WO2021111041A1 - Birth of a picca-son musical instrument - Google Patents
Birth of a picca-son musical instrument Download PDFInfo
- Publication number
- WO2021111041A1 WO2021111041A1 PCT/FR2019/000202 FR2019000202W WO2021111041A1 WO 2021111041 A1 WO2021111041 A1 WO 2021111041A1 FR 2019000202 W FR2019000202 W FR 2019000202W WO 2021111041 A1 WO2021111041 A1 WO 2021111041A1
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- WO
- WIPO (PCT)
- Prior art keywords
- sound
- vibratory
- crystal
- mass
- contact
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Ceased
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Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D99/00—Musical instruments not otherwise provided for
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10K—SOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
- G10K11/00—Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
- G10K11/02—Mechanical acoustic impedances; Impedance matching, e.g. by horns; Acoustic resonators
- G10K11/04—Acoustic filters ; Acoustic resonators
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10K—SOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
- G10K15/00—Acoustics not otherwise provided for
- G10K15/04—Sound-producing devices
-
- C—CHEMISTRY; METALLURGY
- C08—ORGANIC MACROMOLECULAR COMPOUNDS; THEIR PREPARATION OR CHEMICAL WORKING-UP; COMPOSITIONS BASED THEREON
- C08K—Use of inorganic or non-macromolecular organic substances as compounding ingredients
- C08K3/00—Use of inorganic substances as compounding ingredients
- C08K3/02—Elements
- C08K3/04—Carbon
- C08K3/042—Graphene or derivatives, e.g. graphene oxides
Definitions
- Cable-stayed bridges are bridges where the deck is suspended by cables, themselves being supported by anchor point pylons.
- Fig. 1 in a strong gusty wind, the vibrations in the cables (2) end up creating micro-corrugations which amplify, causing deformations of the deck (1), which finally collapses, moving between the pylons (3) Everything is a relative function of vibration and elasticity of materials.
- the piano resonance table (1) vibrates, constituting by deformation the sound under the strings and under the cast iron of the rigid frame (3), such as the pylon which holds the strings struck by the hammers of the piano keyboard.
- the strings (2) blocked on the cast iron frame vibrate at different frequencies which activate the soundboard like the bridge deck.
- the devices have an expanse of a very wide acoustic spectrum that has never been achieved, nor equaled.
- components one very heavy (1) which serves as a vibratory support by its mass to another hyper-vibrating component of very low amplitude and light, a bowl or glass (2) or glass vase or more refined in crystal, see metal, titanium, very thin copper, non-limiting examples of the embodiment of the device by those skilled in the art.
- This musical instrument with sound wind, air is activated, it is vibrated by the music of the environment which amplifies the sound vibrations of space.
- the instrument the natural resonator device placed on a piano, will amplify all sound frequencies by vibratory communication of air and / or matter in sound vibratory contact.
- the device placed near or on the piano amplifies the sounds of the environment of a musical instrument, a HIFI system, television, any sound reproduction transmitter, the image is impacted in quality. Indeed, high frequency and quantum sound modifies the environment, audio-visual devices and our perceptions.
- the device characterizes the extent of the sound spectrum by at least one heavy mass which ensures the base of the low frequencies coupled by self-induced harmonic resonance of the high frequency resonator in crystal, glass, metal due to its weak thicknesses, its shape, it gives its vibratory capacity to capture sound vibrations by contact or by air which are communicated back to the low-frequency resonator support mass and simultaneously and which is a vibratory support towards the crystal, glass or other form resonant.
- the characteristic of crystal or glass is that the extent of the sound spectrum breaks down perfectly without any distortion, the sound is crystal clear from the lowest frequencies to the highest frequencies, far exceeding the habits of 20 hertz to 20,000 hertz which are framed by this Perfect acoustic tuning fork, with a very wide frequency spectrum.
- the inertias are extremely low because the controlled vibratory energies are transmitted at a very high frequency common to the mass and to the material glass, baccarat crystal or other naturally and reinforced by the integrated quantum application.
- This device serves as a very wideband acoustic reference from 10 hertz to over 40,000hertz, which makes it a perfect tuning fork, a new, autonomous musical instrument, with a new standard frequency range from 10 hertz to 40,000hertz.
- Musical instrument which can be driven by a generator, electronic vibrator up to 48,000hz, it makes audible all the corresponding harmonics within its own sound spectrum, to cover the entire audible frequency band naturally without distortion.
- the process is a vibratory, acoustic dance of extension by the perfect mechanical vibratory decomposition which is exceptional by at least two components of strongly different mass, of sensitivity of different, opposite, complementary elasticities of different forms which are self-distributing.
- the vibratory modes any sound frequency, in a wide spectrum are distributed, decomposed, diffracted, amplified perfectly without mechanical distortion by this sound instrument device of exceptional sound reproduction.
- the complementarity of the 2 complementary components comes into play when the configuration is presented by the connection in external contact Fig. 3 the mass carries the vase or the crystal glass and / or in internal contact,
- Fig. 4 the compact mass is carried in the vase or the crystal jar by direct contact.
- Fig. 3 The presence of graphene or graphene oxide (3) on the crystal provides vibratory and communication hypersensitivity between at least the 2 components and the vibratory communication transmitted from the sound environment to matter.
- a paint excipient makes it possible to fix the quantum product, graphene oxide or graphene on the mass (4) and / or on the crystal (3) for example of realization.
- a large surface area of graphene or graphene oxide increases the sensitivity of the device for picking up sound vibrations in the nearby environment or by contact with a piano or an acoustic speaker, for example, a television set, or a singer.
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- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Stringed Musical Instruments (AREA)
Abstract
Description
WO 2021/111041 PCT/FR2019/000202 WO 2021/111041 PCT / FR2019 / 000202
NAISSANCE D'UN INSTRUMENT DE MUSIQUE PICC A-SONBIRTH OF A PICC A-SON MUSICAL INSTRUMENT
Le monde vibratoire est très subtil, il a des conséquences étonnantes comme les ponts suspendus.The vibratory world is very subtle, it has astonishing consequences like the suspension bridges.
Les ponts à haubans sont des ponts où le tablier est suspendu par des câbles, eux-mêmes étant soutenus par des pylônes point d’encrage. Fig. 1 par grand vent en rafale, les vibrations dans les câbles (2) finissent par créer des micro-ondulations qui s’amplifient emportant des déformations du tablier (1), qui s’effondre finalement, s’agitant entre les pylônes (3), Tout est une fonction relative de vibration et d’élasticité des matériaux. Sur un violon ou instrument à cordes Fig. 2, le phénomène est identique sans effondrement de la structure bois de la table de résonnance du violon ou du tablier en fonte (3) du piano comme un pylône, la table de résonnance du piano (1) vibre, constituant par déformation le son sous les cordes et sous la fonte du cadre (3) rigide, comme le pylône qui tient les cordes frappées par les marteaux du clavier du piano. Les cordes (2) bloquées sur le cadre en fonte vibrent à des fréquences différentes qui activent la table d’harmonie comme le tablier du pont.Cable-stayed bridges are bridges where the deck is suspended by cables, themselves being supported by anchor point pylons. Fig. 1 in a strong gusty wind, the vibrations in the cables (2) end up creating micro-corrugations which amplify, causing deformations of the deck (1), which finally collapses, moving between the pylons (3) Everything is a relative function of vibration and elasticity of materials. On a violin or string instrument Fig. 2, the phenomenon is identical without collapse of the wooden structure of the violin resonance table or of the cast iron deck (3) of the piano like a pylon, the piano resonance table (1) vibrates, constituting by deformation the sound under the strings and under the cast iron of the rigid frame (3), such as the pylon which holds the strings struck by the hammers of the piano keyboard. The strings (2) blocked on the cast iron frame vibrate at different frequencies which activate the soundboard like the bridge deck.
Suivant des modules d’élasticités différents et de formes, la comparaison de cette physique vibratoire commutative permet la demande de ce PCT. Constat, les interactions vibratoires des structures se communiquent, s’amplifient entre elles. Les masses du couple de structures d’élasticité différente entre elles, résonnent, créant ainsi des différentiels vibratoires sonores entre une masse lourde compacte rigide, métal, plomb une statue ou autre pierre, béton, sur une répartition vibratoire d’une masse légère d’un verre, d’un cristal décoratif, boule, œuf ouvert, vase, ou autres, et vice- versa. Les vibrations se communiquent dans le couple des masses légères/lourdes par les résonnances propres de chacun des matériaux et de forme qui conduisent les énergies vibratoires de l’air aux matériaux. C’est ainsi que l’instrument sonore ‘’Picca-son” est né. Fig.3, Fig.4 les appareils ont une étendue d’un très large spectre acoustique qui n’a jamais été atteint, ni égalé. Par au moins 2 structures, composants l’un très lourd (1) qui sert d’appui vibratoire de par sa masse à un autre composant hyper-vibrant de très faible amplitude et léger, un bol ou verre (2) ou vase en verre ou plus raffiné en cristal, voir en métal, titane, cuivre de très faible épaisseur, exemples non limitatifs de réalisation de l’appareil par l’homme de l’art. C’est le mode vibratoire élevé qui se propage du cristal, verre dans la masse et vice-versa. Cet instrument de musique à vent sonore, à air est activé, il est vibré par la musique de l’environnement qui amplifie les vibrations sonores de l’espace. L’instrument, l’appareil résonnateur naturel placé sur un piano, va amplifier toutes les fréquences sonores par communication vibratoire de l’air et/ou de la matière en contact vibratoire sonore. L’appareil placé proche ou sur le piano amplifie les sons de l’environnement d’un instrument de musique, d’une chaîne HIFI, de la télévision, de tout émetteur de reproduction sonore, l’image est impactée en qualité. En effet, le son haute fréquence et en quantique modifie le milieu, les appareils audio-visuels et nos perceptions. L’appareil caractérise l’étendue du spectre sonore par au moins une masse lourde qui assure l’assise des basses fréquences couplées par résonnance harmonique auto-induite du résonnateur haute fréquence en cristal, verre, métal de par ses faibles épaisseurs, sa forme, il donne sa capacité vibratoire à capter les vibrations sonores par contact ou par l’air qui sont communiquées en retour à la masse support résonnateur basses fréquences et simultanément et qui est un appui vibratoire vers le cristal, verre ou autre forme résonnante. La caractéristique du cristal ou du verre est que l’étendue du spectre sonore se décompose parfaitement sans aucune distorsion, le son est limpide des plus basses fréquences aux plus hautes fréquences, dépassant largement les habitudes de 20 hertz à 20.000 hertz qui sont encadrées par ce diapason acoustique parfait, à très large spectre de fréquences. En effet les inerties sont extrêmement faibles car les énergies vibratoires pilotées, sont transmises en très haute fréquence commune à la masse et à la matière verre, cristal de baccarat ou autre naturellement et renforcées par l’application quantique intégrée. Cet appareil sert de référence acoustique très large bande de 10 hertz à plus de 40.000hertz, ce qui en fait un diapason parfait, un instrument de musique nouveau, autonome, d’une étendue de fréquences nouvelle norme de 10 hertz à 40.000hertz. Instrument de musique qui peut être piloté par un générateur, vibreur électronique jusqu’à 48.000hz, il rend audible toutes les harmoniques correspondantes à l’intérieur de son propre spectre sonore, pour couvrir toute la bande de fréquence audible naturellement sans distorsion. Le procédé est une danse vibratoire, acoustique d’extension par la décomposition vibratoire mécanique parfaite qui est exceptionnelle par au moins deux composants de masse fortement différente, de sensibilité d’élasticités différentes, opposées, complémentaires de formes différentes qui s’auto-distribuent. Les modes vibratoires toute fréquence sonore, en un large spectre sont distribués, décomposés, diffractés, amplifiés parfaitement sans distorsion mécanique par cet appareil instrument sonore de reproduction sonore exceptionnelle. La complémentarité des 2 composants complémentaires joue quand la configuration se présente par la liaison en contact externe Fig.3 la masse porte le vase ou le verre en cristal et/ou en contact interne,Following different moduli of elasticities and shapes, the comparison of this commutative vibratory physics allows the application of this PCT. Observation, the vibratory interactions of the structures communicate with each other and amplify between them. The masses of the couple of structures of different elasticity between them, resonate, thus creating sound vibratory differentials between a rigid compact heavy mass, metal, lead a statue or other stone, concrete, on a vibratory distribution of a light mass of a glass, a decorative crystal, ball, open egg, vase, or the like, and vice versa. The vibrations are communicated in the couple of light / heavy masses by the resonances specific to each of the materials and form which lead the vibratory energies of the air to the materials. This is how the sound instrument “Picca-son” was born. Fig.3, Fig.4 the devices have an expanse of a very wide acoustic spectrum that has never been achieved, nor equaled. By at least 2 structures, components one very heavy (1) which serves as a vibratory support by its mass to another hyper-vibrating component of very low amplitude and light, a bowl or glass (2) or glass vase or more refined in crystal, see metal, titanium, very thin copper, non-limiting examples of the embodiment of the device by those skilled in the art. It is the high vibratory mode which propagates from the crystal, glass in the mass and vice versa. This musical instrument with sound wind, air is activated, it is vibrated by the music of the environment which amplifies the sound vibrations of space. The instrument, the natural resonator device placed on a piano, will amplify all sound frequencies by vibratory communication of air and / or matter in sound vibratory contact. The device placed near or on the piano amplifies the sounds of the environment of a musical instrument, a HIFI system, television, any sound reproduction transmitter, the image is impacted in quality. Indeed, high frequency and quantum sound modifies the environment, audio-visual devices and our perceptions. The device characterizes the extent of the sound spectrum by at least one heavy mass which ensures the base of the low frequencies coupled by self-induced harmonic resonance of the high frequency resonator in crystal, glass, metal due to its weak thicknesses, its shape, it gives its vibratory capacity to capture sound vibrations by contact or by air which are communicated back to the low-frequency resonator support mass and simultaneously and which is a vibratory support towards the crystal, glass or other form resonant. The characteristic of crystal or glass is that the extent of the sound spectrum breaks down perfectly without any distortion, the sound is crystal clear from the lowest frequencies to the highest frequencies, far exceeding the habits of 20 hertz to 20,000 hertz which are framed by this Perfect acoustic tuning fork, with a very wide frequency spectrum. In fact, the inertias are extremely low because the controlled vibratory energies are transmitted at a very high frequency common to the mass and to the material glass, baccarat crystal or other naturally and reinforced by the integrated quantum application. This device serves as a very wideband acoustic reference from 10 hertz to over 40,000hertz, which makes it a perfect tuning fork, a new, autonomous musical instrument, with a new standard frequency range from 10 hertz to 40,000hertz. Musical instrument which can be driven by a generator, electronic vibrator up to 48,000hz, it makes audible all the corresponding harmonics within its own sound spectrum, to cover the entire audible frequency band naturally without distortion. The process is a vibratory, acoustic dance of extension by the perfect mechanical vibratory decomposition which is exceptional by at least two components of strongly different mass, of sensitivity of different, opposite, complementary elasticities of different forms which are self-distributing. The vibratory modes any sound frequency, in a wide spectrum are distributed, decomposed, diffracted, amplified perfectly without mechanical distortion by this sound instrument device of exceptional sound reproduction. The complementarity of the 2 complementary components comes into play when the configuration is presented by the connection in external contact Fig. 3 the mass carries the vase or the crystal glass and / or in internal contact,
Fig.4 la masse compacte est portée dans le vase ou le bocal de cristal par contact direct. Fig.3, La présence de graphène ou d’oxyde de graphène (3) sur le cristal apporte une hypersensibilité vibratoire et de communication entre au moins les 2 composants et la communication vibratoire transmise de l’environnement sonore à la matière. Un excipient peinture permet de fixer le produit quantique, l’oxyde de graphène ou le graphène sur la masse (4) et/ou sur le cristal (3) par exemple de réalisation. Une surface importante de graphène ou d’oxyde de graphène augmente la sensibilité de l’appareil de captage des vibrations sonores dans l’environnement de proximité ou par contact sur un piano ou une enceinte acoustique par exemple, poste de télévision, ou un chanteur. Toutes les échelles de dimensions sont possibles, il n’y a que la dimension relative présente des deux composants principaux qui compte dans un environnement sonore d’un casque audio, une prothèse auditive, un téléphone, une salle de concert, un auditorium, chez soi, en voiture, tout véhicule par exemple non limitatif d’applications. L’appareil redistribue parfaitement sans confusion les ondes sonores sans aucune distorsion acoustique, les bruits de fond sont gommés, répartis, audibles sans brouillage, partout pour les écouter. Le paradoxe, un son parfait dans un silence total, extraordinaire. Fig. 4 the compact mass is carried in the vase or the crystal jar by direct contact. Fig. 3, The presence of graphene or graphene oxide (3) on the crystal provides vibratory and communication hypersensitivity between at least the 2 components and the vibratory communication transmitted from the sound environment to matter. A paint excipient makes it possible to fix the quantum product, graphene oxide or graphene on the mass (4) and / or on the crystal (3) for example of realization. A large surface area of graphene or graphene oxide increases the sensitivity of the device for picking up sound vibrations in the nearby environment or by contact with a piano or an acoustic speaker, for example, a television set, or a singer. All dimension scales are possible, there is only the relative dimension present of the two main components which counts in a sound environment of an audio headset, a hearing aid, a telephone, a concert hall, an auditorium, at home. yourself, by car, any vehicle for example without limitation of applications. The device perfectly redistributes sound waves without confusion without any acoustic distortion, background noises are erased, distributed, audible without interference, everywhere to listen to them. The paradox, perfect sound in total, extraordinary silence.
Claims
Priority Applications (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| PCT/FR2019/000202 WO2021111041A1 (en) | 2019-12-05 | 2019-12-05 | Birth of a picca-son musical instrument |
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| PCT/FR2019/000202 WO2021111041A1 (en) | 2019-12-05 | 2019-12-05 | Birth of a picca-son musical instrument |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| WO2021111041A1 true WO2021111041A1 (en) | 2021-06-10 |
Family
ID=69570696
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| PCT/FR2019/000202 Ceased WO2021111041A1 (en) | 2019-12-05 | 2019-12-05 | Birth of a picca-son musical instrument |
Country Status (1)
| Country | Link |
|---|---|
| WO (1) | WO2021111041A1 (en) |
Citations (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| DE102012111717A1 (en) * | 2012-07-27 | 2014-01-30 | Dorothea Knophius | Device for holding singing bowl, has resonance body with light source and recess for singing bowl, where device has suspension unit that is suitable for fastening racket |
| WO2018187456A1 (en) * | 2017-04-04 | 2018-10-11 | Jacob Barnes | Variable pitch idiophone and method of playing same |
| WO2018206858A1 (en) * | 2017-05-11 | 2018-11-15 | Buendia Jose | Apparatus for automatic sound calibration |
-
2019
- 2019-12-05 WO PCT/FR2019/000202 patent/WO2021111041A1/en not_active Ceased
Patent Citations (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| DE102012111717A1 (en) * | 2012-07-27 | 2014-01-30 | Dorothea Knophius | Device for holding singing bowl, has resonance body with light source and recess for singing bowl, where device has suspension unit that is suitable for fastening racket |
| WO2018187456A1 (en) * | 2017-04-04 | 2018-10-11 | Jacob Barnes | Variable pitch idiophone and method of playing same |
| WO2018206858A1 (en) * | 2017-05-11 | 2018-11-15 | Buendia Jose | Apparatus for automatic sound calibration |
Non-Patent Citations (2)
| Title |
|---|
| ABIGAIL WAINWRIGHT: "Cleansing Healing Crystal Singing Bowls", 17 June 2014 (2014-06-17), pages 1, XP054980764, Retrieved from the Internet <URL:https://www.youtube.com/watch?v=zhsg2bn8QFo> [retrieved on 20200810] * |
| ANONYMOUS: "How To Use A Singing Bowl", 10 October 2013 (2013-10-10), XP055721296, Retrieved from the Internet <URL:https://web.archive.org/web/20131010140458/hinkyimport.com/how-to-use-a-singing-bowl/> [retrieved on 20200810] * |
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