementation and application JD Reiss, A McPherson CRC Press, 2014 | 113 | 2014 |
| The magnetic resonator piano: Electronic augmentation of an acoustic grand piano A McPherson Journal of New Music Research 39 (3), 189-202, 2010 | 113 | 2010 |
| Dimensionality and Appropriation in Digital Musical Instrument Design V Zappi, AP McPherson Proc. NIME, 2014 | 103 | 2014 |
| The Problem of the Second Performer: Building a Community Around an Augmented Piano A McPherson, Y Kim Computer Music Journal 36 (4), 10-27, 2012 | 81 | 2012 |
| Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 79 | 2017 |
| A review of differentiable digital signal processing for music & speech synthesis B Hayes, J Shier, G Fazekas, A McPherson, C Saitis Frontiers in Signal Processing, 2023 | 72 | 2023 |
| Making high-performance embedded instruments with Bela and Pure Data G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson University of Sussex, 2016 | 72 | 2016 |
| Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing A McPherson, Y Kim Proceedings of the International Conference on New Interfaces for Musical …, 2010 | 71 | 2010 |
| Action-sound latency and the perceived quality of digital musical instruments: comparing professional percussionists and amateur musicians RH Jack, A Mehrabi, T Stockman, AP McPherson Music Perception 36 (1), 2018 | 63 | 2018 |
| Idiomatic patterns and aesthetic influence in computer music languages A McPherson, K Tahıroğlu Organised Sound 25 (1), 53-63, 2020 | 61 | 2020 |
| Bela: An embedded platform for low-latency feedback control of sound A McPherson The Journal of the Acoustical Society of America 141 (5_Supplement), 3618-3618, 2017 | 60 | 2017 |
| TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard A McPherson Proc. NIME, 2012 | 60 | 2012 |
| Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019 | 59 | 2019 |
| DDX7: Differentiable FM synthesis of musical instrument sounds F Caspe, A McPherson, M Sandler arXiv preprint arXiv:2208.06169, 2022 | 58 | 2022 |
| A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley New Interfaces for Musical Expression, 2020 | 57 | 2020 |
| NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley NIME, 2018 | 56 | 2018 |
| Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument RH Jack, T Stockman, A McPherson Proceedings of the audio mostly 2016, 116-123, 2016 | 55 | 2016 |
Fabio MorrealeStaff Research Scientist, Sony AIVerified email at sony.com
