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Literary Hub

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A daily literary website highlighting the best in fiction, nonfiction, poetry, and criticism.

June 17, 2025

Today, we’re looking at American book bans, humming along to ABBA, and exploring the experience of being a working class person in a prestigious MFA program!

From around the internet:

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  • A brief history of pet cemeteries, rituals, and how we mourn our dead pets. | Literary Hub
  • Lauren Groff on the politics at play in her NBA-nominated book, Fates and Furies. | Literary Hub
  • “You’re just going with the usual all-American fantasy? You don’t wish to banish any memory of the dead?” A short story by Ann Beattie. | The New Yorker
  • “I want, with all my heart, to preserve and celebrate what ISIS wishes to destroy: a multi-ethnic, multi-religious, multi-cultural life.” Laila Lalami responds to the attacks in Paris, Beirut, and around the world. | The Nation
  • If you, too, find yourself “often asking dance artist Haddaway’s timeless question, ‘What is love?’” – a new issue of The Scofield may help clarify. | The Scofield
  • “When I was little, my Mom had only one fear—that I’d grow up to be ordinary.” Short fiction by Etgar Keret. | Electric Literature
  • “The arts harness our sharpest senses, sight and sound, and our richest ways of understanding, in language and narrative.” An interview with Brian Boyd. | Guernica
  • Don DeLillo’s new novel, Zero K, will tackle eternal life (and be published in May). | LA Times
  • “I think [experimentation] should be used in order to make things, to expose things, and make them more legible.” Franny Choi on conceptual, slam, love, and empire-destroying poems. | Divedapper
  • The Oxford Dictionary, which brought language to its knees by declaring “selfie” and “vape” to be the words of the past two years, has officially declared it dead. | Newsweek

Also on Literary Hub: In praise of Georges Perec’s infraordinary Paris · Five books making news this week: Beatles, soldiers, and love letters · In Jakarta, 1968, from Leila S. Chudori’s debut novel, Home

  • Embedded with the super-rich: a photo essay from inside the world’s tax havens. | Literary Hub
  • Last but not least, the National Book Awards for Fiction longlist was announced yesterday and includes Lauren Groff, Angela Flournoy, and Nell Zink. | The New Yorker
  • “I was asked… to make my book seem more relatable to audiences, as if none of those audiences had people like me in them.” Mira Jacob on being asked to speak, and then ignored, as a writer of color. | BuzzFeed Books
  • A Löwy with a certain Kafka component vs. a true Kafka: an excerpt from Franz Kafka’s Letter to the Father. | Biographile
  • “What real person trapped in this novel wouldn’t become a drug addict?” Christian Lorentzen offers a dissenting opinion on the much-praised A Little Life. | London Review of Books
  • May our poems always be wild: on Ada Limón’s (National Book Award longlisted) Bright Dead Things. | The Millions
  • Reflections on “the women who bleed with me, bodies agape, arms longing for love” (Kate Zambreno, Chris Kraus, Michelle Tea, Lidia Yuknavitch). | Entropy
  • Jennine Capó Crucet on humor in literary writing, the first generation college experience, and literary shrines. | Fiction Writers Review
  • In which parallels are drawn between the generous nobility of dolphins and a writer’s coffee breaks. | The Sewanee Review

Also on Literary Hub: A Literary Long Weekend in San Francisco, full of bookstores and booze · Translating the language of political debate into plain English · Five things to see at the Brooklyn Book Festival · At that late great fleabag, the Starlight Hotel

  • Debut novelists (and cousins!) Gabriel Urza and Sean Bernard on writing, family, and being Basque. | Literary Hub
  • Ursula K. Le Guin on not burning the past, insolent children, and craft that goes beyond “some little artisan putting the yeast in his handcrafted bread.” | Interview
  • A convoluted trail of bovine publishers leads us, perhaps, to a new Thomas Pynchon novel. | Harper’s
  • Seamus Heaney’s unpublished translation of Book VI of The Aeneid will venture up from the underworld. | The Guardian
  • Jonathan Franzen, a famous adversary of book clubs, has selected Kenzaburo Oe’s A Personal Matter for the one he is hosting. | The Wall Street Journal
  • Jesse Eisenberg sees writing and acting as similar (both involve “trying to understand the emotion underneath a character”) and different (“my stupid haircut is nowhere to be seen” in his debut collection). | Barnes & Noble Review
  • Artists over saints: on Truman Capote’s “elaborate self-portrait,” Music for Chameleons. | The Atlantic
  • Writing about the gross and the boring (marriage): an interview with Lauren Groff. | The Oyster Review
  • Today in the Best American Poetry debacle: the sister of Yi-Fen Chou condemns Michael Derrick Hudson’s “careless disregard for Chinese people” and Sherman Alexie expresses regret that it “has taken so much attention away from all of [the other] great poems.” Agreed on both counts. | The New York Times, BuzzFeed News

Also on Literary Hub: Charlie Brown as Gregor Samsa, on the 100th anniversary of The Metamorphosis · Ryan Berg namedrops all of our favorites: James Baldwin, William Maxwell, and Simon Le Bon · From Musharraf Ali Farooqi’s Man Asian Literary Prize shortlisted Between Clay and Dust

  • An interview with Padgett Powell, in which an extended scatological metaphor perfectly describes the writing process. | Literary Hub
  • Valeria Luiselli’s infallible writing formula (Dickens + MP3 ÷ Balzac + JPEG) has produced a “genuinely delightful read.” | The Slate Book Review
  • Sprawling, stinking, and siding with Stein: an interview with Wayne Koestenbaum. | Hazlitt
  • Matthew Neill Null on his allergy to solipsism, the narrowing of literature, and the mysterious lives of animals. | Tin House
  • Lauren Groff, Alexandra Kleeman, Helen Phillips, Matthew Salesses, Steve Toltz, and Claire Vaye Watkins navigate verbal restrictions to describe their books, the writing process, dealing with hubris. | Salon
  • A person has a right to make a pun once in a while: on the importance of good editors and learning to let go of lesser lines. | The New Yorker
  • More speculation on the identity of the elusive Elena Ferrante: whether she is skeptical of critical theory or the product of feminist thought. | The Times Literary Supplement
  • Moral craft and creating without prejudice, or how to not write racist stories. | Electric Literature
  • We like our (male) geniuses tortured and, if possible, drunk: on drinking, gender, and self-destruction. | The New Republic

Also on Literary Hub: A conversation with Vu Tran on his genre-bending novel · Will literature survive our inevitable dystopia? · Inside The House of Twenty Thousand Books

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