| Modeling and control of expressiveness in music performance S Canazza, G De Poli, C Drioli, A Roda, A Vidolin Proceedings of the IEEE 92 (4), 686-701, 2004 | 113 | 2004 |
| An abstract control space for communication of sensory expressive intentions in music performance S Canazza, G Poli, A Rodà, A Vidolin Journal of New Music Research 32 (3), 281-294, 2003 | 85 | 2003 |
| A systemic approach to the preservation of audio documents: Methodology and software tools F Bressan, S Canazza Journal of Electrical and Computer Engineering 2013 (1), 489515, 2013 | 81 | 2013 |
| “Audio morphing different expressive intentions for Multimedia Systems” VA Canazza, S, De Poli G., Drioli C., Rodà A. IEEE Multimedia, July-September 7 (3), 79-83, 2000 | 78* | 2000 |
| Clustering affective qualities of classical music: Beyond the valence-arousal plane A Roda, S Canazza, G De Poli IEEE Transactions on Affective Computing 5 (4), 364-376, 2014 | 61 | 2014 |
| Introduction: Preserving electroacoustic music S Canazza, A Vidolin Journal of New Music Research 30 (4), 289-293, 2001 | 56 | 2001 |
| Tape music archives: from preservation to access C Fantozzi, F Bressan, N Pretto, S Canazza International Journal on Digital Libraries 18 (3), 233-249, 2017 | 55 | 2017 |
| Sonological analysis of clarinet expressivity S Canazza, G De Poli, S Rinaldin, A Vidolin Joint International Conference on Cognitive and Systematic Musicology, 431-440, 1996 | 54 | 1996 |
| How to play a MOOC: Practices and simulation D De Notaris, S Canazza, C Mariconda, C Paulon Entertainment Computing 37, 100395, 2021 | 53 | 2021 |
| Archaeology and virtual acoustics. A pan flute from ancient Egypt F Avanzini, S CANAZZA TARGON, G De Poli, C Fantozzi, N Pretto, ... Proc. of the 12th Int. Conference on Sound and Music Computing, 31-36, 2015 | 48 | 2015 |
| Perceptual Analysis of the Musical Expressive intention in a Clarinet Performance S Canazza, G De Poli, A Vidolin Music, Gestalt, and Computing: Studies in Cognitive and Systematic …, 1998 | 43* | 1998 |
| Adaptive time delay estimation using filter length constraints for source localization in reverberant acoustic environments D Salvati, S Canazza IEEE Signal Processing Letters 20 (5), 507-510, 2013 | 42 | 2013 |
| Restoration of audio documents by means of extended Kalman filter S Canazza, G De Poli, GA Mian IEEE transactions on audio, speech, and language processing 18 (6), 1107-1115, 2009 | 42 | 2009 |
| Algorithms can mimic human piano performance: the deep blues of music E Schubert, S Canazza, G De Poli, A Rodà Journal of New Music Research 46 (2), 175-186, 2017 | 41 | 2017 |
| Methodologies and tools for audio digital archives N Orio, L Snidaro, S Canazza, GL Foresti International Journal on Digital Libraries 10 (4), 201-220, 2009 | 41 | 2009 |
| Analysis and synthesis of expressive intentions in musical performance S CANAZZA TARGON, G De Poli, A Rodà, A Vidolin Proc. of the International Computer Music Conference, 113-120, 1997 | 40* | 1997 |
| Computing methodologies supporting the preservation of electroacoustic music from analog magnetic tape N Pretto, C Fantozzi, E Micheloni, V Burini, S Canazza Computer Music Journal 42 (4), 59-74, 2019 | 39 | 2019 |
| An ATR-FTIR and ESEM study on magnetic tapes for the assessment of the degradation of historical audio recordings F Bressan, R Bertani, C Furlan, F Simionato, S Canazza Journal of Cultural Heritage 18, 313-320, 2016 | 38 | 2016 |
| Four decades of music research, creation, and education at Padua's Centro di Sonologia Computazionale S Canazza, GD Poli Computer Music Journal 43 (4), 58-80, 2019 | 36 | 2019 |
| Is Vivaldi smooth and takete? Non-verbal sensory scales for describing music qualities M Murari, A Rodà, S Canazza, G De Poli, O Da Pos Journal of New Music Research 44 (4), 359-372, 2015 | 35 | 2015 |
