US3718747A - Electrocoustic pipes for electronic organs - Google Patents
Electrocoustic pipes for electronic organs Download PDFInfo
- Publication number
- US3718747A US3718747A US00167172A US3718747DA US3718747A US 3718747 A US3718747 A US 3718747A US 00167172 A US00167172 A US 00167172A US 3718747D A US3718747D A US 3718747DA US 3718747 A US3718747 A US 3718747A
- Authority
- US
- United States
- Prior art keywords
- pipe
- loudspeaker
- tube
- organ
- hollow
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Expired - Lifetime
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Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10K—SOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
- G10K11/00—Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
- G10K11/02—Mechanical acoustic impedances; Impedance matching, e.g. by horns; Acoustic resonators
- G10K11/04—Acoustic filters ; Acoustic resonators
-
- Y—GENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
- Y10—TECHNICAL SUBJECTS COVERED BY FORMER USPC
- Y10S—TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
- Y10S84/00—Music
- Y10S84/01—Plural speakers
-
- Y—GENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
- Y10—TECHNICAL SUBJECTS COVERED BY FORMER USPC
- Y10S—TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
- Y10S84/00—Music
- Y10S84/17—Cabinets
Definitions
- radiators are physically arranged as in a pipe organ and each including a cylindrical pipe having an upwardly directed loudspeaker in its upper end, the loudspeaker being of the minimum diameter capable of acoustically radiating the band of frequencies over which it may be driven, and the pipe having an enclosed volume appropriate to form a Helmholtz resonator tuned near the lowest frequency of the band, the pipe itself being mechanically rigid in terms of the material of which itis fabricated and also acoustically damped at higher frequencies by virtue of acoustical absorbent material which is distributed internally of the pipe so as to damp out standing waves.
- Each pipe may be provided with a mouth, shaped and positioned to simulate visually the mouth of a true organ pipe, but of a size acoustically selected to resonate with the pipe enclosure at the desired low frequency to flatten the frequency response over the radiated band of frequencies.
- the sound coming directly to the listeners from the pipe contains relatively less high-frequency power than the sound which is reflected from the ceilingand walls of the room toward the listener. This is particularly true for installations of exposed pipes within reverberant rooms, as distinguished from tone chambers.
- Realistic organ tones can be produced from electrical tone waves, if the following conditions are fulfilled:
- the electrical input wave-form to the loudspeaker resembles closely the corresponding pipe tone waveform.
- the loudspeaker unit faithfully converts the input to sound output without audible distortion.
- the loudspeaker and the loudspeaker enclosure combine to radiate tone in a pipe-like manner.
- the loudspeaker enclosures are located, oriented and grouped to resemble a spatial array of organ pipes.
- the array is installed within an acoustical environment suitable for a pipe organ.
- Fulfillment of the first condition depends upon pipe tone research and the development of suitable electrical circuitry.
- the second involves careful selection of a loudspeaker unit.
- Condition is a matter of installation room acoustics. This application relates primarily to the fulfillment of conditions 3 and 4, assuming that conditions 1, 2 and 5 are met.
- I tone radiators For efficient tone production at low and medium frequencies, with flat frequency response, one must enclose the back of the loudspeaker insufficient volume to prevent the back enclosure from unduly stiffening the diaphragm acoustically.
- the back enclosure has the diameter of the loudspeaker rim, it is thus necessary for the length of the pipe to be large compared to the diameter. This acoustical requirement leads into the range of dimensional proportions for I tone radiators according to the present invention, which are also typical of organ pipes (e.g., five or 10 to one).
- the port is located where the mouth of a conventional pipe would be, so that thecombined tone radiation from the top of the pipe and.
- the side of the enclosure via the port will be pipe-like.
- Custom installation of electroacoustic pipes is feasible because (1) several standard diameters can be adapted to various stop (or pitch) requirements, and (2) the lengths can be varied (within reasonable design limits) to achieve a desired visual result to complement the architectural design.
- the air blown pipes of pipe organs operate on a per note basis.
- an electroacoustic pipe radiates various notes of the same organ stop,
- the tones of electronic organ stops are radiated from one or more rows of vertical pipes each having a loudspeaker facing upward from its upper end, there being a mouth in each pipe near the bottom end and soundabsorbing material within the pipe, shaped conicallyopen at the bottom and in the form of discrete rings located between the mouth and the top.
- a tone cabinet may support one or more rows of electroacoustic pipes, with one or more relatively large loudspeakers facing outward from each edge of the cabinet.
- Each pipe radiates various tones developed for one stop of the electronic organ, or a very few related stops.
- FIG. 1 is a view in perspective of an installation leading to the invention
- FIG. 2 is a view in elevation of an electroacoustic pipe, having a portion at the top broken away to show a loudspeaker;
- FIG. 3 is a sectional view taken on the line 3-3 of FIG. 2;
- FIG. 4 illustrates a broken front view, of a pipe of the type illustrated in FIG. 1, but a variation therefrom in the bass reflex port area;
- FIG. 5 is a view in elevation of a row of pipes such as might comprise a typical grouping for the entire Great division of an organ and including several pedal pipes;
- FIG. 6 is a view in rear elevation of a cabinet version of the invention, the back panel having been removed to show the contents of the cabinet.
- a vertical pipe 1 preferably of solid plastic, thick-walled impregnated paper tubing or formed Fiberglass, has a loudspeaker 3 mounted at the top thereof.
- a pair of audio signal leads 5 may pass down through the inside of the pipe 1 and vleave via a small hole (not shown) near the bottom rear.
- the bottom of the pipe 1 may be closed by a plug 6 of suitable solid material.
- the pipe 1 may be secured in a vertical position on a floor or solid panel 7 by a shoe or sleeve 9 shaped, as shown, to expose a lower portion of the pipe, in correspondence with the tapered shape of a conventional org'an pipe.
- a bass reflex port -13 may be located near the lower end of the pipe 1, as illustrated in FIG. 2.
- an upper lip area 15 may be open in the pipe 1 and covered with an acoustically transparent fiber or wire-mesh screen, colored as the pipe 1 to simulate a closed area.
- a conically-tapered mass 17 of soundabsorbent material such as glass fiber wool, may be located at the bottom of the pipe to damp the lowest column resonances of the enclosure.
- soundabsorbent rings 19 of a similar material may be distributed along the inside of pipe 1 between the port 13 and the loudspeaker 3. The rings are so spaced as to damp higher-frequency acoustical resonances which would otherwise occur at undesired levels, while mass 17 serves to reduce reflections from the bottom of the pipe.
- an array 20 of pipes such as illustrated in FIG. 5, may be employed for one or more divisions of an electronic organ.
- Lower-pitched stops will use long, wide pipes, while higher-pitched stops will use shorter, narrower pipes.
- FIG. 5 illustrates particularly an array which is efiective to radiate the sounds of the Great and Pedal divisions of an electronic organ, in emulation of the sounds of a pipe organ.
- FIGS. 1-3 shows a sleeve 9, it may be desirable to support pipes directly to the under panel or floor, an area such as 21 (FIG. 5) being finished in a dark color, the remainder of the pipe, as at 23, being finished in a lighter color, such as gray, to simulate the appearance of a conventional organ pipe.
- FIG. 6 is a rear elevation of an electronic organ tone cabinet assembly such as might be employed with a smaller organ in a home or other small-room environment.
- One or more rows of electroacoustic pipes, as at 25, are shown along the top 26 of a cabinet 27. These pipes may be used only for higher-pitched and/or higher-harmonic voices, which are more easily localized by listeners than are lower frequencies.
- Enclosed relatively-large loudspeakers 29 may be employed for the lower-pitched and lesser-harmonic voices of the Swell division, while enclosed speakers 31 may serve for the lesser-harmonic and/or lower-pitched voices of a Great division. Large speakers 33 separately enclosed in the same cabinet may serve for the Pedal voices.
- a cabinet such as 27 would preferably be installed behind the console of an electronic organ and probably in front of a wall.
- Appropriate multi-channel power amplifiers 35 may be located centrally in the cabinet to supply audio signals of different electronic organ stops to the corresponding electroacoustic pipes and the cabinet loudspeakers.
- optimum dimensions including port areas and widths may be determined empirically for largerdiameter pipes, smaller-diameter pipes then being scaled down to similar proportions.
- a 3 inch X inch port gave optimum bass reflex action as well as visual similarity to a conventional organpipe.
- additional volume was needed behind the loudspeaker to reduce the stiffening effect of the enclosure, which is a function of volume.
- long strips of tapered-width glass fiber wool of, say 1 inch thickness may be rolled; or a series of rings of graduated inner diameter may be stacked, in order to produce the effectively-conical shape specified for the mass 17.
- the two hollow rings 19 preferably have an inside diameter about half that of the pipe and may be about 4 inches wide. For example, they may be built up from 1 inch thick hollow discs.
- a spacing in the pipe of about one-third and two-thirds of the distance from the loudspeaker 3 to the port 13 is effective, although for a short length only one ring at about midway in the pipe was found effective.
- the optimum location for the rings depends upon the antinodes of these pipe resonances which require damping.
- FIG. 5 of the accompanying drawings which is drawn to scale.
- Bourdon 8 foot stop would utilize a 12 inch cone, the Great Mixture IV a 4 inch cone, for example.
- the sizes of the cones are not critical, but the usual 12 inch, 8 inch, 6 inch and 4 inch cones which are commercially available, are employed, the selection principle being that the cone is as small in diameter as is feasible to radiate effectively at the lowest frequency which is significant in the stop involved.
- the length of the pipe is usually then about seven to 10 times its diameter, to assure an adequate pipe volume to avoid stiffening the cone unduly within the ban of frequencies to be radiated.
- the Helmholtz resonance of the pipe enclosure is controlled in part by the area of openings 15 (or 13), some part of the area of which may be covered with sound transmissive material and appropriately masked, so the visual appearance of a pneumatic organ pipe is retained.
- These same openings act as tone radiators, as is the case in conventional organ pipes.
- the material of the pipe can be heavy paper board, or plastic, but should be of such character that the pipes do not substantially vibrate mechanically along their bodies, and so that radiation occurs chiefly from the pipe mouth and directlyfrom the upper surface of the loudspeaker. Generally, the latter radiation is by far the greater in intensity.
- Pipes are not entirely new for electronic organs.
- U. S. Pat. No. 3,327,044 to Markowitz.
- this earlier system employed loudspeakers on a per note basis.
- these loudspeakers are located at or near the bottoms of the pipes, so that internal pipe resonances will profoundly affect the spectrum (harmonic patterns) of the tone radiated from the other end of the pipe.
- the goals and results and philosophy achieved by the Markowitz system which depend upon internal acoustical resonance of the pipe, diverge radically from those of the present system in which internal resonances of the pipe are purposely minimized in effect.
- a single pipe, therein can radiate a plurality of tone colors, if the acoustical character of the pipe relates suitably to the frequency ranges of the stops. For small installations, this is essential. For large installations, architectural and aesthetic considerations may dictate a very large number of pipes.
- low frequencies maybe radiated by means of an ordinary loudspeaker cabinet, and only high frequency notes by means of pipes, to achieve the effect of a dispersed sound source, together with the effect of elevated sources, of sources deriving in part from a vertically directed radiator and in part from a mouth, and to achieve the aesthetic visual influence of perceiving organ pipes visually, and providing spatially dispersed multiple source radiators.
- an electroacoustic transducing system for transducing tone signals generated by an electronic organ within a structure having a sound reflecting ceiling surface, said electronic organ having provision for generating in separate leads tone signals corresponding with different tone colors, the combination of an elongated hollow internally sound reflecting tube having its longitudinal axis vertical and its lower end totally closed, said hollow tube having a depth to width ratio greater than 4 to l and having a longitudinal axis;
- loudspeaker having a sound radiator, said sound radiator having a sound radiating area substantially equal to the cross sectional area of said tube and said loudspeaker being mounted at the upper end of said hollow tube so as to radiate directly upwardly toward said sound reflecting surface, said sound radiator having a sound radiating area designed to radiate the lowermost frequencies of a selected one of said stops essentially omnidirectionally and the highest notes of said one of said stops only upwardly along said axis for reflection downwardly by said reflecting ceiling surface, said hollow tube including acoustic absorbing material in its bottom for damping acoustic reflections from said lower end, said hollow tube including at least one internal discrete narrow acoustic absorbing ring secured to the inner surface of said tube and located to damp only relatively few selected frequencies of said tone color which might otherwise occur at levels not appropriate to said selected tone color, said tube being acoustically rigid and having a volume selected to resonate as a Helmholtz resonator near the lowest frequency of said selected one of said stops.
- said hollow member has a substantially rectangular radiative port near its lower end, said port being sized to resonate with the volume of the hollow member at a frequency near the low-frequency limit of the range of said signals.
- said first mentioned acoustic absorbing material is a substantially conically-tapered hollow in a mass of sound-absorbent material, said hollow having its apex at said closed end.
- said port extends at least at its upper side into a lip opening in said tube sized for tuning said tube, said lip opening being covered with an acoustically transparent covering material which visually obscures said lip open- S.
- said system includes: a supporting sleeve member for said tube at least partially surrounding said tube only at its lower end, there being a V-shaped opening in said sleeve member under said port, said V-shaped opening having its apex extending downwardly and having its base at least as wide as said port, the configuration of said tube, said V-shaped opening and said port being such as to simulate a pipe of a pipe organ.
- said hollow member contains in the lower end thereof a conically tapered hollow in a mass of sound-absorbent material, the apex of said hollow being the lowermost point of said mass.
- said tube contains at least one narrow ring of sound-absorbent material located between the upper end of said hollow member and said port, said ring being positioned to damp only relatively few selected frequencies of said tone color which might otherwise occur at levels not appropriate to the selected stop.
- a tone cabinet for an electronic organ comprising in combination: I
- each of said electroacoustic pipes comprises in combination: an elongated hollow member having a sound reflective interior and having a length-to-width ratio of the order of 7 to l, i
- each of said hollow members with its front radiating surface directed upwardly, said loudspeakers having each a radiating area which is minimum for effective radiation of the frequencies of the stop to be radiated by that loudspeaker and said pipes having the cross sectional area of the loudspeaker supported thereby,
- a fourth relatively-large loudspeaker facing outward from said other side of said main enclosure and a plurality of smaller enclosures, one for each of said first and second loudspeakers and one for said third and fourth loudspeakers.
- each of said acoustic radiators includes a vertical hollow pipe having its lower end closed and its upper end terminated by a loudspeaker, said loudspeaker being arranged to radiate vertically upwardly toward said ceiling, said loudspeaker and said pipe having substantially the same transverse areas, a separate source of multi-partial tone signals corresponding with a stop of said organ and comprising plural frequencies of the musical scale having partials appropriate to said stop coupled to drive each of said loudspeakers, respectively, each of said loudspeakers having a radiative area selected to effectively radiate the lowermost frequencies of said tone signals applied to that loudspeaker, each of said hollow pipes being arranged toprovide an enclosure for its associated louds
- said electronic organ system including an electronic organ providing tone signals pertaining to separate stops of said organ on separate leads, the combination comprising a plurality of vertical hollow tubes, one for each of said stops, a loudspeaker providing a vertically upward radiation pattern secured only at the upper end of each of said tubes, means totally closing the lower end of each of said tubes, acoustic damping means located in the bottom of each of said tubes for damping reflections of acoustic waves upwardly from said bottom of each of said tubes, and means for connecting each of said loudspeakers to a different one of said leads to be driven only by tone signals pertaining tova separate stop of said organ.
- each of said tubes has an enclosed volume appropriate to form a Helmholtz resonator tuned near the lowest frequency of the tone signals its associated loudspeaker is called on to radiate.
- each of said tubes is sufficiently mechanically rigid that it does not acoustically radiate.
- each of said tubes includes a mouth shaped and positioned to simulate visually the mouth of a true pipe organ but of a size selected to resonate with the enclosure of said tube near said lowest frequency.
- said first mentioned acoustic absorbing material is a conically tapered hollow in a mass'of sound-absorbent material.
- said port extends at least at its upper side into a lip opening in said tube sized for tuning said tube, said lip opening being covered with an acoustically transparent covering material which visually obscures said lip openl8.
- said system includes: a supporting sleeve member for said tube at least partially surrounding said tube only at its lower end, there being a V-shaped opening in said sleeve member under said port, said V-shaped opening having its'apex extending downwardly and having its base at least as wide as saidport.
- said hollow member contains in the lower end thereof a conically tapered hollow in a mass of sound-absorbent material, the apex of said hollow being the lowermost part of said mass.
- said tube contains at least one narrow ring of sound-absorbent material located between the upper end of said hollow member and said port, said ring being positioned to damp selected frequencies of said tone color which might otherwise occur at levels not appropriate to the selected stop.
- an electronic organ system for operation in a room having a reflecting ceiling including an electronic organ having separate output signal leads for separate stops of said organ, separate acoustic radiating means for each of said stops, each of said radiating means including a hollow pipe and an upwardly directed radiator covering the top of said hollow pipe, means closing the lower end of said pipe, a discrete mass of acoustic damping material located at said lower end of said pipe for damping acoustic waves, said pipe being acoustically rigid and having an enclosed volume appropriate to form a Helmholtz resonator tuned near the lowest frequency of said stop, said loudspeaker having the minimum radiative area capable of effectively radiating the band of frequencies covered by said stop, said pipe having an axis directed toward said reflecting ceiling,
- the radiating area of said loudspeaker being such that the higher frequencies of said stop are reflected from said ceiling in greater proportion than are the lower frequencies and said lowest frequency is radiated approximately omnidirectionally.
- lead means for separately conveying tone signals corresponding with separate stops of said organ, a separate Helmholtz resonant hollow tube for each of said stops visually simulating a pipe organ and having an upwardly directed loudspeaker at its upper end and a mass of acoustic wave absorbing material internally in the lower end, and
- each said tube providing an enclosure for one of said loudspeakers, and means for damping out standing waves internally of said tube, the wall of said tube being acoustically rigid.
- each of said tubes includes an acoustically radiative mouth visually simulating the mouth of a pipe of a pipe organ.
- a radiative system for an electronic organ having separate output leads on a per stop basis comprising a plurality of vertical acoustically rigid pipes each includ-
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- Obtaining Desirable Characteristics In Audible-Bandwidth Transducers (AREA)
Abstract
Description
Claims (25)
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| US16717271A | 1971-07-29 | 1971-07-29 |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| US3718747A true US3718747A (en) | 1973-02-27 |
Family
ID=22606246
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| US00167172A Expired - Lifetime US3718747A (en) | 1971-07-29 | 1971-07-29 | Electrocoustic pipes for electronic organs |
Country Status (1)
| Country | Link |
|---|---|
| US (1) | US3718747A (en) |
Cited By (7)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| DE3807299A1 (en) * | 1988-03-05 | 1989-09-07 | Peter Woop | Electronic organ |
| US5031500A (en) * | 1988-06-21 | 1991-07-16 | Yamaha Corporation | Keyboard instrument |
| US5056400A (en) * | 1988-07-20 | 1991-10-15 | Yamaha Corporation | Musical instrument with electro-acoustic transducer for generating musical tone |
| US5248846A (en) * | 1988-06-21 | 1993-09-28 | Yamaha Corporation | Musical instrument incorporating a Helmholtz resonator |
| DE102005042431A1 (en) * | 2005-04-27 | 2006-11-09 | Ewald Kienle | Speaker arrangement for the emission of sound waves |
| US20140000439A1 (en) * | 2012-06-29 | 2014-01-02 | Roland Corporation | Tone control device |
| US8710337B1 (en) | 2010-03-31 | 2014-04-29 | Fernando R. Gomes | Tone enhancement bracket |
Citations (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3371742A (en) * | 1965-10-21 | 1968-03-05 | Desmond H. Norton | Speaker enclosure |
| US3486578A (en) * | 1967-12-21 | 1969-12-30 | Lawrence Albarino | Electro-mechanical reproduction of sound |
-
1971
- 1971-07-29 US US00167172A patent/US3718747A/en not_active Expired - Lifetime
Patent Citations (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3371742A (en) * | 1965-10-21 | 1968-03-05 | Desmond H. Norton | Speaker enclosure |
| US3486578A (en) * | 1967-12-21 | 1969-12-30 | Lawrence Albarino | Electro-mechanical reproduction of sound |
Non-Patent Citations (2)
| Title |
|---|
| A. B. Cohen, Hi Fi Loudspeakers and Enclosures, pages 258 261, 298 304, Hayden Book Company, Inc., New York. * |
| G. A. Briggs, Loudspeakers, pages 192, 193, 206, 207, 217 219, October 1959, Wharfedale Wireless Works Limited, IDLE, England. * |
Cited By (9)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| DE3807299A1 (en) * | 1988-03-05 | 1989-09-07 | Peter Woop | Electronic organ |
| US5031500A (en) * | 1988-06-21 | 1991-07-16 | Yamaha Corporation | Keyboard instrument |
| US5086686A (en) * | 1988-06-21 | 1992-02-11 | Yamaha Corporation | Keyboard instrument |
| US5248846A (en) * | 1988-06-21 | 1993-09-28 | Yamaha Corporation | Musical instrument incorporating a Helmholtz resonator |
| US5056400A (en) * | 1988-07-20 | 1991-10-15 | Yamaha Corporation | Musical instrument with electro-acoustic transducer for generating musical tone |
| DE102005042431A1 (en) * | 2005-04-27 | 2006-11-09 | Ewald Kienle | Speaker arrangement for the emission of sound waves |
| US8710337B1 (en) | 2010-03-31 | 2014-04-29 | Fernando R. Gomes | Tone enhancement bracket |
| US20140000439A1 (en) * | 2012-06-29 | 2014-01-02 | Roland Corporation | Tone control device |
| US8835732B2 (en) * | 2012-06-29 | 2014-09-16 | Roland Corporation | Tone control device |
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Legal Events
| Date | Code | Title | Description |
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Owner name: SECURITY PACIFIC BUSINESS CREDIT INC., 10089 WILLO Free format text: SECURITY INTEREST;ASSIGNOR:BPO ACQUISITION CORP. A CORP OF DE;REEL/FRAME:004298/0001 Effective date: 19840615 Owner name: GENERAL ELECTRIC CREDIT CORPORATION, A NY CORP., C Free format text: SECURITY INTEREST;ASSIGNOR:BPO ACQUISITION CORP., A DE CORP;REEL/FRAME:004297/0802 Effective date: 19840615 |
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Owner name: BALDWIN PIANO & ORGAN COMPANY Free format text: CHANGE OF NAME;ASSIGNOR:BPO ACQUISTION CORP.;REEL/FRAME:004473/0501 Effective date: 19840612 |
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Owner name: FIFTH THIRD BANK, THE, A OH BANKING CORP., OHIO Free format text: SECURITY INTEREST;ASSIGNOR:BALDWIN PIANO & ORGAN COMPANY, A CORP. OF DE.;REEL/FRAME:005356/0333 Effective date: 19890615 Owner name: BALDWIN PIANO & ORGAN COMPANY, F/K/A/ BPO ACQUISIT Free format text: RELEASED BY SECURED PARTY;ASSIGNOR:SECURITY PACIFIC BUSINESS CREDIT, INC., A CORP. OF DE.;REEL/FRAME:005356/0321 Effective date: 19890616 |