| A dimensional approach to vocal expression of emotion P Laukka, P Juslin, R Bresin Cognition & Emotion 19 (5), 633-653, 2005 | 425 | 2005 |
| A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities (vol 8, e82491, 2013) G Dubus, R Bresin PLOS ONE 9 (4), 2013 | 398* | 2013 |
| Overview of the KTH rule system for musical performance A Friberg, R Bresin, J Sundberg Advances in Cognitive Psychology 2 (2-3), 145-161, 2006 | 380 | 2006 |
| “Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity E Lindström, PN Juslin, R Bresin, A Williamon Research Studies in Music Education 20 (1), 23-47, 2003 | 300 | 2003 |
| Emotional coloring of computer-controlled music performances R Bresin, A Friberg Computer Music Journal 24 (4), 44-63, 2000 | 278 | 2000 |
| Toward a computational model of expression in music performance: The GERM model PN Juslin, A Friberg, R Bresin Musicae scientiae 5 (1_suppl), 63-122, 2001 | 233 | 2001 |
| Emotional expression in music: contribution, linearity, and additivity of primary musical cues T Eerola, A Friberg, R Bresin Frontiers in psychology 4, 487, 2013 | 216 | 2013 |
| Emotion rendering in music: range and characteristic values of seven musical variables R Bresin, A Friberg cortex 47 (9), 1068-1081, 2011 | 181 | 2011 |
| Gestures in performance S Dahl, F Bevilacqua, R Bresin, M Clayton, L Leante, I Poggi, ... Musical gestures: Sound, movement, and meaning, 36-68, 2009 | 158 | 2009 |
| Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003 | 144 | 2003 |
| Affective diary: designing for bodily expressiveness and self-reflection M Lindström, A Ståhl, K Höök, P Sundström, J Laaksolathi, M Combetto, ... CHI'06 extended abstracts on Human factors in computing systems, 1037-1042, 2006 | 134 | 2006 |
| Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-01), Limerick …, 2001 | 134* | 2001 |
| Articulation Strategies in Expressive Piano Performance Analysis of Legato, Staccato, and Repeated Notes in Performances of the Andante Movement of Mozart’s Sonata in G Major … R Bresin, GU Battel Journal of New Music Research 29 (3), 211-224, 2000 | 131 | 2000 |
| Sound design and perception in walking interactions Y Visell, F Fontana, BL Giordano, R Nordahl, S Serafin, R Bresin International Journal of Human-Computer Studies 67 (11), 947-959, 2009 | 117 | 2009 |
| Artificial neural networks based models for automatic performance of musical scores R Bresin Journal of New Music Research 27 (3), 239-270, 1998 | 117 | 1998 |
| What is the color of that music performance? R Bresin ICMC, 2005 | 107 | 2005 |
| Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008 | 102 | 2008 |
| ‘Sense’in Expressive Music Performance: Data Acquisition, Computational Studies, and Models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Cirotteau, Damien (Ed.): Sound to Sense, Sense to Sound: A State-of-the-Art …, 2008 | 92 | 2008 |
| Articulation Rules For Automatic Music Performance. R Bresin ICMC, 2001 | 91 | 2001 |
| Touch and temporal behavior of grand piano actions W Goebl, R Bresin, A Galembo The Journal of the Acoustical Society of America 118 (2), 1154-1165, 2005 | 88 | 2005 |
Anders FribergKTH Royal Institute of TechnologyVerified email at kth.se
