Cîntarea României

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Socialist Republic of Romania
Organizations Communist Party Securitate Army Union of Communist Youth Great National Assembly State Council Patriotic Guards National Council of Women Pioneers Ștefan Gheorghiu Academy Romanian Orthodox Church Scînteia People's Democratic Front Front of Socialist Unity and Democracy Comturist
Leaders Constantin Ion Parhon Petru Groza Ana Pauker Ion Gheorghe Maurer Gheorghe Gheorghiu-Dej Gheorghe Apostol Chivu Stoica Nicolae Ceaușescu Manea Mănescu Ilie Verdeț Elena Ceaușescu
Ideology Dacianism July Theses Neo-Stalinism National communism Ceaușescu's cult of personality
Policies Collectivization Nationalization Literacy campaigns Five-Year Plans De-Stalinization Decree 770 Systematization (Rural) 1980s austerity
Culture Daciad Cîntarea României Cenaclul Flacăra Obsessive decade Socialist realism Emblem Flag
Repression Censorship Danube–Black Sea Canal Re-education Bărăgan deportations Tămădău Affair Pitești prison Sighet prison
Protests and resistance 1940s–1950s resistance Bucharest student movement of 1956 Dissent under Nicolae Ceaușescu Jiu Valley miners' strike of 1977 SLOMR Brașov Rebellion Letter of the Six Romanian Revolution Trial and execution of the Ceaușescus
Relationship with the USSR Soviet occupation (1944–1958) SovRom De-satellization
Relations with other states China Italy North Korea Soviet Union Yugoslavia
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Cîntarea României (literally "Song [of praise] to Romania") was an annual national cultural festival in the Socialist Republic of Romania since 1976 intended to promote ideologically-approved artistic manifestations, featuring both professional and amateur artists from across the country.^[1] Being part of Ceaușescu's policies to promote National Communism in Romania, the festival used folklore (especially folk music) and it had a role in shaping the national identity of the Romanians and the view of Romanian history.^[1]

The festival gets its name from a 19th-century essay generally attributed to Alecu Russo.