WO2014126361A1 - Piano keyboard for 6 staff notation - Google Patents
Piano keyboard for 6 staff notation Download PDFInfo
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- WO2014126361A1 WO2014126361A1 PCT/KR2014/001060 KR2014001060W WO2014126361A1 WO 2014126361 A1 WO2014126361 A1 WO 2014126361A1 KR 2014001060 W KR2014001060 W KR 2014001060W WO 2014126361 A1 WO2014126361 A1 WO 2014126361A1
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10G—REPRESENTATION OF MUSIC; RECORDING MUSIC IN NOTATION FORM; ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR, e.g. SUPPORTS
- G10G1/00—Means for the representation of music
- G10G1/02—Chord or note indicators, fixed or adjustable, for keyboard of fingerboards
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10C—PIANOS, HARPSICHORDS, SPINETS OR SIMILAR STRINGED MUSICAL INSTRUMENTS WITH ONE OR MORE KEYBOARDS
- G10C3/00—Details or accessories
- G10C3/12—Keyboards; Keys
Definitions
- the present invention relates to a piano keyboard, and more particularly, to an improvement of a piano keyboard having a structure that can be convenient and reasonable in composing or playing modern music represented by music without composition.
- Music is a language that composers express the music in their heads as symbols or letters, and the performers or singers change it to the actual audible sound, and it is established when the audience accepts it.
- Music notation refers to the customary rule when composers create musical scores by symbolic or literal representation of music in their heads.
- the standard is 5-line notation.
- the piano for the fifth announcement is a general piano that is widely used now, and as shown in FIG. 1, five black keys and seven white keys are included in one octave.
- one note is the basic note unit, and it is divided into half and used as a semitone.
- an object of the present invention is to provide a piano keyboard having a convenient and reasonable structure for composing or playing modern music represented by music without composition.
- the piano keyboard of one octave is composed of 12 notes composed of six black keys and six white keys, the black keys and white keys are configured to alternately arranged in sequence It is a piano keyboard for six steps.
- a mark is formed on a predetermined reference key in one octave.
- the sixth announcement corresponds to the note name (12 notes) of 'do-do #-le-le-le-le-le-le-le-pa-par #-sole-sole #-la-la #-poems.
- the present invention overcomes the inconveniences of using the fifth line, which has been closely related to the composition so far, and uses the basic tone unit as a semitone to make it more rational in the composition and performance of modern music called azo music.
- the basic tone unit as a semitone to make it more rational in the composition and performance of modern music called azo music.
- 1 is a layout view of a piano keyboard for a general five-information
- FIG. 2 is a layout diagram of a piano keyboard for six-stage according to an embodiment of the present invention
- Figure 3 is a view showing a comparison between the note names of the sixth information and the general 5th information according to an embodiment of the present invention.
- one note is the basic note unit, and it is divided into half and used as the semitone, but in modern music (generally uncomposed music and asymphony music), this semitone is already treated as the basic note unit for a long time.
- the six-beams using semitones as the basic note units are used, and the keyboard of the piano is arranged to suit the six-beams.
- Figure 3 shows a six-beam (A) with a semitone to the basic sound unit applied in the present invention, it is shown corresponding to the existing five-beam (B).
- the sixth bulletin (A) has six lines and twelve positions generated between the lines corresponding to the twelve sounds, so that the weights are equal to each other in terms of visual and sound notation.
- the note names of the sixth bulletin are defined by the present inventor to distinguish them from the note names of the fiveth bulletin (B), and the names of the twelve notes may be newly defined by other expressions depending on the negotiation or the necessity.
- the present invention constitutes a new piano keyboard suitable for the proposed six-pronged (A).
- FIG. 2 is a layout diagram of a piano keyboard for the six wires (A) according to the embodiment of the present invention.
- Existing piano keys for the five-fiber line consists of five black keys and seven white keys in one octave, as shown in FIG. 1, whereas a piano for six-fibers according to an embodiment of the present invention is shown in FIG. As shown, there are six black keys and six white keys.
- both conventional piano keyboards and piano keys for six-pronged notes have the same twelve notes in one octave.
- the piano user may have difficulty in intuitively recognizing one octave unit.
- a marker is set on a predetermined reference key in one octave. Configure it to be formed.
- the reference key is preferably a 'Ro' sound key corresponding to the 'degree' sound of a conventional piano keyboard, and the mark (2) of the reference key is a color differentiating between both white and black keys (for example, silver). To make the keyboard.
- the marker (2) is displayed in color, but an example has been described.
- the marker may be formed by other methods such as a small circle or a graphic display. It is apparent to those skilled in the art that the equivalents of item (2) apply.
- the piano keyboard for the six-presence of the present invention provides the simplicity that the user presses the black key in the sixth line and the user presses the black key, that is, the note drawn in the column presses the white key. This is more intuitive and different from having to play on the piano for the 5th and 5th chords, and to play the semitones (# majors) and temporary tables (# or ⁇ ) and to consider the semitones between “mi-pa” and “shi-do”. Make it easy to play.
- the piano for the sixth announcement is advantageous for beginner performance because only the position of the note drawn on the sixth announcement is read and the key is pressed.
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Abstract
Description
본 발명은 피아노 건반에 관한 것으로, 특히 조성이 없는 음악으로 대변되는 현대음악을 작곡 또는 연주함에 있어 편리하고 합리적일 수 있는 구조의 피아노 건반의 개량에 관한 것이다.The present invention relates to a piano keyboard, and more particularly, to an improvement of a piano keyboard having a structure that can be convenient and reasonable in composing or playing modern music represented by music without composition.
음악은 언어로서 작곡자가 그 머릿속에 있는 악상을 기호나 문자로써 표현하고, 연주자나 가수는 이를 실제의 가청 음으로 바꾸고, 청중이 이를 수용할 때에 성립된다고 할 수 있다. 기보법은 작곡자가 머릿속에 있는 악상을 기호나 문자로 표시해서 악보를 만들 때 그 관습적 규칙을 일컫는 것으로서, 현재 그 표준은 5선기보법이다. Music is a language that composers express the music in their heads as symbols or letters, and the performers or singers change it to the actual audible sound, and it is established when the audience accepts it. Musical notation refers to the customary rule when composers create musical scores by symbolic or literal representation of music in their heads. Currently, the standard is 5-line notation.
즉 요즈음에 일반적으로 사용되는 악보는 5선보이다. 그리고 5선보를 위한 피아노는 현재 널리 사용되는 일반적인 피아노로서 도 1에 도시된 바와 같이, 한 옥타브에 검은 건반이 5개, 흰 건반이 7개로 이루어져 있다. 5선보에서는 한음이 기본음 단위이고 이것을 반으로 쪼개어 반음으로 사용하고 있다. In other words, the music scores that are commonly used these days are five songs. The piano for the fifth announcement is a general piano that is widely used now, and as shown in FIG. 1, five black keys and seven white keys are included in one octave. In the fifth report, one note is the basic note unit, and it is divided into half and used as a semitone.
그런데 현대에 들어와서 현대음악은 조성이 없는 음악 또는 무조음악으로 대변될 수 있는데, 현대음악을 작곡하거나 연주함에 있어 아직도 여전히 조성과 밀접한 관계를 가지고 있는 5선보를 사용하고 있다.However, in modern times, modern music can be represented as unorganized music or asymmetrical music. In composing or playing modern music, it still uses the fifth line, which is still closely related to composition.
그러므로 5선보와 5선보를 위한 피아노를 사용하면 조표(다장조, 바장조 등..)와 임시표(#이나♭)를 따지고 “미-파”와 “시-도”사이 반음을 고려해서 연주해야 하므로 직관적이고 쉬운 연주를 하는데에는 애로가 있다. Therefore, if you use the piano for 5th and 5th chords, you need to determine the syllables (multiple majors, major majors, etc.) and temporary tables (# or ♭), and play them in consideration of the semitones between “mi-pa” and “shi-do”. It is difficult to play easily.
또한 현대음악에서는 반음이 기본음 단위로 취급함에도 불구하고 수시로 5선보에 #이나♭을 붙여 음을 표시함으로써 의도치 않은 관계성(F와 F#,F와G♭등의 관계, 혹은 F#과 G♭의 이명동음의 관계 등)이 생긴다. 또 의도치 않는 음의 방향성도 생기게 된다. 예컨대 F#음은 F에서 반음 올린음이므로 F에서 유래된 듯한 인상을 주는 것 등과 같은 것이다. In addition, in the contemporary music, even though semitones are treated as basic unit of sound, it is often indicated by adding # or 에 to the 5th bullet to indicate unintended relationships (such as F and F #, F and G ♭, or F # and G ♭). Lee Myung-dong's relationship, etc.). There is also unintended negative directionality. For example, F # is a semitone up from F, which gives the impression that it is derived from F.
그리고 5선보에 #이나♭의 과다 표기로 인해 실제 소리의 복잡성을 주며 악보에 음을 표기함에도 혼잡한 인상을 준다.In addition, due to the excessive representation of # or 에 on the fifth line, it gives the complexity of the actual sound and gives a crowded impression even when the note is written on the score.
따라서 본 발명의 목적은 조성이 없는 음악으로 대변되는 현대음악을 작곡 또는 연주함에 있어 편리하고 합리적인 구조의 피아노 건반을 제공함에 있다.Accordingly, an object of the present invention is to provide a piano keyboard having a convenient and reasonable structure for composing or playing modern music represented by music without composition.
상기한 목적에 따른 본 발명은, 6선보를 위해 한 옥타브의 피아노 건반이 검은 건반 6개와 흰 건반 6개로 12음이 형성되게 구성되며, 상기 검은 건반과 흰 건반이 교대로 연속 배열되게 구성함을 특징으로 하는 6선보를 위한 피아노 건반이다. The present invention according to the above object, for the six-information, the piano keyboard of one octave is composed of 12 notes composed of six black keys and six white keys, the black keys and white keys are configured to alternately arranged in sequence It is a piano keyboard for six steps.
또 본 발명에서 6선보를 위한 피아노 건반을 구성함에 있어, 한 옥타브 인식의 곤란을 피하기 위해 한 옥타브내 미리 정해 둔 기준 건반에 표식이 형성되게 한다. In the present invention, in constructing the piano keyboard for the sixth announcement, in order to avoid difficulty in recognizing one octave, a mark is formed on a predetermined reference key in one octave.
또한 본 발명에서는 5선보의 '도 - 도# - 레 - 레# - 미 - 파 - 파# - 솔 - 솔# - 라 - 라# - 시'의 음이름(12음)에 대응하여 6선보의 '로(Ro) - 시(Si) - 유(U) - 소(So) - 이(E) - 다(Da) - 고(Go) - 아(Aa) - 나(Na) - 모(Mo) - 에(Ae) - 베(Be)'의 음이름(12음)을 새롭게 정의함을 특징으로 한다.In addition, in the present invention, the sixth announcement corresponds to the note name (12 notes) of 'do-do #-le-le-le-le-le-le-le-pa-par #-sole-sole #-la-la #-poems. 'Ro-Si-U-So-E-Da-Go-Aa-Na-Mo -Ae-Be 'is characterized by a newly defined note name (12 notes).
본 발명은 지금까지 조성과 밀접한 관계를 가지고 있는 5선보를 사용함에 있어서 오는 불편함을 극복하고 무조음악이라 일컫어지는 현대음악의 작곡이나 연주에 있어 좀 더 합리적일 수 있게 기본음 단위를 반음으로 하는 6선보를 제안하고, 건반에서도 6선보에 걸맞은 배치를 구현함으로써 어법에서 뿐만 아니라 악보, 건반에서도 이전 음악과의 차별되는 현대음악에 적합한 작곡이나 연주를 편안하게 할 수 있다. 특히 기본음 단위를 반음으로 하는 6선보를 사용하면서 #이나 ♭이 필요치 않게 되므로 기존 5선보 사용시 이명동음의 관계성 문제나 또 의도치 않는 음의 방향성 문제를 해결할 수 있으며 또 5선보에 #이나♭의 과다 표기로 인해 소리의 복잡성을 줄여주고 악보에 음 표기시의 혼잡성도 줄일 수 있다.The present invention overcomes the inconveniences of using the fifth line, which has been closely related to the composition so far, and uses the basic tone unit as a semitone to make it more rational in the composition and performance of modern music called azo music. By suggesting an introduction and implementing a layout suitable for the sixth line on the keyboard, it is possible to comfortably compose or play music suitable for contemporary music that is distinguished from previous music not only in the grammar but also in the music. In particular, using the six-precision with the semitone as the basic tone unit does not require # or ♭, so it is possible to solve the relationship problem of tinnitus sound or unintentional directionality when using the existing five-preparation. Overwriting can reduce the complexity of the sound and reduce the congestion of notes.
도 1은 일반적인 5선보를 위한 피아노 건반의 배치도,1 is a layout view of a piano keyboard for a general five-information,
도 2는 본 발명의 실시예에 따른 6선보를 위한 피아노 건반 배치 구성도,FIG. 2 is a layout diagram of a piano keyboard for six-stage according to an embodiment of the present invention; FIG.
도 3은 본 발명의 실시예에 따른 6선보와 일반적인 5선보의 음이름을 비교하며 보여주는 도면.Figure 3 is a view showing a comparison between the note names of the sixth information and the general 5th information according to an embodiment of the present invention.
이하 본 발명의 바람직한 실시 예를 첨부한 도면을 참조하여 상세히 설명한다.Hereinafter, exemplary embodiments of the present invention will be described in detail with reference to the accompanying drawings.
5선보에서는 한음이 기본음 단위이고 이것을 반으로 쪼개어 반음으로 사용하지만, 현대 음악(일반적으로 조성이 없는 음악, 무조음악)에서는 이미 오래전부터 이 반음을 기본음 단위로 취급하고 있는 실정이다. In the fifth announcement, one note is the basic note unit, and it is divided into half and used as the semitone, but in modern music (generally uncomposed music and asymphony music), this semitone is already treated as the basic note unit for a long time.
그러므로 본 발명의 실시예에서는 기존의 5선보와를 달리 기본음 단위를 반음으로 하는 6선보를 사용하며, 피아노의 건반에서도 6선보에 걸맞게 배치한다. Therefore, in the exemplary embodiment of the present invention, unlike the existing five-line information, the six-beams using semitones as the basic note units are used, and the keyboard of the piano is arranged to suit the six-beams.
도 3에서는 본 발명에서 적용한 기본음 단위를 반음으로 하는 6선보(A)를 보여주고 있으며, 기존의 5선보(B)와 대응시켜서 보여주고 있다. Figure 3 shows a six-beam (A) with a semitone to the basic sound unit applied in the present invention, it is shown corresponding to the existing five-beam (B).
도 3에서 알 수 있듯이 본 발명의 6선보(A)에서는 반음을 기본음 단위로 함으로써 #이나 ♭이 필요치 않음을 확인할 수 있다. 즉 기존 5선보(B)에서 #이나♭을 붙여 음을 표시하는 불편함이나 혼란이 없다는 것이다. As can be seen from Figure 6 in the sixth bulletin (A) of the present invention can be confirmed that # or ♭ is not necessary by the semitone as the basic tone unit. That is, there is no discomfort or confusion of displaying notes by adding # or 에서 in the existing 5th bulletin (B).
또 6선보(A)는 6개의 선과 그 선 사이에서 생기는 열 두 위치를 12음에 대응시켜 놓았기에 시각적으로나 음의 표기에 있어 음들 간에 서로 동등한 무게감을 가지게 된다. In addition, the sixth bulletin (A) has six lines and twelve positions generated between the lines corresponding to the twelve sounds, so that the weights are equal to each other in terms of visual and sound notation.
본 발명에서는 6선보(A)의 음이름을 정의하되, 기존 5선보(B)의 '도 - 도# - 레 - 레# - 미 - 파 - 파# - 솔 - 솔# - 라 - 라# - 시'의 음이름(12음)에 1:1로 대응하여 6선보(A)의 '로(Ro) - 시(Si) - 유(U) - 소(So) - 이(E) - 다(Da) - 고(Go) - 아(Aa) - 나(Na) - 모(Mo) - 에(Ae) - 베(Be)'의 음이름(12음)으로 정의한다. In the present invention, six note (A) to define the name of the note, the existing five-line (B) 'do-do #-Le-Le-Le-Me-wave-par #-Sol-Sol #-la-La #- In response to the name of the note of the poem (12 notes) 1: 1, Ro-Si-U-So-E- Da)-Go-A-Na-Na-Mo-Ae-Be 'is defined as the note name (12 notes).
이를 대비표로 나타나면 하기 표 1과 같다. If this is shown as a contrast table is shown in Table 1.
이러한 6선보의 음이름은 본원 발명자가 5선보(B)의 음이름과 구별하기 위해서 정의한 것이며, 협의나 필요에 따라 다른 표현으로 12음의 이름을 새롭게 정의할 수도 있다. The note names of the sixth bulletin are defined by the present inventor to distinguish them from the note names of the fiveth bulletin (B), and the names of the twelve notes may be newly defined by other expressions depending on the negotiation or the necessity.
또한 본 발명은 이렇게 제안한 6선보(A)에 적합한 새로운 피아노 건반을 구성한다. In addition, the present invention constitutes a new piano keyboard suitable for the proposed six-pronged (A).
도 2는 본 발명의 실시예에 따른 6선보(A)를 위한 피아노 건반의 배치 구성도이다. 2 is a layout diagram of a piano keyboard for the six wires (A) according to the embodiment of the present invention.
5선보를 위한 기존의 피아노 건반은 도 1에서와 같이, 한 옥타브에 검은 건반이 5개, 흰 건반이 7개로 이루어져 있는 반면, 본 발명의 실시예에 따른 6선보를 위한 피아노는 도 2에 도시된 바와 같이, 검은 건반이 6개, 흰 건반이 6개로 이루어진다. 그러나 기존 피아노 건반이나 6선보를 위한 피아노 건반 모두는 한 옥타브 안의 음이 12음으로 동일하다.Existing piano keys for the five-fiber line consists of five black keys and seven white keys in one octave, as shown in FIG. 1, whereas a piano for six-fibers according to an embodiment of the present invention is shown in FIG. As shown, there are six black keys and six white keys. However, both conventional piano keyboards and piano keys for six-pronged notes have the same twelve notes in one octave.
더욱 중요하게는 본 발명의 6선보를 위한 한 옥타브의 피아노 건반을 검은 건반 6개와 흰 건반 6개로 형성함에 있어 도 2에서 알 수 있듯이, 기존 5선보 피아노 건반과는 다르게 검은 건반과 흰 건반이 교대로 연속 배열되게 형성한 것이다. More importantly, in forming an octave piano key for six-input of the present invention with six black keys and six white keys, as can be seen in FIG. 2, unlike the existing five-fiber piano keys, the black and white keys alternately It is formed to be arranged continuously.
검은 건반과 흰 건반이 교대로 연속배열 되면 피아노 사용자는 한 옥타브 단위에 대한 직관적인 인식이 어려울 수 있기에, 본 발명에서는 옥타브 인식의 곤란을 피하기 위해 한 옥타브내 미리 정해 둔 기준 건반에 표식(2)이 형성되게 구성한다. When the black keys and the white keys are alternately arranged in succession, the piano user may have difficulty in intuitively recognizing one octave unit. In the present invention, in order to avoid the difficulty of octave recognition, a marker is set on a predetermined reference key in one octave. Configure it to be formed.
기준 건반은 기존 피아노 건반의 '도'음에 해당하는 '로(Ro)'음 건반이 바람직하며, 기준 건반의 표식(2)은 흰 건반과 검은 건반 모두에 차별이 되는 색상(예컨대 은색 등)의 건반을 만드는 것이다. The reference key is preferably a 'Ro' sound key corresponding to the 'degree' sound of a conventional piano keyboard, and the mark (2) of the reference key is a color differentiating between both white and black keys (for example, silver). To make the keyboard.
본 발명에서는 표식(2)을 색상으로 표시한 것으로 그 일 예를 설명하였지만 그외 다른 방식 예를 들면 소형 원나 도형 표시로 표식을 형성하여도 되며, 사용자가 쉽게 할 수 있수 있는 표식이면 본 발명의 표식(2)의 균등물에 해당됨이 이 기술분야의 통상의 지식을 가진 자에게 자명하여진다. In the present invention, the marker (2) is displayed in color, but an example has been described. However, the marker may be formed by other methods such as a small circle or a graphic display. It is apparent to those skilled in the art that the equivalents of item (2) apply.
이러한 본 발명의 6선보를 위한 피아노 건반은 6선보에서 선에 걸쳐 있는 음은 사용자가 검은 건반을 누르고 선과 선 사이, 즉 칸에 그려져 있는 음은 흰 건반을 누르면 되는 단순함을 제공한다. 이는 5선보와 5선보를 위한 피아노에서 조표(다장조, 바장조 등)와 임시표(#이나♭)를 따지고 “미-파”와 “시-도”사이 반음을 고려해서 연주해야 하는 것과는 달리 보다 직관적이고 쉬운 연주를 할 수 있게 한다.The piano keyboard for the six-presence of the present invention provides the simplicity that the user presses the black key in the sixth line and the user presses the black key, that is, the note drawn in the column presses the white key. This is more intuitive and different from having to play on the piano for the 5th and 5th chords, and to play the semitones (# majors) and temporary tables (# or ♭) and to consider the semitones between “mi-pa” and “shi-do”. Make it easy to play.
또, 6선보를 위한 피아노는 오로지 6선보에 그려진 음의 위치만을 읽고 건반을 누르면 되기 때문에 초견 연주에도 유리하다. In addition, the piano for the sixth announcement is advantageous for beginner performance because only the position of the note drawn on the sixth announcement is read and the key is pressed.
상술한 본 발명의 설명에서는 피아노 건반과 같은 구체적인 실시 예에 관해 설명하였으나, 오르간 등에서도 사용할 수 있으며 여러 가지 변형이 본 발명의 범위에서 벗어나지 않고 실시할 수 있다. 따라서 본 발명의 범위는 설명된 실시 예에 의하여 정할 것이 아니고 특허청구범위 및 그 특허청구범위와 균등한 것에 의해 정해 져야 한다.In the above description of the present invention, a specific embodiment such as a piano keyboard has been described, but it may be used in an organ or the like, and various modifications may be made without departing from the scope of the present invention. Therefore, the scope of the present invention should not be defined by the described embodiments, but should be defined by the claims and their equivalents.
Claims (3)
Applications Claiming Priority (2)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| KR1020130016392A KR101426695B1 (en) | 2013-02-15 | 2013-02-15 | Piano keyboard for staff of six line |
| KR10-2013-0016392 | 2013-02-15 |
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| Publication Number | Publication Date |
|---|---|
| WO2014126361A1 true WO2014126361A1 (en) | 2014-08-21 |
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Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| PCT/KR2014/001060 Ceased WO2014126361A1 (en) | 2013-02-15 | 2014-02-07 | Piano keyboard for 6 staff notation |
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| Country | Link |
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| KR (1) | KR101426695B1 (en) |
| WO (1) | WO2014126361A1 (en) |
Cited By (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN109360537A (en) * | 2018-09-28 | 2019-02-19 | 黄之栋 | A kind of piano keyboard, notation method and musical score |
Citations (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3973460A (en) * | 1974-09-18 | 1976-08-10 | Coles Donald K | Keyboard type musical instrument |
| US4054079A (en) * | 1975-03-12 | 1977-10-18 | Melvin Howard Sohler | Keyboard and notation system |
| JPH06161429A (en) * | 1992-08-06 | 1994-06-07 | Shizuo Okada | Keyboard array of musical instrument |
| KR200179936Y1 (en) * | 1999-11-29 | 2000-04-15 | 이승현 | A keyboard for keyboard musical instruments |
-
2013
- 2013-02-15 KR KR1020130016392A patent/KR101426695B1/en active Active
-
2014
- 2014-02-07 WO PCT/KR2014/001060 patent/WO2014126361A1/en not_active Ceased
Patent Citations (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3973460A (en) * | 1974-09-18 | 1976-08-10 | Coles Donald K | Keyboard type musical instrument |
| US4054079A (en) * | 1975-03-12 | 1977-10-18 | Melvin Howard Sohler | Keyboard and notation system |
| JPH06161429A (en) * | 1992-08-06 | 1994-06-07 | Shizuo Okada | Keyboard array of musical instrument |
| KR200179936Y1 (en) * | 1999-11-29 | 2000-04-15 | 이승현 | A keyboard for keyboard musical instruments |
Cited By (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN109360537A (en) * | 2018-09-28 | 2019-02-19 | 黄之栋 | A kind of piano keyboard, notation method and musical score |
| WO2020063233A1 (en) * | 2018-09-28 | 2020-04-02 | 黄之栋 | Piano keyboard, method for music notation, and music score |
Also Published As
| Publication number | Publication date |
|---|---|
| KR101426695B1 (en) | 2014-08-07 |
| KR20130030790A (en) | 2013-03-27 |
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