| Visual perception of expressiveness in musicians' body movements S Dahl, A Friberg Music Perception 24 (5), 433-454, 2007 | 520 | 2007 |
| Gestures in performance S Dahl, F Bevilacqua, R Bresin Musical gestures, 48-80, 2010 | 158 | 2010 |
| Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198 (2), 339-352, 2009 | 138 | 2009 |
| Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers S Dahl Acta Acustica united with Acustica 90 (4), 762-776, 2004 | 135 | 2004 |
| The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists S Dahl Journal of New Music Research 29 (3), 225-233, 2000 | 101 | 2000 |
| Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011 | 98 | 2011 |
| Expressiveness of musician’s body movements in performances on marimba S Dahl, A Friberg International Gesture Workshop, 479-486, 2003 | 80 | 2003 |
| Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy Frontiers in psychology 10, 84, 2019 | 58 | 2019 |
| Striking movements: A survey of motion analysis of percussionists S Dahl Acoustical science and technology 32 (5), 168-173, 2011 | 57 | 2011 |
| On the beat: Human movement and timing in the production and perception of music S Dahl KTH, 2005 | 53 | 2005 |
| Movements and analysis of drumming S Dahl Oxford University Press, 2012 | 52 | 2012 |
| Preferred dance tempo: does sex or body morphology influence how we groove? S Dahl, D Huron, G Brod, E Altenmüller Journal of New Music Research 43 (2), 214-223, 2014 | 42 | 2014 |
| Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proceedings of the Digital Audio Effects Conference (DAFx), 6-9, 2001 | 39 | 2001 |
| Motor control in drumming: Influence of movement pattern on contact force and sound characteristics S Dahl, E Altenmuller Journal of the Acoustical Society of America 123 (5), 3122, 2008 | 38 | 2008 |
| Facial expression and vocal pitch height: Evidence of an intermodal association. D Huron, S Dahl, R Johnson Empirical Musicology Review 4 (3), 93-100, 2009 | 32 | 2009 |
| Experiments on gestures: walking, running, and hitting R Bresin, S Dahl The sounding object, 111-136, 2003 | 30 | 2003 |
| A technical framework for musical biofeedback in stroke rehabilitation P Kantan, EG Spaich, S Dahl IEEE Transactions on Human-Machine Systems 52 (2), 220-231, 2022 | 29 | 2022 |
| Ghost in the Cave–an interactive collaborative game using non-verbal communication ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ... International Gesture Workshop, 549-556, 2003 | 27 | 2003 |
| Tell me what you see: An exploratory investigation of visual mental imagery evoked by music S Dahl, A Stella, T Bjørner Musicae Scientiae 27 (3), 717-740, 2023 | 25 | 2023 |
| Spectral changes in the tom-tom related to striking force S Dahl Royal Institute of Technology, Department of Speech, Music and Hearing, 1996 | 25 | 1996 |
Prithvi KantanAalborg University CopenhagenVerified email at create.aau.dk
