| Bob Dylan: The Essential Interviews J Cott Simon and Schuster, 2017 | 121 | 2017 |
| Connecting with new audiences: exploring the impact of mobile communication devices on the experiences of young adults in museums K Hughes, G Moscardo Visitor Studies 20 (1), 33-55, 2017 | 81 | 2017 |
| Uncommon Ground: White Women in Aboriginal History PF Cole, Anna, Haskins, Victoria Aboriginal Studies Press, 2005 | 75 | 2005 |
| Calling the Shots: Indigenous Photographies J Lydon Aboriginal Studies Press, Canberra., 2014 | 73 | 2014 |
| Micro-histories and things that matter: Opening spaces of possibility in Ngarrindjeri Country K Hughes Australian Feminist Studies 27 (73), 269-278, 2012 | 31 | 2012 |
| Creative tropical city: mapping Darwin's creative industries T Lea, S Luckman, C Gibson, D Fitzpatrick, C Brennan-Horley, ... Charles Darwin University, 2009 | 30 | 2009 |
| Bob Dylan: the essential interviews B Dylan, J Cott (No Title), 2006 | 27 | 2006 |
| ''It's that reflection:' photography as recuperative practice: a Ngarrindjeri perspective' K Hughes, E Trevorrow Calling the Shots: Aboriginal Photographies, 175-204, 2014 | 17* | 2014 |
| ‘The Nation is Coming to Life’: Law, Sovereignty, and Belonging in Ngarrindjeri Photography of the Mid-Twentieth Century K Hughes, E Trevorrow History of Photography 42 (3), 249-268, 2018 | 16 | 2018 |
| Resilience, Agency and Resistance in the Storytelling Practice of Aunty Hilda Wilson (1911-2007), Ngarrindjeri Aboriginal Elder KE Hughes M/C Journal 16 (5), 2013 | 15 | 2013 |
| Same bodies, different skin: Ruth Heathcock in Uncommon Ground: White Women in Aboriginal History F Hughes, Karen, Haskins, Victoria, Paisley Uncommon Ground: White Women in Aboriginal History, 83-107, 2005 | 14* | 2005 |
| Ngapartji Ngapartji, In turn, in turn: Ego-histoire, Europe and Indigenous Australia V Castejon, A Cole, O Haag, K Hughes ANU Press, 2014 | 13 | 2014 |
| 'It’s that reflection: Ngarrindjeri photography as recuperative practice: a Ngarrindjeri perspective’ K Hughes, E Trevorrow Calling the Shots: Aboriginal Photographies, 175-204, 2014 | 11 | 2014 |
| Arnhem Land to Adelaide: Deep histories in Aboriginal women's storytelling and historical practice, 'irruptions of dreaming' across contemporary Australia K Hughes Long History Deep Time, 2015 | 9* | 2015 |
| Engendering Transnational Transgressions: From the Intimate to the Global BM Eileen Boris, Sandra Trudgen Dawson Routledge, doi: 10.4324/9781003050384-9, 2020 | 8* | 2020 |
| ‘Mobilising across colour lines: Intimate encounters between Aboriginal women and African American and other allied servicemen on the World War II home front’, K Hughes Aboriginal History 41, 47-70, 2017 | 8 | 2017 |
| My Grandmother on the Other side of the Lake K Hughes Flinders University of South Australia, 2009 | 8 | 2009 |
| Un-filtering the settler colonial archive: Indigenous community-based photographers in Australia and the United States - Ngarrindjeri and Shinnecock perspectives K Hughes, C Smith Australian Aboriginal Studies, 1-18, 2018 | 7 | 2018 |
| Pitjiri: the snake that will not sink K Hughes Canberra: Ronin Filmsp. DVD release, 2008 | 7 | 2008 |
| 'I'd Grown Up as a Child Amongst Natives': Ruth Heathcock (1901-1995)-Disrupting Settler-Colonial Orthodoxy through Friendship and Cross-Cultural Literacy in Creolised Spaces … K Hughes Outskirts: Feminisms Along the Edge 28, 2013 | 5 | 2013 |
Victoria HaskinsProfessor of History, University of NewcastleVerified email at newcastle.edu.au
