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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><description>A daily literary website highlighting the best in fiction, nonfiction, poetry, and criticism.</description><title>Literary Hub</title><generator>Tumblr (3.0; @lithub)</generator><link>https://lithub.tumblr.com/</link><item><title>100 open access books on JSTOR</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://jstor.tumblr.com/post/816514410088693760/fyi-all-of-these-books-were-made-open-access-as" target="_blank"&gt;jstor&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="https://jstor.tumblr.com/post/816514234255130624/100-open-access-books-on-jstor" target="_blank"&gt;jstor&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;h2&gt;African American Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7583939?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;An Appeal in Favor of That Class of Americans Called Africans, Revised and Updated Edition&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5406/jj.6627662?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Disrupting Colonial Pedagogies: Theories and Transgressions&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669490?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;J. A. Rogers: Selected Writings&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5149/9781469676654_boutelle?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Race for America: Black Internationalism in the Age of Manifest Destiny&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;African Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669729?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Ethnicity, Identity, and Conceptualizing Community in Indian Ocean East Africa&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.3998/mpub.12472247?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Lagos Never Spoils: Nollywood and Nigerian City Life&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;American Indian Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7583938?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Book Anatomy: Body Politics and the Materiality of Indigenous Book History&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6605389?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Urgency of Indigenous Values&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Anthropology&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5406/jj.3790087?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Graceful Resistance: How Capoeiristas Use Their Art for Activism and Community Engagement&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6142244?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Lacandón Maya in the Twenty-First Century: Indigenous Knowledge and Conservation in Mexico&amp;rsquo;s Tropical Rainforest&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7049540?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Maya-British Conflict at the Edge of the Yucatecan Caste War&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6605378?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Neobugarrón: Heteroflexibility, Neoliberalism, and Latin/o American Sexual Practice&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6988011?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Our Hidden Landscapes: Indigenous Stone Ceremonial Sites in Eastern North America&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7193883?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Power and Place: Preservation, Progress, and the Culture War over Land&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8784666?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Voices of Indigenuity&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Archaeology&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6695527?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Living Ceramics, Storied Ground: A History of African American Archaeology&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8763116?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;New Deal Archaeology in the West&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8692990?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Cretan Collection in the University of Pennsylvania Museum, volume III: Metal Objects from Gournia&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8816157?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Violence and Inequality: An Archaeological History&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Architecture&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.16148248%20?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Waterhouses: Landscapes, Housing, and the Making of Modern Lagos&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Asian Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6695535?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Hong Kong Public and Squatter Housing: Geopolitics and Informality, 1963–1985&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Communication Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.14321/jj.7794620?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Covid and…: How to Do Rhetoric in a Pandemic&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.14321/jj.8180951?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Hillary Clinton&amp;rsquo;s Career in Speeches: The Promises and Perils of Women&amp;rsquo;s Rhetorical Adaptivity&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.7220467?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Influential Machines: The Rhetoric of Computational Performance&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.14321/jj.7941373?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Migrant World Making&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7492221?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Nuclear Decolonization: Indigenous Resistance to High-Level Nuclear Waste Siting&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/j.ctv2x8v7d8?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Serial Mexico: Storytelling across Media, from Nationhood to Now&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8784667?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Stories of Our Living Ephemera: Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669312?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Unsettling Archival Research: Engaging Critical, Communal, and Digital Archives&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Cultural Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6988015?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Cultural History of British Alternative Cabaret (1979-1991)&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6988013?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Middlebrow 2.0 and the Digital Affect: Online Reading Communities of the New Nigerian Novel&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6988016?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Reconstructive Memory Work: Trauma, Witnessing and the Imagination in Writing by Female Descendants of Harkis&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.3998/mpub.11946212?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Toward a Gameic World&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Development Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.7941382?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Hottest of the Hotspots: The Rise of Eco-precarious Conservation Labor in Madagascar&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6879743?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Urban Indigeneities: Being Indigenous in the Twenty-First Century&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Education&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.6914760?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Limiting Privilege: Upward Mobility Within Higher Education in Socialist Poland&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7220469?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Vulnerability of Public Higher Education&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Environmental Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6812464?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Ecologies of Imperialism&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6812465?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Unsettling Agribusiness: Indigenous Protests and Land Conflict in Brazil&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Feminist &amp;amp; Women&amp;rsquo;s Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.8085210?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Reclaiming Time: The Transformative Politics of Feminist Temporalities&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6812462?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Recovering Women’s Past: New Epistemologies, New Ventures&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Film Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6695534?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Han Heroes and Yamato Warriors: Competing Masculinities in Chinese and Japanese War Cinema&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7193884?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Monsters on Maple Street: The Twilight Zone and the Postwar American Dream&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6605391?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Rise of Central American Film in the Twenty-First Century&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6605379?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Mapping the Stars: Celebrity, Metonymy, and the Networked Politics of Identity&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Food Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6812463?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Visible Hands That Feed: Responsibility and Growth in the Food Sector&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Gender Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8692977?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5149/9781469675893_Obrien?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Surgery and Salvation: The Roots of Reproductive Injustice in Mexico, 1770–1940&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.6914763?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848-1918&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;History&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5149/9781469675930_Murphy?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Captivity&amp;rsquo;s Collections: Natural History and the British Transatlantic Slave Trade&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669489?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Our People Are Warlike: Civil War Pittsburgh and Home-Front Mobilization&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.3998/mpub.12562601?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Reimagining the Educated Citizen: Creole Pedagogies in the Transatlantic World: 1685-1896&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8441688?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Language &amp;amp; Literature&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669310?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Abraham Lincoln and the Bible: A Complete Compendium&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8816150?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Blood and Ink: The Barbary Archive in Early American Literary History&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.2862490?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Ethical Crossroads in Literary Modernism&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.6988014?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Faking It: Victorian Documentary Novels&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669311?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Genre Networks and Empire: Rhetoric in Early Imperial China&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6988038?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Lost Texts of Confucius’ Grandson: Guodian, Zisi, and Beyond&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6773401?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Understanding Agatha Christie&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Latin American Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5149/9781469674766_Daut?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Awakening the Ashes: An Intellectual History of the Haitian Revolution&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Law&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8441689?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Creating a More Perfect Slaveholders’ Union: Slavery, the Constitution, and Secession in Antebellum America&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Linguistics&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6988039?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Cantonese Since the Nineteenth Century&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6988012?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Publishing Contemporary Foreign Poetry: Transnational Exchange in the Italian Publishing Field&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Middle East Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6605387?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Outcasting Armenians: Tanzimat of the Provinces&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Music&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.9644815?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Fantasies of Music in Nostalgic Medievalism&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/j.ctv33b9qdx?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5406/jj.6627665?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Lieder in America: On Stages and In Parlors&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.3998/mpub.12050329?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;On Music Theory and Making Music More Welcoming for Everyone&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Peace &amp;amp; Conflict Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7193885?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Remaking the World: Decolonization and the Cold War&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7471112?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Coup and the Palm Trees: Agrarian Conflict and Political Power in Honduras&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.5274076?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The End of the Future: Trauma, Memory, and Reconciliation in Peruvian Amazonia&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7193886?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Uniting Against the Reich: The American Air War in Europe&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7193882?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Unwilling to Quit: The Long Unwinding of American Involvement in Vietnam&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Performing Arts&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.5274078?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Sonic Strategies: Performing Mexico&amp;rsquo;s War on Drugs, Mourning, and Feminicide&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.6557181?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Staging Existence: Chekhov&amp;rsquo;s Tetralogy&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Philosophy&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6947034?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Phenomenology in an African Context: Contributions and Challenges&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.14321/jj.7794621?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Violence and the Mimetic Unconscious: Vol. 2 The Affective Hypothesis&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.14321/jj.285046?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Violence and the Oedipal Unconscious: vol. 1, The Catharsis Hypothesis&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Political Science&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6605390?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Beyond Othering: A Gandhian Approach to Conflict Resolution in India and Pakistan&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9377901?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Local government and democracy in the United Kingdom&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6605388?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Paradoxes of Emancipation: Radical Imagination and Space in Neoliberal Greece&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8441690?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Cost of Voting in the American States&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669313?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The New Star Chamber and Other Essays: Annotated Edition&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Population Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.7533915?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Central American Migrations in the Twenty-First Century&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Psychology&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/j.ctv2q49zwj?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Ferenczi Dialogues: On Trauma and Catastrophe&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Public Health&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.10040762?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Irish Fever: An Archaeology of Illness, Injury, and Healing in New York City, 1845–1870&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.6695533?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Tuberculosis Control and Institutional Change in Shanghai, 1911–2011&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Religion&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7220466?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Christan Colleges and Universities: An Empirical Guide&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7471110?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;From Jesus to J-Setting: Religious and Sexual Fluidity among Young Black People&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7220465?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Hispanic Faculty Experience: Opportunities for Growth and Retention in Christian Colleges and Universities&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Science &amp;amp; Technology Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.8816149?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Composting Utopia: Experimental Infrastructures for Organics Recycling in New York City&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Sociology&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669730?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Apartheid’s Leviathan: Electricity and the Power of Technological Ambivalence&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.6557180?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;As Legend Has It: History, Heritage, and the Construction of Swedish American Identity&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.3998/mpub.12572368?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Continuous Pasts: Frictions of Memory in Postcolonial Africa&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.5149/9781469675138_Pelot-Hobbs?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/jj.9669728?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Research as More Than Extraction: Knowledge Production and Gender-Based Violence in African Societies&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/jj.7471111?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;The Souls of Jewish Folk: W. E. B. Du Bois, Anti-Semitism, and the Color Line&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Technology&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.18772/22023128646?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Transnational Families in Africa: Migrants and the role of Information Communication Technologies&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Urban Studies&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="https://www.jstor.org/stable/10.2307/j.ctv2vdbt72?utm_source=tumblr&amp;amp;utm_medium=social&amp;amp;utm_campaign=path-to-open-oa" target="_blank"&gt;&lt;i&gt;Living Politics in the City: Architecture as Catalyst for Public Space&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/blockquote&gt;&lt;p&gt;FYI, all of these books were made open access as part of our &lt;a href="https://about.jstor.org/products/books/path-to-open/" target="_blank"&gt;Path to Open program&lt;/a&gt;, where included books are set to become open access three years after their publication date.&lt;/p&gt;&lt;p&gt;Many of the above books can be downloaded as PDFs in full!&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/819681793875886080</link><guid>https://lithub.tumblr.com/post/819681793875886080</guid><pubDate>Wed, 17 Jun 2026 11:17:54 -0400</pubDate></item><item><title>Under apartheid, publishing radical books was an act of resistance. Ravan Press, (founded in 1972 by&amp;hellip;</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://jstor.tumblr.com/post/783096201222471680/under-apartheid-publishing-radical-books-was-an" target="_blank"&gt;jstor&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="3569" data-orig-width="2521"&gt;&lt;img src="https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s640x960/2ebb518e0db9dba567f222b57feb1e35c4c27749.jpg" data-orig-height="3569" data-orig-width="2521" alt="Bold, graphic poster with black, red, and yellow color blocks showing workers reading books and raising fists. Text reads: “Books for Workers from Ravan Press,” listing subjects like politics, trade unionism, and literacy. Contact information for Ravan Press is included at the bottom." srcset="https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s75x75_c1/60be88d90c4bfe5279cc78f218964f472ba945cb.jpg 75w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s100x200/dfca32c2d67ba3fbdd677220b6fb1aac95a5ec72.jpg 100w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s250x400/f7883f96d27f5d60e3ab4e0207756ca0ab232477.jpg 250w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s400x600/50a24114c650190ecf9edd4c7141c4b61c400ebe.jpg 400w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s500x750/8c9c6f47770088898075a5214f39a58c5819bdd0.jpg 500w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s540x810/cf92d409e6960c036da5056143721b76294c3555.jpg 540w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s640x960/2ebb518e0db9dba567f222b57feb1e35c4c27749.jpg 640w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s1280x1920/3cf3a1c7607d04be5341fc745648dbe2c37fdec6.jpg 1280w, https://64.media.tumblr.com/ae3fb2c48a01c4c915f85b4e7fa3fdeb/a598fdf9cbd181be-e8/s2048x3072/0f243b6a202a2d6e32971a2b032eb210f79cf25d.jpg 2048w" sizes="(max-width: 1280px) 100vw, 1280px"/&gt;&lt;span class="tmblr-alt-text-helper"&gt;ALT&lt;/span&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;Under apartheid, publishing radical books was an act of resistance. &lt;a href="https://theconversation.com/peter-randall-a-pioneering-publisher-who-established-the-radical-ravan-press-in-south-africa-233170" target="_blank"&gt;Ravan Press&lt;/a&gt;, (founded in 1972 by Peter Randall and others) amplified banned voices, Black Consciousness writers, and critical texts that commercial publishers wouldn’t touch.&lt;/p&gt;&lt;p&gt;Ravan published the first novels by authors like J.M. Coetzee and Miriam Tlali, often risking raids and censorship to do so. Its work was one part of a broader liberation struggle across Southern Africa, building political awareness from the grassroots up.&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.jstor.org/site/struggles-for-freedom/southern-africa/" target="_blank"&gt;See more primary sources in the Struggles for Freedom: Southern Africa collection on JSTOR&lt;/a&gt;, with an emphasis on materials from Botswana, Mozambique, Namibia, South Africa, and Zimbabwe.&lt;/p&gt;&lt;p&gt;&lt;small&gt;Image: &lt;i&gt;&lt;a href="https://jstor.org/stable/al.sff.document.pos19840000.043.053.0077" target="_blank"&gt;Books for Workers from Ravan Press&lt;/a&gt;&lt;/i&gt;. January 1, 1984. Digital Innovation South Africa.&lt;/small&gt;&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/816424428297764864</link><guid>https://lithub.tumblr.com/post/816424428297764864</guid><pubDate>Tue, 12 May 2026 12:23:28 -0400</pubDate></item><item><title>[when faces called flowers float out of the ground] by e.e. cummings</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://havingapoemwithyou.tumblr.com/post/812716440501338112/when-faces-called-flowers-float-out-of-the" target="_blank"&gt;havingapoemwithyou&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1152" data-orig-width="940"&gt;&lt;img src="https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s640x960/92e6f986facfa763302f94607742510c522151ad.png" data-orig-height="1152" data-orig-width="940" alt="when faces called flowers float out of the ground
and breathing is wishing and wishing is having —
but keeping is downward and doubting and never
–it’s april (yes,april;my darling)it’s spring!
yes the pretty birds frolic as spry as can fly
yes the little fish gambol as glad as can be
(yes the mountains are dancing together)

when every leaf opens without any sound
and wishing is having and having is giving —
but keeping is doting and nothing and nonsense
–alive;we’re alive,dear:it’s(kiss me now)spring!
now the pretty birds hover so she and so he
now the little fish quiver so you and so i
(now the mountains are dancing, the mountains)

when more than was lost has been found has been found
and having is giving and giving is living–
but keeping is darkness and winter and cringing
–it’s spring(all our night becomes day)o,it’s spring!
all the pretty birds dive to the heart of the sky
all the little fish climb through the mind of the sea
(all the mountains are dancing;are dancing)" srcset="https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s75x75_c1/a8ffa431702a70009e3067cc227386b5a7e7ded8.png 75w, https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s100x200/47bc1fe8ec3d8a87ae6797c42c3824b968643ee8.png 100w, https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s250x400/caec0df4bc844f6e3009f5c9bbbcb5a8289e7d62.png 250w, https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s400x600/4d31973cee663fa52aec027f6807829ac2eebfc8.png 400w, https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s500x750/4fbc875df6967467b8d4c8ae0506faa9cd76982c.png 500w, https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s540x810/b37b98471d296977fe74ecc688c9ba79865c415f.png 540w, https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s640x960/92e6f986facfa763302f94607742510c522151ad.png 640w, https://64.media.tumblr.com/fbf886ebc97ba0c46af6fb2226bdf506/2f6ab6aa09c213e4-be/s1280x1920/396d9fff6fa537fbfbaabd26069b734ee8078de3.png 940w" sizes="(max-width: 940px) 100vw, 940px"&gt;&lt;span class="tmblr-alt-text-helper"&gt;ALT&lt;/span&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;&lt;i&gt;[when faces called flowers float out of the ground] by e.e. cummings&lt;/i&gt;&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/812798618888192000</link><guid>https://lithub.tumblr.com/post/812798618888192000</guid><pubDate>Thu, 02 Apr 2026 11:52:47 -0400</pubDate></item><item><title>&amp;ldquo;Even repulsive fiction must be protected, because the alternative - letting the government dictate&amp;hellip;</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://www.tumblr.com/unspeakablearchives/804090615261544448/even-repulsive-fiction-must-be-protected-because" target="_blank"&gt;unspeakablearchives&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="366" data-orig-width="1080"&gt;&lt;img src="https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s640x960/86bb84dd803ce0dbce6c61425998e20870082e49.webp" data-orig-height="366" data-orig-width="1080" srcset="https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s75x75_c1/30e761ed6fb7186b5d3b6d41a984886557352ac9.webp 75w, https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s100x200/e89d10b640393c32fb7c6f9a5e364be13cbb76e7.webp 100w, https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s250x400/df654e3f4cdbddbb6884fdbacd541a71bab77d68.webp 250w, https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s400x600/456d716074cd2e86a79092787def09a6e50c9f1e.webp 400w, https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s500x750/e5e22eb7b6f0844b69aa998575db5e4a4716f508.webp 500w, https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s540x810/6efa6a26aaced1709bfcbe017a9490d2edd3a525.webp 540w, https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s640x960/86bb84dd803ce0dbce6c61425998e20870082e49.webp 640w, https://64.media.tumblr.com/7017fd92257e6f02c2fb3f942df01467/0e35234f9f65a6ca-35/s1280x1920/75b233c6d64eb14a2246255bd8a575bcd21598d7.webp 1080w" sizes="(max-width: 1080px) 100vw, 1080px"/&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/812798610769068032</link><guid>https://lithub.tumblr.com/post/812798610769068032</guid><pubDate>Thu, 02 Apr 2026 11:52:39 -0400</pubDate></item><item><title>Because we know you definitely need more titles on your TBR. Read the lists here.</title><description>&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1350" data-orig-width="1080"&gt;&lt;img src="https://64.media.tumblr.com/3af201c152e187a821ce952c6682f593/18c70f5f99a317e4-0c/s640x960/4bbf42582b24d89c69b0ad1b20c8e9f9bac4ca6e.jpg" data-orig-height="1350" data-orig-width="1080" srcset="https://64.media.tumblr.com/3af201c152e187a821ce952c6682f593/18c70f5f99a317e4-0c/s75x75_c1/54e0c5096d9256a652c351efcf5355214b7bdeb3.jpg 75w, https://64.media.tumblr.com/3af201c152e187a821ce952c6682f593/18c70f5f99a317e4-0c/s100x200/e044c6e64d366358dafd798c2434be20665deefa.jpg 100w, https://64.media.tumblr.com/3af201c152e187a821ce952c6682f593/18c70f5f99a317e4-0c/s250x400/27c1442451d04e7412f708c7b3f361887450de76.jpg 250w, https://64.media.tumblr.com/3af201c152e187a821ce952c6682f593/18c70f5f99a317e4-0c/s400x600/ba63b789647f45c3cd2dffa6e4945243817299a3.jpg 400w, 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srcset="https://64.media.tumblr.com/f2e3a9cd114b63a05573c349cc4d0905/18c70f5f99a317e4-19/s75x75_c1/e5975e235862ae067e151be714669578fe24f23b.jpg 75w, https://64.media.tumblr.com/f2e3a9cd114b63a05573c349cc4d0905/18c70f5f99a317e4-19/s100x200/aaa30fc1c24515b57facf1e1ea90fe5773880d0a.jpg 100w, https://64.media.tumblr.com/f2e3a9cd114b63a05573c349cc4d0905/18c70f5f99a317e4-19/s250x400/559f75535ab6c93215f1f3fc683e620e28d040a3.jpg 250w, https://64.media.tumblr.com/f2e3a9cd114b63a05573c349cc4d0905/18c70f5f99a317e4-19/s400x600/d16ea54a9a145610b595f2f939e6fd643f43d7a1.jpg 400w, https://64.media.tumblr.com/f2e3a9cd114b63a05573c349cc4d0905/18c70f5f99a317e4-19/s500x750/88ebeb4ab1d26102bc2681b98e04221cdb5bf43e.jpg 500w, https://64.media.tumblr.com/f2e3a9cd114b63a05573c349cc4d0905/18c70f5f99a317e4-19/s540x810/6a1e5d46e1844291f3741f9e2b2fdeec64aaba21.jpg 540w, https://64.media.tumblr.com/f2e3a9cd114b63a05573c349cc4d0905/18c70f5f99a317e4-19/s640x960/21f2d9d06e007859a1a76d700015b3c602a2edec.jpg 640w, 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https://64.media.tumblr.com/db7856edd601d685b8298cc0d5ac6af8/18c70f5f99a317e4-1c/s400x600/544764c0a486d0d8828634882b49ea51bc95034b.jpg 400w, https://64.media.tumblr.com/db7856edd601d685b8298cc0d5ac6af8/18c70f5f99a317e4-1c/s500x750/174705b4a44792f910b76e5db4cbe76eea763be1.jpg 500w, https://64.media.tumblr.com/db7856edd601d685b8298cc0d5ac6af8/18c70f5f99a317e4-1c/s540x810/e97944cffd57fafa4b652590780f8d1b540cbc11.jpg 540w, https://64.media.tumblr.com/db7856edd601d685b8298cc0d5ac6af8/18c70f5f99a317e4-1c/s640x960/d9a4328518e6d15bd2a0341475408f9c8460912f.jpg 640w, https://64.media.tumblr.com/db7856edd601d685b8298cc0d5ac6af8/18c70f5f99a317e4-1c/s1280x1920/510cd8286499ea9b9a442cdcb19a1bd746dbf5e1.jpg 1080w" sizes="(max-width: 1080px) 100vw, 1080px"/&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1350" data-orig-width="1080"&gt;&lt;img src="https://64.media.tumblr.com/6bfee3a24a3ab6646c4628034d7f9271/18c70f5f99a317e4-9a/s640x960/fa915904595e54ac7a4293d8e5adcdb55e703021.jpg" data-orig-height="1350" data-orig-width="1080" srcset="https://64.media.tumblr.com/6bfee3a24a3ab6646c4628034d7f9271/18c70f5f99a317e4-9a/s75x75_c1/1eb12c1df2d3c83788d6470a064fa5238f61664e.jpg 75w, https://64.media.tumblr.com/6bfee3a24a3ab6646c4628034d7f9271/18c70f5f99a317e4-9a/s100x200/96a436cba3887a03b8550f4fcaf7537c61f2dbf7.jpg 100w, https://64.media.tumblr.com/6bfee3a24a3ab6646c4628034d7f9271/18c70f5f99a317e4-9a/s250x400/59948e00376d7e1b5c9eacea70a9d99bb2983f68.jpg 250w, https://64.media.tumblr.com/6bfee3a24a3ab6646c4628034d7f9271/18c70f5f99a317e4-9a/s400x600/b8370b975d900e257fa75dae4f2a1e6269d6f6a3.jpg 400w, https://64.media.tumblr.com/6bfee3a24a3ab6646c4628034d7f9271/18c70f5f99a317e4-9a/s500x750/2fe9d66a5bf5adbcfc6681bda16750e3e153d505.jpg 500w, 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https://64.media.tumblr.com/498f642294ecd687e6131e71ba54e63c/18c70f5f99a317e4-2c/s100x200/5d3b73431dc25d10e16e41b83d24d742a01eee33.jpg 100w, https://64.media.tumblr.com/498f642294ecd687e6131e71ba54e63c/18c70f5f99a317e4-2c/s250x400/dd8649d6f7bcb30f589df01293f58d26287e3ca0.jpg 250w, https://64.media.tumblr.com/498f642294ecd687e6131e71ba54e63c/18c70f5f99a317e4-2c/s400x600/ba2472807c4fba7bb1e108c968d5b951335eca69.jpg 400w, https://64.media.tumblr.com/498f642294ecd687e6131e71ba54e63c/18c70f5f99a317e4-2c/s500x750/d011d7ed4c9304d4a821774a1ae4d3bd834f1b8d.jpg 500w, https://64.media.tumblr.com/498f642294ecd687e6131e71ba54e63c/18c70f5f99a317e4-2c/s540x810/0e7ed071396f2da4d8471053c4dc6485f324b8b9.jpg 540w, https://64.media.tumblr.com/498f642294ecd687e6131e71ba54e63c/18c70f5f99a317e4-2c/s640x960/7f1534986878d529a74b8e1631c1cdf1eeb8c05b.jpg 640w, https://64.media.tumblr.com/498f642294ecd687e6131e71ba54e63c/18c70f5f99a317e4-2c/s1280x1920/b36cf22691cbbc97638680491f85ffb48dfca76b.jpg 1080w" sizes="(max-width: 1080px) 100vw, 1080px"/&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;Because we know you definitely need more titles on your TBR. Read the lists &lt;a href="https://linktr.ee/lithub_" target="_blank"&gt;here&lt;/a&gt;.&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/812715226616184832</link><guid>https://lithub.tumblr.com/post/812715226616184832</guid><pubDate>Wed, 01 Apr 2026 13:47:18 -0400</pubDate><category>new books</category><category>tbr</category><category>national poetry month</category><category>scifi books</category><category>new poetry</category><category>fantasty books</category><category>children’s books</category><category>lit hub</category><category>literature</category><category>reading</category><category>book reccs</category></item><item><title>Everything All at Once by Oliver Baez Bendorf</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://havingapoemwithyou.tumblr.com/post/811989644984090624/everything-all-at-once-by-oliver-baez-bendorf" target="_blank"&gt;havingapoemwithyou&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1084" data-orig-width="560"&gt;&lt;img src="https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s640x960/ff463e0683a2cb0eb0e177ce91f4dc21850f9898.png" data-orig-height="1084" data-orig-width="560" alt="Everything All at Once
Oliver Baez Bendorf




                                      right now,

someone is having sex and someone

is dying and someone is trying to find

a lid so they can, before bed, put away

the soup and someone is dreaming

of that made meadow and someone

is gazing through a hospital window

to a faraway peak

and someone can’t decide what

to watch so they remain


on the menu screen for company

and someone wants to call but

can’t and someone wants to answer

but won’t and someone is studying

to become a moth scientist and someone

is dizzy and doesn’t know why

and someone is, after work, practicing

the vocal techniques of opera

and someone receives

a phone call saying listen it’s my


neighbor I told you about the singing one can you

hear it and someone

is clutching the heavy still warm hand

of a lover and someone is digging

a hole and someone is waxing

their back and someone

is remembering a poem permitting

bits and pieces to return

and someone

would do almost anything to forget

" srcset="https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s75x75_c1/96b88bb6eabb25f6f603c257c871183dddd5f944.png 75w, https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s100x200/6aed362dcaeb9d9a83b31e5f950f21a98d15ee1d.png 100w, https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s250x400/a24e4614266acbb04f38ce9685617f642945002d.png 207w, https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s400x600/8c36a208c352fee97a3a5f76c829f9b4bbb6c97a.png 310w, https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s500x750/aa3afc07e6523d6a3fd5bb79058e0e783511d378.png 387w, https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s540x810/d0b664f39e7e9bbafbac6355e4ee34c729ac19fd.png 418w, https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s640x960/ff463e0683a2cb0eb0e177ce91f4dc21850f9898.png 496w, https://64.media.tumblr.com/23a0895c9f2ecbacae03846ce4d62ca9/8e59749f6a00bef5-b4/s1280x1920/4d48256d51f8a5c5f1c295a8a23505e288a478e1.png 560w" sizes="(max-width: 560px) 100vw, 560px"&gt;&lt;span class="tmblr-alt-text-helper"&gt;ALT&lt;/span&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;&lt;i&gt;Everything All at Once by Oliver Baez Bendorf&lt;/i&gt;&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/812161307849670656</link><guid>https://lithub.tumblr.com/post/812161307849670656</guid><pubDate>Thu, 26 Mar 2026 11:03:00 -0400</pubDate></item><item><title>Everyone has their process</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://celtadri.tumblr.com/post/810311565398179840/everyone-has-their-process" target="_blank"&gt;celtadri&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1177" data-orig-width="3000"&gt;&lt;img src="https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s640x960/a1995a520c6f8ef83cf33b403448af176b307795.jpg" data-orig-height="1177" data-orig-width="3000" srcset="https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s75x75_c1/48ef3514cb8d95d29b3db13f07aaec9163eb9cb9.jpg 75w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s100x200/95516ab235a665448b26c44f93e58863385ceeca.jpg 100w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s250x400/914d6f7dc176857dff253787dc2c340f5f58bcc2.jpg 250w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s400x600/5f45a395fc17340cad83c69a313215c5ad4cb767.jpg 400w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s500x750/1b7883e7a29b2a86ec7c0d273a5f0a5b252dad20.jpg 500w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s540x810/b1c486fddaa93646d85e2ee5c9729a47b0afc282.jpg 540w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s640x960/a1995a520c6f8ef83cf33b403448af176b307795.jpg 640w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s1280x1920/dc9969603837fcde5a1b4ee01e019398ad4efd97.jpg 1280w, https://64.media.tumblr.com/3d882f683a9210f9934fb49cb919f980/daed054b234d5083-ae/s2048x3072/30bd224cc363ef66ae354d741fa15e1638a0434f.jpg 2048w" sizes="(max-width: 1280px) 100vw, 1280px"/&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;Everyone has their process&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/811343973828444160</link><guid>https://lithub.tumblr.com/post/811343973828444160</guid><pubDate>Tue, 17 Mar 2026 10:31:49 -0400</pubDate></item><item><title>Mashing up Jane Austen&amp;rsquo;s fiction with zombies, erotica, or extraterrestrials has become so common in&amp;hellip;</title><description>&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/blood-on-the-page-on-jane-austens-period-drama/","display_url":"https://lithub.com/blood-on-the-page-on-jane-austens-period-drama/","title":"Blood On the Page: On Jane Austen’s Period Drama","description":"Mashing up Jane Austen’s fiction with zombies, erotica, or extraterrestrials has become so common in pop culture that such stuff may no long","site_name":"Literary  Hub","poster":[{"media_key":"51c80fbb7d10d48c6aa4c9f1345aa26d:5fc842833b8911ed-7e","type":"image/png","width":800,"height":450}]}'&gt;&lt;a href="https://lithub.com/blood-on-the-page-on-jane-austens-period-drama/" target="_blank"&gt;Blood On the Page: On Jane Austen’s Period Drama&lt;/a&gt;&lt;/p&gt;&lt;blockquote class="npf_indented"&gt;&lt;p&gt;Mashing up Jane Austen’s fiction with zombies, erotica, or extraterrestrials has become so common in pop culture that such stuff may no longer raise an eyebrow. &lt;i&gt;Pride &amp;amp; Prejudice &amp;amp; Zombies&lt;/i&gt; was, and feels, so very ten years ago. But who could have known then that the most fresh, funny, and moving mash-up was yet to come—and that it would take menstruation as its most unlikely subject?&lt;br/&gt;&lt;i&gt;Jane Austen’s Period Drama&lt;/i&gt;, Julia Aks and Steven Pinder’s Oscar-nominated (and brilliant) short live action film, turns on a clever pun on the word “period.” The 13-minute film—recently made available to viewers on &lt;a href="https://www.youtube.com/watch?v=dxpjzOLVRR0" target="_blank"&gt;YouTube&lt;/a&gt;—also captured headlines when Emma Thompson signed on as its “Executive Menstrual Adviser.” &lt;i&gt;Jane Austen’s&lt;/i&gt; &lt;i&gt;Period Drama&lt;/i&gt; has emerged as a serious contender for the Academy Award.&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;Devoney Looser explores 19th-century attitudes about menstruation through &lt;i&gt;&lt;a href="https://lithub.com/blood-on-the-page-on-jane-austens-period-drama/" target="_blank"&gt;Jane Austen’s Period Drama, &lt;/a&gt;&lt;/i&gt;&lt;a href="https://lithub.com/blood-on-the-page-on-jane-austens-period-drama/" target="_blank"&gt;the Oscar-nominated short&lt;/a&gt;. &lt;/p&gt;</description><link>https://lithub.tumblr.com/post/810804137227927552</link><guid>https://lithub.tumblr.com/post/810804137227927552</guid><pubDate>Wed, 11 Mar 2026 11:31:21 -0400</pubDate><category>jane austen</category><category>jane austen’s period drama</category><category>pride and prejudice</category><category>oscars 2026</category><category>classic lit</category><category>literature</category><category>books</category><category>bookblr</category><category>reading</category><category>film</category></item><item><title>&amp;ldquo;Imagine a wealthy Oxbridge don giving their teenager a blank check for their Bront&amp;euml; birthday bash&amp;hellip;</title><description>&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/emerald-fennells-wuthering-heights-is-a-deranged-half-assed-bodice-ripper-that-entirely-misses-the-point/","display_url":"https://lithub.com/emerald-fennells-wuthering-heights-is-a-deranged-half-assed-bodice-ripper-that-entirely-misses-the-point/","title":"Emerald Fennell’s Wuthering Heights is a Deranged, Half-Assed Bodice-Ripper That Entirely Misses the Point","description":"I did not quite finish my umpteenth read of Emily Brontë’s Wuthering Heights prior to seeing Emerald Fennell’s Wuthering Heights. Ever the o","site_name":"Literary  Hub","poster":[{"media_key":"b8b5b3c72163f4e6f46ef39122176c30:f124832e0726dde3-18","type":"image/jpeg","width":1036,"height":506}]}'&gt;&lt;a href="https://lithub.com/emerald-fennells-wuthering-heights-is-a-deranged-half-assed-bodice-ripper-that-entirely-misses-the-point/" target="_blank"&gt;Emerald Fennell’s Wuthering Heights is a Deranged, Half-Assed Bodice-Ripper That Entirely Misses the Point&lt;/a&gt;&lt;/p&gt;&lt;p&gt;“Imagine a wealthy Oxbridge don giving their teenager a blank check for their Brontë birthday bash and you might begin to grasp the vision.” Emily Van Duyne &lt;a href="https://lithub.com/emerald-fennells-wuthering-heights-is-a-deranged-half-assed-bodice-ripper-that-entirely-misses-the-point/" target="_blank"&gt;reviews Emerald Fennell’s &lt;i&gt;Wuthering Heights&lt;/i&gt;&lt;/a&gt;.&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/809537086746181632</link><guid>https://lithub.tumblr.com/post/809537086746181632</guid><pubDate>Wed, 25 Feb 2026 10:52:07 -0500</pubDate><category>wuthering heights</category><category>wuthering heights 2026</category><category>emerald fennell</category><category>emily bronte</category><category>film</category><category>cinema</category><category>literature</category><category>film review</category><category>lit hub</category><category>literary hub</category></item><item><title>Brittany Allen chronicles the literary history of The Muppets, from A Christmas Carol to Treasure&amp;hellip;</title><description>&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/a-brief-literary-history-of-the-muppet-show/","display_url":"https://lithub.com/a-brief-literary-history-of-the-muppet-show/","title":"A brief literary history of The Muppet Show.","description":"Last week on a Disney+ account near you, Seth Rogen—the hardest working man in show biz—announced the return of the Kerm. A one-off Muppet S","site_name":"Literary  Hub","poster":[{"media_key":"c6e4594a27e4fac4faea0ac321fb1dc2:993b5202e31f22b3-c6","type":"image/png","width":800,"height":400}]}'&gt;&lt;a href="https://lithub.com/a-brief-literary-history-of-the-muppet-show/" target="_blank"&gt;A brief literary history of The Muppet Show.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Brittany Allen chronicles the literary history of The Muppets, from &lt;i&gt;A Christmas Carol&lt;/i&gt; to &lt;i&gt;Treasure Island&lt;/i&gt; and beyond.&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/808360831799738368</link><guid>https://lithub.tumblr.com/post/808360831799738368</guid><pubDate>Thu, 12 Feb 2026 11:16:03 -0500</pubDate><category>muppets</category><category>the muppets</category><category>the muppet show</category><category>literature</category><category>a muppet christmas carol</category><category>muppet treasure island</category><category>kermit</category><category>miss piggy</category></item><item><title>In our Letters from Minnesota series, writers, organizers, and activists on the ground in Minnesota&amp;hellip;</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://lithub.tumblr.com/post/807001116434890752/letter-from-minnesota-we-are-going-to-win" target="_blank"&gt;lithub&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;In our &lt;a href="https://lithub.com/tag/letter-from-minnesota/" target="_blank"&gt;&lt;i&gt;Letters from Minnesota&lt;/i&gt;&lt;/a&gt; series, writers, organizers, and activists on the ground in Minnesota bear witness to ICE and American authoritarianism. Today, read dispatches from Kao Kalia Yang on preparing for the worst with her children, Jim Moore on echoes of protests past, and Katherine Packert Burke on “why we will win.”&lt;/p&gt;&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/letter-from-minnesota-we-are-going-to-win/","display_url":"https://lithub.com/letter-from-minnesota-we-are-going-to-win/","title":"Letter From Minnesota: We Are Going to Win","description":"Each morning, I get a Signal message counting up how many days our city has been occupied. It bears information, reminders for new members. ","site_name":"Literary  Hub","poster":[{"media_key":"345c7751ff360594e275b0c0ac855e06:a9aa6a8f577a2665-01","type":"image/jpeg","width":2099,"height":1138}]}'&gt;&lt;a href="https://lithub.com/letter-from-minnesota-we-are-going-to-win/" target="_blank"&gt;Letter From Minnesota: We Are Going to Win&lt;/a&gt;&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/808360587448975360</link><guid>https://lithub.tumblr.com/post/808360587448975360</guid><pubDate>Thu, 12 Feb 2026 11:12:10 -0500</pubDate></item><item><title>In our Letters from Minnesota series, writers, organizers, and activists on the ground in Minnesota&amp;hellip;</title><description>&lt;p&gt;In our &lt;a href="https://lithub.com/tag/letter-from-minnesota/" target="_blank"&gt;&lt;i&gt;Letters from Minnesota&lt;/i&gt;&lt;/a&gt; series, writers, organizers, and activists on the ground in Minnesota bear witness to ICE and American authoritarianism. Today, read dispatches from Kao Kalia Yang on preparing for the worst with her children, Jim Moore on echoes of protests past, and Katherine Packert Burke on “why we will win.”&lt;/p&gt;&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/letter-from-minnesota-we-are-going-to-win/","display_url":"https://lithub.com/letter-from-minnesota-we-are-going-to-win/","title":"Letter From Minnesota: We Are Going to Win","description":"Each morning, I get a Signal message counting up how many days our city has been occupied. It bears information, reminders for new members. ","site_name":"Literary  Hub","poster":[{"media_key":"345c7751ff360594e275b0c0ac855e06:a9aa6a8f577a2665-01","type":"image/jpeg","width":2099,"height":1138}]}'&gt;&lt;a href="https://lithub.com/letter-from-minnesota-we-are-going-to-win/" target="_blank"&gt;Letter From Minnesota: We Are Going to Win&lt;/a&gt;&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/807001116434890752</link><guid>https://lithub.tumblr.com/post/807001116434890752</guid><pubDate>Wed, 28 Jan 2026 11:03:58 -0500</pubDate><category>minnesota</category><category>minneapolis</category><category>protest</category><category>abolish ice</category><category>american politics</category><category>us politics</category><category>authoritarianism</category><category>lit hub</category><category>literature</category><category>writing</category></item><item><title>James Folta talks to Minneapolis bookseller Angela Schwesnedl: </title><description>&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/everything-we-do-matters-minneapoliss-moon-palace-books-is-a-hub-for-anti-ice-resistance/","display_url":"https://lithub.com/everything-we-do-matters-minneapoliss-moon-palace-books-is-a-hub-for-anti-ice-resistance/","title":"“Everything We Do Matters.” Minneapolis’s Moon Palace Books is a Hub For Anti-ICE Resistance","description":"Angela Schwesnedl from Moon Palace Books in Minneapolis picked up my phone call on Saturday almost two hours to the minute after Alex Pretti","site_name":"Literary  Hub","poster":[{"media_key":"8dd906af44ccf944526be62614c28612:800e2b9e183fd1af-4f","type":"image/jpeg","width":2100,"height":1050}]}'&gt;&lt;a href="https://lithub.com/everything-we-do-matters-minneapoliss-moon-palace-books-is-a-hub-for-anti-ice-resistance/" target="_blank"&gt;“Everything We Do Matters.” Minneapolis’s Moon Palace Books is a Hub For Anti-ICE Resistance&lt;/a&gt;&lt;/p&gt;&lt;p&gt;James Folta talks to Minneapolis bookseller Angela Schwesnedl: &lt;/p&gt;&lt;p&gt;“Angela Schwesnedl from &lt;a href="https://moonpalacebooks.com/" target="_blank"&gt;Moon Palace Books&lt;/a&gt; in Minneapolis picked up my phone call on Saturday almost two hours to the minute after Alex Pretti was murdered in the street by ICE officers.&lt;/p&gt;&lt;p&gt;‘If you haven’t seen the video, don’t,’ she told me. ‘It’s an execution.’&lt;/p&gt;&lt;p&gt;We had made a plan the day before to talk about Friday’s huge ICE Out protest, march, and general strike against the federal occupation, but Alex Pretti was dead, and we began in somber sadness. The early reports of the murder would continue to filter out to us, to me hunched in a friend’s small office in New York while taking notes, and to her in the back of a Minneapolis store while managing diaper distribution.”&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/806911063400546304</link><guid>https://lithub.tumblr.com/post/806911063400546304</guid><pubDate>Tue, 27 Jan 2026 11:12:36 -0500</pubDate><category>minneapolis</category><category>minnesota</category><category>abolish ice</category><category>news</category><category>us politics</category><category>american politics</category><category>protest</category><category>indie bookstore</category><category>bookseller</category><category>literature</category><category>books</category><category>bookblr</category></item><item><title>Dobby Gibson writes a letter from Minnesota: </title><description>&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/letter-from-minnesota-can-you-hear-us-america/","display_url":"https://lithub.com/letter-from-minnesota-can-you-hear-us-america/","title":"Letter From Minnesota: Can You Hear Us, America?","description":"Since early December of last year, thousands of ICE officers have streamed into Minnesota to carry out a violent and grossly unconstitutiona","site_name":"Literary  Hub","poster":[{"media_key":"d3d65f4adc07152e32c2fa6451ed84b5:9597db485d599286-c5","type":"image/jpeg","width":2450,"height":1225}]}'&gt;&lt;a href="https://lithub.com/letter-from-minnesota-can-you-hear-us-america/" target="_blank"&gt;Letter From Minnesota: Can You Hear Us, America?&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lithub.com/letter-from-minnesota-can-you-hear-us-america/" target="_blank"&gt;Dobby Gibson writes a letter from Minnesota: &lt;/a&gt;&lt;/p&gt;&lt;p&gt;“We wear whistles now. Mine is bright yellow and plastic and weighs barely enough to dangle from its string. I carry it in my pocket. Others wear theirs like an amulet. Under any other circumstance, my whistle would be mistaken for a Christmas-tree ornament, a birthday-party favor, or a second-hand Fisher-Price toy. It looks amateur, but the noise it makes is contractor grade.&lt;/p&gt;&lt;p&gt;The neighbors all carry one. Some whistles are clearly brand-new—an overnight Amazon Prime purchase—others a leftover from a long-ago summer lifeguard job. In blaze-orange safety vests and down puffers, we line the streets around our schools each morning and afternoon, standing watch for ICE caravans, little plumes of frozen breath rising from beneath our hoods.”&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/806817833315155968</link><guid>https://lithub.tumblr.com/post/806817833315155968</guid><pubDate>Mon, 26 Jan 2026 10:30:45 -0500</pubDate><category>minnesota</category><category>abolish ice</category><category>protests</category><category>minnesota protests</category><category>minneapolis</category><category>twin cities</category><category>literature</category><category>books</category><category>reading</category><category>american politics</category><category>us politics</category></item><item><title>Anne Margaret Castro explains why&amp;nbsp;Heated Rivalry&amp;nbsp;is&amp;nbsp;the perfect romance novel adaptation.&amp;nbsp;</title><description>&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/why-heated-rivalry-is-the-perfect-adaptation-of-the-romance-novels-strict-conventions/","display_url":"https://lithub.com/why-heated-rivalry-is-the-perfect-adaptation-of-the-romance-novels-strict-conventions/","title":"Why Heated Rivalry is the Perfect Adaptation of the Romance Novel’s Strict Conventions","description":"There is something very fitting about the fact that a gay hockey romance has been one of the biggest cultural phenomena to mark the closing ","site_name":"Literary  Hub","poster":[{"media_key":"07dac71222a9a526d00bfe23c1f8b0e2:37c73aa85949a7b1-29","type":"image/jpeg","width":1721,"height":1018}]}'&gt;&lt;a href="https://lithub.com/why-heated-rivalry-is-the-perfect-adaptation-of-the-romance-novels-strict-conventions/" target="_blank"&gt;Why Heated Rivalry is the Perfect Adaptation of the Romance Novel’s Strict Conventions&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Anne Margaret Castro explains why &lt;i&gt;Heated Rivalry&lt;/i&gt; is &lt;a href="https://lithub.com/why-heated-rivalry-is-the-perfect-adaptation-of-the-romance-novels-strict-conventions/" target="_blank"&gt;the perfect romance novel adaptation&lt;/a&gt;. &lt;/p&gt;</description><link>https://lithub.tumblr.com/post/806456225529282560</link><guid>https://lithub.tumblr.com/post/806456225529282560</guid><pubDate>Thu, 22 Jan 2026 10:43:09 -0500</pubDate><category>heated rivalry</category><category>romance</category><category>romance reader</category><category>romance books</category><category>bookblr</category><category>booktok</category><category>lit hub</category><category>books</category><category>reading</category></item><item><title>Ode to Mitski by William Fargason</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://havingapoemwithyou.tumblr.com/post/806189552469426176/ode-to-mitski-by-william-fargason" target="_blank"&gt;havingapoemwithyou&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1116" data-orig-width="750"&gt;&lt;img src="https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s640x960/e78f634e5b546c611947fc7e9b9d139e994e7134.png" data-orig-height="1116" data-orig-width="750" alt="Ode to Mitski

By WILLIAM FARGASON

while driving today 	to pick up groceries 
I drive over 	the bridge where it would be 
so easy to drive 	right off 	the water  
a blanket to lay over 	my head 	its fevers  
I do want to live 	most days 	but today  
I don’t 	I could 	let go of the wheel  
and close my eyes 	but Mitski in my speakers 
pulls me back to earth 	she keeps my hands  
on the wheel when I want 	and I so often 
want to die 	Mitski I cannot speak
to you 	like you speak to me 	a thousand lilies 
rise up from the field 	on the other side  
of the bridge 	I will fix my eyes to the field  
with your help 	I will make it across " srcset="https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s75x75_c1/cfc1d7f72272383dc30441db263c4ead0a91ce44.png 75w, https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s100x200/d82a0a029d8d8002980a1bbb06fa9441f9050f84.png 100w, https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s250x400/2e75ceaf409df6d69d1601048b7faf56943e262b.png 250w, https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s400x600/8f93b18918ac226081bc2163ae18f870e2792edb.png 400w, https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s500x750/79b47558df738428074cca69a54d0b50eb1d7a98.png 500w, https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s540x810/5846dbee1bbb4e2db14169b912bcd5989cbd7d42.png 540w, https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s640x960/e78f634e5b546c611947fc7e9b9d139e994e7134.png 640w, https://64.media.tumblr.com/66437f51ba5fc33fe51e28c9c0de4d44/b30d4f7da36be632-9a/s1280x1920/fc36ee5539a281b8c23c2b6e99fba18a5f38fd16.png 750w" sizes="(max-width: 750px) 100vw, 750px"&gt;&lt;span class="tmblr-alt-text-helper"&gt;ALT&lt;/span&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;&lt;i&gt;Ode to Mitski by William Fargason&lt;/i&gt;&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/806366072880218112</link><guid>https://lithub.tumblr.com/post/806366072880218112</guid><pubDate>Wed, 21 Jan 2026 10:50:13 -0500</pubDate></item><item><title>This year at Literary Hub, we published the tenth iteration of a fan favorite end of year list:&amp;nbsp;the&amp;hellip;</title><description>&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1350" data-orig-width="1080"&gt;&lt;img 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src="https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s640x960/7e45dd1191b276ed19bf7a8ae75f7fbb8fd82bb9.jpg" data-orig-height="1350" data-orig-width="1080" srcset="https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s75x75_c1/5b030f1085cf4cda6ef357dd338627bae2509468.jpg 75w, https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s100x200/bf0c3ec83146856e1def3c00b65303c175c3e035.jpg 100w, https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s250x400/7b2b6fbe4119cf8c3ec3105402868d650c05ccab.jpg 250w, https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s400x600/6d9b527666acfcec70adc0b6e7c077b7db6278dd.jpg 400w, https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s500x750/bd5fb3c38237caaf8aa9bb110fa0524cdcc90e74.jpg 500w, https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s540x810/9e90b842b172fbb2cda086911ed31db500c81ef0.jpg 540w, https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s640x960/7e45dd1191b276ed19bf7a8ae75f7fbb8fd82bb9.jpg 640w, https://64.media.tumblr.com/3e3ff89be70fcb3db6fb5a23fadb35d0/5954c1e690c9c8be-4f/s1280x1920/0761f6f2d80f01e36e17c1f7edf18cd07fa69947.jpg 1080w" sizes="(max-width: 1080px) 100vw, 1080px"/&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;This year at Literary Hub, we published the tenth iteration of a fan favorite end of year list: &lt;a href="https://lithub.com/tag/best-book-covers-of-the-year/" target="_blank"&gt;the best book covers of the year, as chosen by some of our favorite book cover designers&lt;/a&gt;. When we realized we had a decade of data about the best book covers, we knew what we needed to do. &lt;a href="https://lithub.com/the-best-book-covers-of-the-last-decade/" target="_blank"&gt;These are the 75 best ranked book covers of the decade&lt;/a&gt;, because we know you live for the aesthetic.&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/806366038044360704</link><guid>https://lithub.tumblr.com/post/806366038044360704</guid><pubDate>Wed, 21 Jan 2026 10:49:40 -0500</pubDate><category>book covers</category><category>book cover</category><category>book design</category><category>best book cover</category><category>art</category><category>design</category><category>literature</category><category>bookblr</category><category>books</category><category>reading</category></item><item><title>&amp;ldquo;&amp;lsquo;Can you be a good writer and a good person?&amp;rsquo; he muses into his Zoom camera, vaping every few&amp;hellip;</title><description>&lt;p class="npf_link" data-npf='{"type":"link","url":"https://lithub.com/is-artistic-ego-a-faustian-bargain-karl-ove-knausgaard-on-plot-narcissism-and-his-new-novel/","display_url":"https://lithub.com/is-artistic-ego-a-faustian-bargain-karl-ove-knausgaard-on-plot-narcissism-and-his-new-novel/","title":"Is Artistic Ego a Faustian Bargain? Karl Ove Knausgaard on Plot, Narcissism, and His New Novel","description":"The moral fulcrum of Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus, in which a scholar gains knowledge ","site_name":"Literary  Hub","poster":[{"media_key":"86e8ec1f9fd37a35be9e1fd67b521800:754ac9d8c619f92e-9b","type":"image/png","width":800,"height":450}]}'&gt;&lt;a href="https://lithub.com/is-artistic-ego-a-faustian-bargain-karl-ove-knausgaard-on-plot-narcissism-and-his-new-novel/" target="_blank"&gt;Is Artistic Ego a Faustian Bargain? Karl Ove Knausgaard on Plot, Narcissism, and His New Novel&lt;/a&gt;&lt;/p&gt;&lt;p&gt;“‘Can you be a good writer and a good person?’ he muses into his Zoom camera, vaping every few seconds. ‘Is that possible to combine? Can you be a good writer and a good father?’”&lt;/p&gt;&lt;p&gt;Eric Olson profiles Karl Ove Knausgaard, author of &lt;i&gt;The School of Night&lt;/i&gt;.&lt;/p&gt;</description><link>https://lithub.tumblr.com/post/805732160937099264</link><guid>https://lithub.tumblr.com/post/805732160937099264</guid><pubDate>Wed, 14 Jan 2026 10:54:27 -0500</pubDate><category>karl ove knausgaard</category><category>the school of night</category><category>literature</category><category>books</category><category>bookblr</category><category>interview</category><category>fiction</category><category>new fiction</category><category>lit hub</category><category>reading</category></item><item><title>William Butler Yeats is often taught through a handful of familiar poems, but beneath that canon was&amp;hellip;</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://jstor.tumblr.com/post/805096993662894080/william-butler-yeats-is-often-taught-through-a" target="_blank"&gt;jstor&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="3400" data-orig-width="2342"&gt;&lt;img src="https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s640x960/b00cd0947873cc821372c6d8067383000f90bda0.jpg" data-orig-height="3400" data-orig-width="2342" alt="Black-and-white lithograph portrait of William Butler Yeats, shown from the chest up, with softly parted hair, a narrow face, and a contemplative expression. The figure is loosely sketched, with much of the background and lower body left unfinished." srcset="https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s75x75_c1/211e35a99fb58af1416cc7059f585e5dc113aceb.jpg 75w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s100x200/167372685ffc00ecd724a4e3273926e7fa488c84.jpg 100w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s250x400/385605b03b5fb5c6659c3b048f547116f858ab4f.jpg 250w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s400x600/b0a507f6150dedc804ee33fb796b50f9d6618281.jpg 400w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s500x750/e71f1d621031a2a3109dc449e7e7708b1681be8e.jpg 500w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s540x810/7f3cc457902189250a378a91b8201c344e29c1da.jpg 540w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s640x960/b00cd0947873cc821372c6d8067383000f90bda0.jpg 640w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s1280x1920/80171a4e8c037b27d74682b2c1ff840f410d6786.jpg 1280w, https://64.media.tumblr.com/f99b11e579466e97b64c304d91601864/a4d9590bb07085ae-b3/s2048x3072/830c27267ea454828ef8b39175f3d132931c7148.jpg 2048w" sizes="(max-width: 1280px) 100vw, 1280px"/&gt;&lt;span class="tmblr-alt-text-helper"&gt;ALT&lt;/span&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;William Butler Yeats is often taught through a handful of familiar poems, but beneath that canon was a lifelong engagement with mysticism, divination, symbolism, and systems of belief that shaped how he understood history and the creative imagination. A new JSTOR Daily article by Gus Mitchell traces how these ideas informed his poetry as central ways of thinking and learning about the world.&lt;/p&gt;&lt;p&gt;If you’re looking to start the year by reading something a little unexpected, this one’s worth your time! And if pieces like this are your kind of reading, the JSTOR Daily newsletter delivers stories grounded in scholarship straight to your inbox.&lt;/p&gt;&lt;p&gt;&lt;a href="https://daily.jstor.org/yeats-and-the-occult-imagination/" target="_blank"&gt;Read the article&lt;/a&gt; and &lt;a href="https://daily.jstor.org/newsletter/" target="_blank"&gt;sign up for the newsletter&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;small&gt;Image: William Rothenstein, &lt;i&gt;&lt;a href="https://www.jstor.org/stable/community.24590252" target="_blank"&gt;William Butler Yeats&lt;/a&gt;&lt;/i&gt;, 1898. Lithograph. The Cleveland Museum of Art.&lt;/small&gt;&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/805732104093761536</link><guid>https://lithub.tumblr.com/post/805732104093761536</guid><pubDate>Wed, 14 Jan 2026 10:53:33 -0500</pubDate></item><item><title>The chariot by Ruth Awad</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="https://havingapoemwithyou.tumblr.com/post/805010408899477504/the-chariot-by-ruth-awad" target="_blank"&gt;havingapoemwithyou&lt;/a&gt;:&lt;/p&gt;&lt;blockquote&gt;&lt;div class="npf_row"&gt;&lt;figure class="tmblr-full" data-orig-height="1082" data-orig-width="572"&gt;&lt;img src="https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s640x960/ce7e8613913595213245847268b7c8ca51778989.png" data-orig-height="1082" data-orig-width="572" srcset="https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s75x75_c1/96e96755b6525c56acb75979773060db46c8e60a.png 75w, https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s100x200/82a92baf3887526cc605b1f3fab1bc244b3f0c7a.png 100w, https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s250x400/114469230716a4005b0db47385a64b6bbf791dab.png 211w, https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s400x600/f514de3b32f3516c8e57da716f45ab11b3246c49.png 317w, https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s500x750/3fbc851026ad8d5d15837ddea6731010ab82bf9f.png 396w, https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s540x810/3cf9c99c8b9f73339fb7b7082b599312338bbd21.png 428w, https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s640x960/ce7e8613913595213245847268b7c8ca51778989.png 508w, https://64.media.tumblr.com/959093e11250e39d11f65f2a5a6b5d58/4cb937ea03036c0b-13/s1280x1920/54012a1281ad00cea9e17a6656bef9665a635c5b.png 572w" sizes="(max-width: 572px) 100vw, 572px"/&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;&lt;i&gt;The chariot by Ruth Awad&lt;/i&gt;&lt;/p&gt;&lt;/blockquote&gt;</description><link>https://lithub.tumblr.com/post/805732089764954112</link><guid>https://lithub.tumblr.com/post/805732089764954112</guid><pubDate>Wed, 14 Jan 2026 10:53:19 -0500</pubDate></item></channel></rss>
