[go: up one dir, main page]

US155353A - Improvement in violins - Google Patents

Improvement in violins Download PDF

Info

Publication number
US155353A
US155353A US155353DA US155353A US 155353 A US155353 A US 155353A US 155353D A US155353D A US 155353DA US 155353 A US155353 A US 155353A
Authority
US
United States
Prior art keywords
bar
violins
bass
tone
stay
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired - Lifetime
Application number
Publication date
Application granted granted Critical
Publication of US155353A publication Critical patent/US155353A/en
Anticipated expiration legal-status Critical
Expired - Lifetime legal-status Critical Current

Links

Images

Classifications

    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/02Resonating means, horns or diaphragms

Definitions

  • v Anderson in the county of Madison and State My invention consists 1n providing the violin with a bass-bar or stay-bar beneath the bass-string, having directly under the bridge increased width or thickness or lateral projection, or one or more either transverse or longitudinal bars in lieu of said greater pro jection.
  • This device affords great facility for tempering the tone of an instrument by varying the width, thickness, or extent of the supplementary projections orbars.
  • Figure 1 is a longitudinal section of a violin illustrating my invention, the section being taken on the line @c w, Fig. 2, looking in the direction of the arrow marked l.
  • Fig. 2 is a transverse section of the same on the line y y, Fig. 1, l0oking in the direction of the arrow marked 2.
  • Fig. 3 is a perspective view of the stay or brace bar.
  • Fig. 4 is a perspective view of the stay or brace bar under al slightly-modified form.
  • Fig. 5 is a longitudinal section of a violin, illustrating a modification in the construction ofthe brace or stay bar, the line 5 5, Fig. 6, indicating the plane of section.
  • Fig. 5 is a longitudinal section of a violin, illustrating a modification in the construction ofthe brace or stay bar, the line 5 5, Fig. 6, indicating the plane of section.
  • Fig. 5 is a longitudinal section of a violin, illustrating a modification in the construction ofthe brace or stay
  • Fig. 7 is a perspective view of the said brace or stay bar detached.
  • the front A and back B of the shell are made of equal or nearly equal weight, and, being connected by the sounding-post G, which is pressed between them, will thus be caused to vibrate together in perfect unison, the result being a full, round, and remarkably brilliant tone, loud in volume, and at the same time soft in quality.
  • the weight of the bottom should be equal to the sum of the weights of the top and bridge plus onehalf ⁇ the weight of the strings and tail-piece.
  • the top and back are each made of nearly uniform thickness throughout, but a little thicker in the center.
  • I coat the inner surface of the front, and preferably the entire inner surface of the vio- 1in, with shellac or some other hard spirit varnish, the effect of which is to add brilliancy to the tone and cause the instrument to retain its tone in damp weather, or when used out of doors.
  • the bass-bar or stay-bar I) is secured within the front A of the shell, in longitudinal post tion, directly underneath the bass-string, or under the left foot of the bridge E when in position for playing.
  • the said bar is formed with increased thickness, as shown at d, Figs. l, 2, and 3, or one or more lateral extensions, d2, Figs.
  • projections may be formed of a bar or bars placed across the main bar, or of separate pieces attached to the sides thereof 5 or one or more supplemental bars may be arranged laterally or longitudinally in any analogous or suitable manner to perform the same functions, the effect in either case being to afford necessary support to the bass-foot of the bridge to add volume of tone to the instrument, especially in old violins, when the foot of the bridge has worn the shell thin at this point, and also to afford means for tempering the tone of' the instrument by varying the width or extent of the bearings.
  • the bass-bar I constructed with a laterally-projecting central bearing-surface, d, as herein shown and described.

Landscapes

  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Stringed Musical Instruments (AREA)

Description

2 Sheets-Sheet 2.
n. w. wnma.
Violins.
Patented Sept. 22, 1874.
FIC?. 7. 2 d
WITNESSES v. U. .H l n Irl THE GRPHIO CO. PHOTO-LVRLBQSA 4I PRK PLACE, NAf.
UNITED STATES PATENT OFFICE.
HIRAM W. WHITE, OF ANDERSON, INDIANA.
IMPROVEMENT IN VIOLINS.
Specification forming part of Letters Patent No. 155,353, dated September 22, 1874; application filed November 25, 1873.
To all whom it may concern:
Beit known that I, HIRAM W. WHITE, of
v Anderson, in the county of Madison and State My invention consists 1n providing the violin with a bass-bar or stay-bar beneath the bass-string, having directly under the bridge increased width or thickness or lateral projection, or one or more either transverse or longitudinal bars in lieu of said greater pro jection. This device affords great facility for tempering the tone of an instrument by varying the width, thickness, or extent of the supplementary projections orbars.
In the accompanying drawings, Figure 1 is a longitudinal section of a violin illustrating my invention, the section being taken on the line @c w, Fig. 2, looking in the direction of the arrow marked l. Fig. 2 is a transverse section of the same on the line y y, Fig. 1, l0oking in the direction of the arrow marked 2. Fig. 3 is a perspective view of the stay or brace bar. Fig. 4 is a perspective view of the stay or brace bar under al slightly-modified form. Fig. 5 is a longitudinal section of a violin, illustrating a modification in the construction ofthe brace or stay bar, the line 5 5, Fig. 6, indicating the plane of section. Fig.
l Gis a transverse section of the same on the line 6 6, Fig. 5. Fig. 7 is a perspective view of the said brace or stay bar detached.
The front A and back B of the shell are made of equal or nearly equal weight, and, being connected by the sounding-post G, which is pressed between them, will thus be caused to vibrate together in perfect unison, the result being a full, round, and remarkably brilliant tone, loud in volume, and at the same time soft in quality. In practice I make the front and back o f the shell each about three 0r three and onehalf ounces in weight, or the back may be one-half an ounce the heavier, and, being usually made of hard wood, it may be thinner than the front.
To make a perfect-toned violin the weight of the bottom should be equal to the sum of the weights of the top and bridge plus onehalf` the weight of the strings and tail-piece.
The top and back are each made of nearly uniform thickness throughout, but a little thicker in the center.
I coat the inner surface of the front, and preferably the entire inner surface of the vio- 1in, with shellac or some other hard spirit varnish, the effect of which is to add brilliancy to the tone and cause the instrument to retain its tone in damp weather, or when used out of doors.
The bass-bar or stay-bar I) is secured within the front A of the shell, in longitudinal post tion, directly underneath the bass-string, or under the left foot of the bridge E when in position for playing. The said bar is formed with increased thickness, as shown at d, Figs. l, 2, and 3, or one or more lateral extensions, d2, Figs. 5, (i, 7, in lieu ot' such increased thickness, which projections may be formed of a bar or bars placed across the main bar, or of separate pieces attached to the sides thereof 5 or one or more supplemental bars may be arranged laterally or longitudinally in any analogous or suitable manner to perform the same functions, the effect in either case being to afford necessary support to the bass-foot of the bridge to add volume of tone to the instrument, especially in old violins, when the foot of the bridge has worn the shell thin at this point, and also to afford means for tempering the tone of' the instrument by varying the width or extent of the bearings.
To lighten the bar and increase its elasticity without impairin g its strength or the el'ect of its bracing principle, it is constructed with apertures d1 in any necessary number and arrangement.
The following is claimed as new:
The bass-bar I), constructed with a laterally-projecting central bearing-surface, d, as herein shown and described.
HIRAM WV. WHITE.
Witnesses:
I. W. WESTERFIELD, A. SUITER.
US155353D Improvement in violins Expired - Lifetime US155353A (en)

Publications (1)

Publication Number Publication Date
US155353A true US155353A (en) 1874-09-22

Family

ID=2224763

Family Applications (1)

Application Number Title Priority Date Filing Date
US155353D Expired - Lifetime US155353A (en) Improvement in violins

Country Status (1)

Country Link
US (1) US155353A (en)

Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3494239A (en) * 1967-11-27 1970-02-10 Michael Kasha Bass-bar and coordinate bridge for violin family
US5831191A (en) * 1997-04-18 1998-11-03 Zaret; Peter Harold Bassbar for stringed instruments
US20120085217A1 (en) * 2010-10-07 2012-04-12 Christopher Threlkeld-Wiegand Violin family musical instrument tone bar
US9000282B1 (en) * 2013-12-17 2015-04-07 Jason Booth Guitar Bracing

Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3494239A (en) * 1967-11-27 1970-02-10 Michael Kasha Bass-bar and coordinate bridge for violin family
US5831191A (en) * 1997-04-18 1998-11-03 Zaret; Peter Harold Bassbar for stringed instruments
US20120085217A1 (en) * 2010-10-07 2012-04-12 Christopher Threlkeld-Wiegand Violin family musical instrument tone bar
US9000282B1 (en) * 2013-12-17 2015-04-07 Jason Booth Guitar Bracing

Similar Documents

Publication Publication Date Title
US155353A (en) Improvement in violins
US466501A (en) Musical instrument
US479323A (en) Dulcimer
US1179499A (en) String musical instrument.
US599814A (en) Julius wachsmann
US1513159A (en) Stringed musical instrument
US72824A (en) op norwich
US722561A (en) Sound-beam for violins.
US508858A (en) James s
US703572A (en) Stringed musical instrument.
US538244A (en) Harmonic scale for pianos
US36713A (en) Improvement in violins
US878926A (en) String-frame for upright pianos.
US513616A (en) Piano
US1769284A (en) Piano
US24865A (en) Pianopobte
US643452A (en) Stringed musical instrument.
US419842A (en) Piano sounding-board
US389966A (en) Bridge for piano-fortes
US358946A (en) Hugo sohmee
US337337A (en) Guitar
US84027A (en) Improvement in musical instruments
US646539A (en) Musical sounding-board.
US776933A (en) Musical instrument.
US654360A (en) Sounding-board support.