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WO2021111041A1 - Birth of a picca-son musical instrument - Google Patents

Birth of a picca-son musical instrument Download PDF

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Publication number
WO2021111041A1
WO2021111041A1 PCT/FR2019/000202 FR2019000202W WO2021111041A1 WO 2021111041 A1 WO2021111041 A1 WO 2021111041A1 FR 2019000202 W FR2019000202 W FR 2019000202W WO 2021111041 A1 WO2021111041 A1 WO 2021111041A1
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WIPO (PCT)
Prior art keywords
sound
vibratory
crystal
mass
contact
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Ceased
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PCT/FR2019/000202
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French (fr)
Inventor
Jose Buendia
Pierre Piccaluga
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Steffan Cyril
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Steffan Cyril
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Priority to PCT/FR2019/000202 priority Critical patent/WO2021111041A1/en
Publication of WO2021111041A1 publication Critical patent/WO2021111041A1/en
Anticipated expiration legal-status Critical
Ceased legal-status Critical Current

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D99/00Musical instruments not otherwise provided for
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/02Mechanical acoustic impedances; Impedance matching, e.g. by horns; Acoustic resonators
    • G10K11/04Acoustic filters ; Acoustic resonators
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K15/00Acoustics not otherwise provided for
    • G10K15/04Sound-producing devices
    • CCHEMISTRY; METALLURGY
    • C08ORGANIC MACROMOLECULAR COMPOUNDS; THEIR PREPARATION OR CHEMICAL WORKING-UP; COMPOSITIONS BASED THEREON
    • C08KUse of inorganic or non-macromolecular organic substances as compounding ingredients
    • C08K3/00Use of inorganic substances as compounding ingredients
    • C08K3/02Elements
    • C08K3/04Carbon
    • C08K3/042Graphene or derivatives, e.g. graphene oxides

Definitions

  • Cable-stayed bridges are bridges where the deck is suspended by cables, themselves being supported by anchor point pylons.
  • Fig. 1 in a strong gusty wind, the vibrations in the cables (2) end up creating micro-corrugations which amplify, causing deformations of the deck (1), which finally collapses, moving between the pylons (3) Everything is a relative function of vibration and elasticity of materials.
  • the piano resonance table (1) vibrates, constituting by deformation the sound under the strings and under the cast iron of the rigid frame (3), such as the pylon which holds the strings struck by the hammers of the piano keyboard.
  • the strings (2) blocked on the cast iron frame vibrate at different frequencies which activate the soundboard like the bridge deck.
  • the devices have an expanse of a very wide acoustic spectrum that has never been achieved, nor equaled.
  • components one very heavy (1) which serves as a vibratory support by its mass to another hyper-vibrating component of very low amplitude and light, a bowl or glass (2) or glass vase or more refined in crystal, see metal, titanium, very thin copper, non-limiting examples of the embodiment of the device by those skilled in the art.
  • This musical instrument with sound wind, air is activated, it is vibrated by the music of the environment which amplifies the sound vibrations of space.
  • the instrument the natural resonator device placed on a piano, will amplify all sound frequencies by vibratory communication of air and / or matter in sound vibratory contact.
  • the device placed near or on the piano amplifies the sounds of the environment of a musical instrument, a HIFI system, television, any sound reproduction transmitter, the image is impacted in quality. Indeed, high frequency and quantum sound modifies the environment, audio-visual devices and our perceptions.
  • the device characterizes the extent of the sound spectrum by at least one heavy mass which ensures the base of the low frequencies coupled by self-induced harmonic resonance of the high frequency resonator in crystal, glass, metal due to its weak thicknesses, its shape, it gives its vibratory capacity to capture sound vibrations by contact or by air which are communicated back to the low-frequency resonator support mass and simultaneously and which is a vibratory support towards the crystal, glass or other form resonant.
  • the characteristic of crystal or glass is that the extent of the sound spectrum breaks down perfectly without any distortion, the sound is crystal clear from the lowest frequencies to the highest frequencies, far exceeding the habits of 20 hertz to 20,000 hertz which are framed by this Perfect acoustic tuning fork, with a very wide frequency spectrum.
  • the inertias are extremely low because the controlled vibratory energies are transmitted at a very high frequency common to the mass and to the material glass, baccarat crystal or other naturally and reinforced by the integrated quantum application.
  • This device serves as a very wideband acoustic reference from 10 hertz to over 40,000hertz, which makes it a perfect tuning fork, a new, autonomous musical instrument, with a new standard frequency range from 10 hertz to 40,000hertz.
  • Musical instrument which can be driven by a generator, electronic vibrator up to 48,000hz, it makes audible all the corresponding harmonics within its own sound spectrum, to cover the entire audible frequency band naturally without distortion.
  • the process is a vibratory, acoustic dance of extension by the perfect mechanical vibratory decomposition which is exceptional by at least two components of strongly different mass, of sensitivity of different, opposite, complementary elasticities of different forms which are self-distributing.
  • the vibratory modes any sound frequency, in a wide spectrum are distributed, decomposed, diffracted, amplified perfectly without mechanical distortion by this sound instrument device of exceptional sound reproduction.
  • the complementarity of the 2 complementary components comes into play when the configuration is presented by the connection in external contact Fig. 3 the mass carries the vase or the crystal glass and / or in internal contact,
  • Fig. 4 the compact mass is carried in the vase or the crystal jar by direct contact.
  • Fig. 3 The presence of graphene or graphene oxide (3) on the crystal provides vibratory and communication hypersensitivity between at least the 2 components and the vibratory communication transmitted from the sound environment to matter.
  • a paint excipient makes it possible to fix the quantum product, graphene oxide or graphene on the mass (4) and / or on the crystal (3) for example of realization.
  • a large surface area of graphene or graphene oxide increases the sensitivity of the device for picking up sound vibrations in the nearby environment or by contact with a piano or an acoustic speaker, for example, a television set, or a singer.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Stringed Musical Instruments (AREA)

Abstract

The invention relates to an instrument comprising a very heavy component and another light-weight component of different elasticities and sensitivities.

Description

WO 2021/111041 PCT/FR2019/000202 WO 2021/111041 PCT / FR2019 / 000202

NAISSANCE D'UN INSTRUMENT DE MUSIQUE PICC A-SONBIRTH OF A PICC A-SON MUSICAL INSTRUMENT

Le monde vibratoire est très subtil, il a des conséquences étonnantes comme les ponts suspendus.The vibratory world is very subtle, it has astonishing consequences like the suspension bridges.

Les ponts à haubans sont des ponts où le tablier est suspendu par des câbles, eux-mêmes étant soutenus par des pylônes point d’encrage. Fig. 1 par grand vent en rafale, les vibrations dans les câbles (2) finissent par créer des micro-ondulations qui s’amplifient emportant des déformations du tablier (1), qui s’effondre finalement, s’agitant entre les pylônes (3), Tout est une fonction relative de vibration et d’élasticité des matériaux. Sur un violon ou instrument à cordes Fig. 2, le phénomène est identique sans effondrement de la structure bois de la table de résonnance du violon ou du tablier en fonte (3) du piano comme un pylône, la table de résonnance du piano (1) vibre, constituant par déformation le son sous les cordes et sous la fonte du cadre (3) rigide, comme le pylône qui tient les cordes frappées par les marteaux du clavier du piano. Les cordes (2) bloquées sur le cadre en fonte vibrent à des fréquences différentes qui activent la table d’harmonie comme le tablier du pont.Cable-stayed bridges are bridges where the deck is suspended by cables, themselves being supported by anchor point pylons. Fig. 1 in a strong gusty wind, the vibrations in the cables (2) end up creating micro-corrugations which amplify, causing deformations of the deck (1), which finally collapses, moving between the pylons (3) Everything is a relative function of vibration and elasticity of materials. On a violin or string instrument Fig. 2, the phenomenon is identical without collapse of the wooden structure of the violin resonance table or of the cast iron deck (3) of the piano like a pylon, the piano resonance table (1) vibrates, constituting by deformation the sound under the strings and under the cast iron of the rigid frame (3), such as the pylon which holds the strings struck by the hammers of the piano keyboard. The strings (2) blocked on the cast iron frame vibrate at different frequencies which activate the soundboard like the bridge deck.

Suivant des modules d’élasticités différents et de formes, la comparaison de cette physique vibratoire commutative permet la demande de ce PCT. Constat, les interactions vibratoires des structures se communiquent, s’amplifient entre elles. Les masses du couple de structures d’élasticité différente entre elles, résonnent, créant ainsi des différentiels vibratoires sonores entre une masse lourde compacte rigide, métal, plomb une statue ou autre pierre, béton, sur une répartition vibratoire d’une masse légère d’un verre, d’un cristal décoratif, boule, œuf ouvert, vase, ou autres, et vice- versa. Les vibrations se communiquent dans le couple des masses légères/lourdes par les résonnances propres de chacun des matériaux et de forme qui conduisent les énergies vibratoires de l’air aux matériaux. C’est ainsi que l’instrument sonore ‘’Picca-son” est né. Fig.3, Fig.4 les appareils ont une étendue d’un très large spectre acoustique qui n’a jamais été atteint, ni égalé. Par au moins 2 structures, composants l’un très lourd (1) qui sert d’appui vibratoire de par sa masse à un autre composant hyper-vibrant de très faible amplitude et léger, un bol ou verre (2) ou vase en verre ou plus raffiné en cristal, voir en métal, titane, cuivre de très faible épaisseur, exemples non limitatifs de réalisation de l’appareil par l’homme de l’art. C’est le mode vibratoire élevé qui se propage du cristal, verre dans la masse et vice-versa. Cet instrument de musique à vent sonore, à air est activé, il est vibré par la musique de l’environnement qui amplifie les vibrations sonores de l’espace. L’instrument, l’appareil résonnateur naturel placé sur un piano, va amplifier toutes les fréquences sonores par communication vibratoire de l’air et/ou de la matière en contact vibratoire sonore. L’appareil placé proche ou sur le piano amplifie les sons de l’environnement d’un instrument de musique, d’une chaîne HIFI, de la télévision, de tout émetteur de reproduction sonore, l’image est impactée en qualité. En effet, le son haute fréquence et en quantique modifie le milieu, les appareils audio-visuels et nos perceptions. L’appareil caractérise l’étendue du spectre sonore par au moins une masse lourde qui assure l’assise des basses fréquences couplées par résonnance harmonique auto-induite du résonnateur haute fréquence en cristal, verre, métal de par ses faibles épaisseurs, sa forme, il donne sa capacité vibratoire à capter les vibrations sonores par contact ou par l’air qui sont communiquées en retour à la masse support résonnateur basses fréquences et simultanément et qui est un appui vibratoire vers le cristal, verre ou autre forme résonnante. La caractéristique du cristal ou du verre est que l’étendue du spectre sonore se décompose parfaitement sans aucune distorsion, le son est limpide des plus basses fréquences aux plus hautes fréquences, dépassant largement les habitudes de 20 hertz à 20.000 hertz qui sont encadrées par ce diapason acoustique parfait, à très large spectre de fréquences. En effet les inerties sont extrêmement faibles car les énergies vibratoires pilotées, sont transmises en très haute fréquence commune à la masse et à la matière verre, cristal de baccarat ou autre naturellement et renforcées par l’application quantique intégrée. Cet appareil sert de référence acoustique très large bande de 10 hertz à plus de 40.000hertz, ce qui en fait un diapason parfait, un instrument de musique nouveau, autonome, d’une étendue de fréquences nouvelle norme de 10 hertz à 40.000hertz. Instrument de musique qui peut être piloté par un générateur, vibreur électronique jusqu’à 48.000hz, il rend audible toutes les harmoniques correspondantes à l’intérieur de son propre spectre sonore, pour couvrir toute la bande de fréquence audible naturellement sans distorsion. Le procédé est une danse vibratoire, acoustique d’extension par la décomposition vibratoire mécanique parfaite qui est exceptionnelle par au moins deux composants de masse fortement différente, de sensibilité d’élasticités différentes, opposées, complémentaires de formes différentes qui s’auto-distribuent. Les modes vibratoires toute fréquence sonore, en un large spectre sont distribués, décomposés, diffractés, amplifiés parfaitement sans distorsion mécanique par cet appareil instrument sonore de reproduction sonore exceptionnelle. La complémentarité des 2 composants complémentaires joue quand la configuration se présente par la liaison en contact externe Fig.3 la masse porte le vase ou le verre en cristal et/ou en contact interne,Following different moduli of elasticities and shapes, the comparison of this commutative vibratory physics allows the application of this PCT. Observation, the vibratory interactions of the structures communicate with each other and amplify between them. The masses of the couple of structures of different elasticity between them, resonate, thus creating sound vibratory differentials between a rigid compact heavy mass, metal, lead a statue or other stone, concrete, on a vibratory distribution of a light mass of a glass, a decorative crystal, ball, open egg, vase, or the like, and vice versa. The vibrations are communicated in the couple of light / heavy masses by the resonances specific to each of the materials and form which lead the vibratory energies of the air to the materials. This is how the sound instrument “Picca-son” was born. Fig.3, Fig.4 the devices have an expanse of a very wide acoustic spectrum that has never been achieved, nor equaled. By at least 2 structures, components one very heavy (1) which serves as a vibratory support by its mass to another hyper-vibrating component of very low amplitude and light, a bowl or glass (2) or glass vase or more refined in crystal, see metal, titanium, very thin copper, non-limiting examples of the embodiment of the device by those skilled in the art. It is the high vibratory mode which propagates from the crystal, glass in the mass and vice versa. This musical instrument with sound wind, air is activated, it is vibrated by the music of the environment which amplifies the sound vibrations of space. The instrument, the natural resonator device placed on a piano, will amplify all sound frequencies by vibratory communication of air and / or matter in sound vibratory contact. The device placed near or on the piano amplifies the sounds of the environment of a musical instrument, a HIFI system, television, any sound reproduction transmitter, the image is impacted in quality. Indeed, high frequency and quantum sound modifies the environment, audio-visual devices and our perceptions. The device characterizes the extent of the sound spectrum by at least one heavy mass which ensures the base of the low frequencies coupled by self-induced harmonic resonance of the high frequency resonator in crystal, glass, metal due to its weak thicknesses, its shape, it gives its vibratory capacity to capture sound vibrations by contact or by air which are communicated back to the low-frequency resonator support mass and simultaneously and which is a vibratory support towards the crystal, glass or other form resonant. The characteristic of crystal or glass is that the extent of the sound spectrum breaks down perfectly without any distortion, the sound is crystal clear from the lowest frequencies to the highest frequencies, far exceeding the habits of 20 hertz to 20,000 hertz which are framed by this Perfect acoustic tuning fork, with a very wide frequency spectrum. In fact, the inertias are extremely low because the controlled vibratory energies are transmitted at a very high frequency common to the mass and to the material glass, baccarat crystal or other naturally and reinforced by the integrated quantum application. This device serves as a very wideband acoustic reference from 10 hertz to over 40,000hertz, which makes it a perfect tuning fork, a new, autonomous musical instrument, with a new standard frequency range from 10 hertz to 40,000hertz. Musical instrument which can be driven by a generator, electronic vibrator up to 48,000hz, it makes audible all the corresponding harmonics within its own sound spectrum, to cover the entire audible frequency band naturally without distortion. The process is a vibratory, acoustic dance of extension by the perfect mechanical vibratory decomposition which is exceptional by at least two components of strongly different mass, of sensitivity of different, opposite, complementary elasticities of different forms which are self-distributing. The vibratory modes any sound frequency, in a wide spectrum are distributed, decomposed, diffracted, amplified perfectly without mechanical distortion by this sound instrument device of exceptional sound reproduction. The complementarity of the 2 complementary components comes into play when the configuration is presented by the connection in external contact Fig. 3 the mass carries the vase or the crystal glass and / or in internal contact,

Fig.4 la masse compacte est portée dans le vase ou le bocal de cristal par contact direct. Fig.3, La présence de graphène ou d’oxyde de graphène (3) sur le cristal apporte une hypersensibilité vibratoire et de communication entre au moins les 2 composants et la communication vibratoire transmise de l’environnement sonore à la matière. Un excipient peinture permet de fixer le produit quantique, l’oxyde de graphène ou le graphène sur la masse (4) et/ou sur le cristal (3) par exemple de réalisation. Une surface importante de graphène ou d’oxyde de graphène augmente la sensibilité de l’appareil de captage des vibrations sonores dans l’environnement de proximité ou par contact sur un piano ou une enceinte acoustique par exemple, poste de télévision, ou un chanteur. Toutes les échelles de dimensions sont possibles, il n’y a que la dimension relative présente des deux composants principaux qui compte dans un environnement sonore d’un casque audio, une prothèse auditive, un téléphone, une salle de concert, un auditorium, chez soi, en voiture, tout véhicule par exemple non limitatif d’applications. L’appareil redistribue parfaitement sans confusion les ondes sonores sans aucune distorsion acoustique, les bruits de fond sont gommés, répartis, audibles sans brouillage, partout pour les écouter. Le paradoxe, un son parfait dans un silence total, extraordinaire. Fig. 4 the compact mass is carried in the vase or the crystal jar by direct contact. Fig. 3, The presence of graphene or graphene oxide (3) on the crystal provides vibratory and communication hypersensitivity between at least the 2 components and the vibratory communication transmitted from the sound environment to matter. A paint excipient makes it possible to fix the quantum product, graphene oxide or graphene on the mass (4) and / or on the crystal (3) for example of realization. A large surface area of graphene or graphene oxide increases the sensitivity of the device for picking up sound vibrations in the nearby environment or by contact with a piano or an acoustic speaker, for example, a television set, or a singer. All dimension scales are possible, there is only the relative dimension present of the two main components which counts in a sound environment of an audio headset, a hearing aid, a telephone, a concert hall, an auditorium, at home. yourself, by car, any vehicle for example without limitation of applications. The device perfectly redistributes sound waves without confusion without any acoustic distortion, background noises are erased, distributed, audible without interference, everywhere to listen to them. The paradox, perfect sound in total, extraordinary silence.

Claims

WO 2021/111041 PCT/FR2019/000202 WO 2021/111041 PCT / FR2019 / 000202 REVENDICATIONS 1 °- Le procédé est une danse vibratoire, acoustique commutative physique de décomposition vibratoire en interactions qui s’amplifient entres elles, par au moins deux composants du couple des 2 structures fortement différentes de sensibilité, d’élasticités différentes, de formes complémentaires qui s’auto-distribuent, communiquent, répartissent les modes vibratoires sonores des résonnances propres pour un très large spectre sonore, activé par l’environnement sonore ou par contact vibratoire, la propagation sonore vibratoire se distribue suivant des modules d’élasticités différents par les natures et les formes de ces matières reliées entre elles, suivant cette nouvelle configuration appliquée pour l’acoustique et sa propagation précise naturelle, limpide, pleine de clarté, à très large spectre de fréquences devenant un diapason toute fréquence, un instrument de musique autonome. 2°- Appareil selon la revendication 1 caractérisé par au moins 2 composants du couple, l’un très lourd qui sert d’appui vibratoire de par sa masse compacte rigide, métal, plomb, un bronze, une statue ou autre pierre, béton, qui se répartit par les effets vibratoires à au moins un autre composant hyper-vibrant de très faible amplitude et léger de faible épaisseur, un bol, un verre, un vase, un cristal décoratif, voir en métal, titane de très faible épaisseur, c’est le mode vibratoire haute fréquence, capté qui se propage, se distribue équitablement entre la masse et le cristal par diffraction de résonnance propre sonore, des différents modules d’élasticités complémentaires, ce qui apporte un très large spectre sonore sans distorsion, de 10 hertz à 40.000 hertz, un diapason très large bande toute fréquence, un instrument de musique ‘Ticca-son” de référence acoustique autonome de reproduction sonore, une nouvelle norme physique de référence appliquée pour toutes les harmoniques, activées par l’environnement sonore ou par contact, les bruits de fond sont gommés. 3 °- Appareil selon la revendication 1 et 2, est caractérisé par un excipient peinture qui permet de fixer le produit quantique, l’oxyde de graphène et/ou le graphène sur la masse et/ou sur le cristal par exemple de réalisation, un dessin ou une surface importante de graphène ou d’oxyde de graphène augmente la sensibilité de captage des vibrations sonores de l’environnement de proximité ou par contact sur un piano, une enceinte acoustique, poste de télévision, l’image est impactée en qualité. 4°- L’appareil suivant les 3 revendications, la masse est soit posée en interne en contact dans le vase, le verre, le cristal, soit le verre, le vase, le cristal est porté par la masse, pour les transmissions vibratoires, en effet les inerties sont extrêmement faibles car pilotées, transmises en très haute fréquence, par l’application quantique intégrée, et/ou pilotée électroniquement par vibreur. 1 ° - The process is a vibratory dance, physical commutative acoustics of vibratory decomposition in interactions which amplify between them, by at least two components of the couple of 2 strongly different structures of sensitivity, of different elasticities, of complementary shapes which s '' self-distribute, communicate, distribute the sound vibratory modes of own resonances for a very wide sound spectrum, activated by the sound environment or by vibratory contact, the vibratory sound propagation is distributed according to different elastic moduli by natures and the forms of these interconnected materials, following this new configuration applied for acoustics and its precise natural propagation, limpid, full of clarity, with a very wide spectrum of frequencies, becoming an all-frequency tuning fork, an autonomous musical instrument. 2 - Apparatus according to claim 1 characterized by at least 2 components of the couple, one very heavy which serves as a vibratory support by its rigid compact mass, metal, lead, a bronze, a statue or other stone, concrete, which is distributed by the vibratory effects to at least one other hyper-vibrating component of very low amplitude and light of low thickness, a bowl, a glass, a vase, a decorative crystal, see metal, very thin titanium, c 'is the high-frequency vibratory mode, captured which propagates, is distributed equitably between the mass and the crystal by diffraction of own sound resonance, different moduli of complementary elasticities, which brings a very wide sound spectrum without distortion, of 10 hertz at 40,000 hertz, a very wide band all frequency tuning fork, a musical instrument 'Ticca-son' of autonomous acoustic reference of sound reproduction, a new physical standard of reference applied for all harmonics, activated by the sound environment or by contact, background noises are erased. 3 ° - Apparatus according to claim 1 and 2, is characterized by a paint excipient which allows the quantum product, graphene oxide and / or graphene to be fixed on the mass and / or on the crystal for example of realization, a drawing or a large surface of graphene or graphene oxide increases the sensitivity of picking up sound vibrations from the nearby environment or by contact on a piano, an acoustic speaker, television set, the image is impacted in quality. 4 ° - The device according to the 3 claims, the mass is either placed internally in contact in the vase, the glass, the crystal, or the glass, the vase, the crystal is carried by the mass, for vibratory transmissions, in fact, the inertias are extremely low because they are controlled, transmitted at very high frequency, by the integrated quantum application, and / or electronically controlled by a vibrator. 5°- L’appareil suivant toutes les revendications, toutes les échelles de dimensions sont possibles, il n’y a que la dimension relative des 2 composants présents qui compte dans un environnement sonore, d’un casque audio, une prothèse auditive, un téléphone, une salle de concert, un auditorium, chez soi, en voiture, tout véhicule par exemple non limitatif d’applications, où l’appareil redistribue parfaitement sans confusion les ondes sonores sans distorsion acoustique, les sons sont répartis parfaitement audibles, sans brouillage, partout pour les écouter, dans un silence total, le paradoxe. 5 ° - The device according to all the claims, all dimension scales are possible, there is only the relative dimension of the 2 components present which counts in a sound environment, of an audio headset, a hearing aid, a telephone, a concert hall, an auditorium, at home, by car, any vehicle for example without limitation of applications, where the device perfectly redistributes sound waves without confusion without acoustic distortion, the sounds are distributed perfectly audible, without interference , everywhere to listen to them, in total silence, the paradox.
PCT/FR2019/000202 2019-12-05 2019-12-05 Birth of a picca-son musical instrument Ceased WO2021111041A1 (en)

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Publication number Priority date Publication date Assignee Title
DE102012111717A1 (en) * 2012-07-27 2014-01-30 Dorothea Knophius Device for holding singing bowl, has resonance body with light source and recess for singing bowl, where device has suspension unit that is suitable for fastening racket
WO2018187456A1 (en) * 2017-04-04 2018-10-11 Jacob Barnes Variable pitch idiophone and method of playing same
WO2018206858A1 (en) * 2017-05-11 2018-11-15 Buendia Jose Apparatus for automatic sound calibration

Patent Citations (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
DE102012111717A1 (en) * 2012-07-27 2014-01-30 Dorothea Knophius Device for holding singing bowl, has resonance body with light source and recess for singing bowl, where device has suspension unit that is suitable for fastening racket
WO2018187456A1 (en) * 2017-04-04 2018-10-11 Jacob Barnes Variable pitch idiophone and method of playing same
WO2018206858A1 (en) * 2017-05-11 2018-11-15 Buendia Jose Apparatus for automatic sound calibration

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* Cited by examiner, † Cited by third party
Title
ABIGAIL WAINWRIGHT: "Cleansing Healing Crystal Singing Bowls", 17 June 2014 (2014-06-17), pages 1, XP054980764, Retrieved from the Internet <URL:https://www.youtube.com/watch?v=zhsg2bn8QFo> [retrieved on 20200810] *
ANONYMOUS: "How To Use A Singing Bowl", 10 October 2013 (2013-10-10), XP055721296, Retrieved from the Internet <URL:https://web.archive.org/web/20131010140458/hinkyimport.com/how-to-use-a-singing-bowl/> [retrieved on 20200810] *

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