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Literary Hub

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A daily literary website highlighting the best in fiction, nonfiction, poetry, and criticism.
Mashing up Jane Austen’s fiction with zombies, erotica, or extraterrestrials has become so common in pop culture that such stuff may no longer raise an eyebrow. Pride & Prejudice & Zombies was, and feels, so very ten years ago. But who could have known then that the most fresh, funny, and moving mash-up was yet to come—and that it would take menstruation as its most unlikely subject? Jane Austen’s Period Drama, Julia Aks and Steven Pinder’s Oscar-nominated (and brilliant) short live action film, turns on a clever pun on the word “period.” The 13-minute film—recently made available to viewers on YouTube—also captured headlines when Emma Thompson signed on as its “Executive Menstrual Adviser.” Jane Austen’s Period Drama has emerged as a serious contender for the Academy Award.

Devoney Looser explores 19th-century attitudes about menstruation through Jane Austen’s Period Drama, the Oscar-nominated short. 

James Folta talks to Minneapolis bookseller Angela Schwesnedl:

“Angela Schwesnedl from Moon Palace Books in Minneapolis picked up my phone call on Saturday almost two hours to the minute after Alex Pretti was murdered in the street by ICE officers.

‘If you haven’t seen the video, don’t,’ she told me. ‘It’s an execution.’

We had made a plan the day before to talk about Friday’s huge ICE Out protest, march, and general strike against the federal occupation, but Alex Pretti was dead, and we began in somber sadness. The early reports of the murder would continue to filter out to us, to me hunched in a friend’s small office in New York while taking notes, and to her in the back of a Minneapolis store while managing diaper distribution.”

“We wear whistles now. Mine is bright yellow and plastic and weighs barely enough to dangle from its string. I carry it in my pocket. Others wear theirs like an amulet. Under any other circumstance, my whistle would be mistaken for a Christmas-tree ornament, a birthday-party favor, or a second-hand Fisher-Price toy. It looks amateur, but the noise it makes is contractor grade.

The neighbors all carry one. Some whistles are clearly brand-new—an overnight Amazon Prime purchase—others a leftover from a long-ago summer lifeguard job. In blaze-orange safety vests and down puffers, we line the streets around our schools each morning and afternoon, standing watch for ICE caravans, little plumes of frozen breath rising from beneath our hoods.”

“‘Can you be a good writer and a good person?’ he muses into his Zoom camera, vaping every few seconds. ‘Is that possible to combine? Can you be a good writer and a good father?’”

Eric Olson profiles Karl Ove Knausgaard, author of The School of Night.

Small presses are the backbone of the literary ecosystem, but their existence is often under threat. Here Lucy Mercer and Livia Franchini discuss the landscape of British publishing with small press publishers Jack Thompson (Cipher Press), Jess Chandler (Prototype Publishing), Sam Fisher (Peninsula Press) and Kristen Vida Alfaro (Tilted Axis Press).

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