| A model of expressive timing in tonal music N Todd Music perception 3 (1), 33-57, 1985 | 639 | 1985 |
| Vestibular-evoked extraocular potentials produced by stimulation with bone-conducted sound SM Rosengren, NPMA Todd, JG Colebatch Clinical neurophysiology 116 (8), 1938-1948, 2005 | 570 | 2005 |
| The dynamics of dynamics: A model of musical expression NP McAngus Todd The Journal of the Acoustical Society of America 91 (6), 3540-3550, 1992 | 549 | 1992 |
| Ocular vestibular evoked myogenic potentials (OVEMPs) produced by air-and bone-conducted sound NPMA Todd, SM Rosengren, ST Aw, JG Colebatch Clinical neurophysiology 118 (2), 381-390, 2007 | 452 | 2007 |
| The kinematics of musical expression NPMA Todd The Journal of the Acoustical Society of America 97 (3), 1940-1949, 1995 | 300 | 1995 |
| A saccular origin of frequency tuning in myogenic vestibular evoked potentials?: implications for human responses to loud sounds NPMA Todd, FWJ Cody, JR Banks Hearing research 141 (1-2), 180-188, 2000 | 262 | 2000 |
| The auditory “primal sketch”: A multiscale model of rhythmic grouping NPMA Todd Journal of new music Research 23 (1), 25-70, 1994 | 219 | 1994 |
| Vestibular responses to loud dance music: a physiological basis of the “rock and roll threshold”? NPMA Todd, FW Cody The Journal of the Acoustical Society of America 107 (1), 496-500, 2000 | 192 | 2000 |
| Metre and rhythm in piano playing LH Shaffer, EF Clarke, NP Todd Cognition 20 (1), 61-77, 1985 | 178 | 1985 |
| When do auditory/visual differences in duration judgements occur? JH Wearden, NPM Todd, LA Jones Quarterly Journal of Experimental Psychology 59 (10), 1709-1724, 2006 | 177 | 2006 |
| A utricular origin of frequency tuning to low-frequency vibration in the human vestibular system? NPM Todd, SM Rosengren, JG Colebatch Neuroscience letters 451 (3), 175-180, 2009 | 170 | 2009 |
| Tuning and sensitivity of the human vestibular system to low-frequency vibration NPMA Todd, SM Rosengren, JG Colebatch Neuroscience letters 444 (1), 36-41, 2008 | 167 | 2008 |
| Motion in music: A neurobiological perspective NPMA Todd Music Perception 17 (1), 115-126, 1999 | 167 | 1999 |
| A sensory-motor theory of rhythm, time perception and beat induction NP McAngus Todd, DJ O'Boyle, CS Lee Journal of New Music Research 28 (1), 5-28, 1999 | 160 | 1999 |
| The sensory-motor theory of rhythm and beat induction 20 years on: A new synthesis and future perspectives. NP Todd, CS Lee Front. Hum. Neurosci. 9, 444, 2015 | 156 | 2015 |
| Ocular vestibular evoked myogenic potentials in superior canal dehiscence SM Rosengren, ST Aw, GM Halmagyi, NPMA Todd, JG Colebatch Journal of Neurology, Neurosurgery & Psychiatry 79 (5), 559-568, 2008 | 153 | 2008 |
| A computational model of rubato N Todd Contemporary Music Review 3 (1), 69-88, 1989 | 143 | 1989 |
| The interpretive component in musical performance LH Shaffer Action and perception in rhythm and music, 1987 | 127 | 1987 |
| Ocular vestibular evoked myogenic potentials (OVEMPs) produced by impulsive transmastoid accelerations NPM Todd, SM Rosengren, JG Colebatch Clinical Neurophysiology 119 (7), 1638-1651, 2008 | 115 | 2008 |
| Towards an auditory account of speech rhythm: application of a model of the auditory ‘primal sketch’to two multi-language corpora CS Lee, NPMA Todd Cognition 93 (3), 225-254, 2004 | 105 | 2004 |
James ColebatchProfessor (Conjoint), University of New South WalesVerified email at unsw.edu.au
