JRR Tolkien believed fairy tales needed dramatic reversals of fortune

Tolkien effectively invented modern fantasy, which often relies on an intricate universe, complete with its own languages, cultures, lifeforms, physics, and systems. When an author did this effectively, he called it “Faërie”—a sort of enchantment that transports the reader into the fictional world.

Tolkien's debut novel, 1937's "The Hobbit," was aimed at young adults, yet it felt far more serious than the whimsical tales of Lewis Carroll or L. Frank Baum. "What Tolkien does is take the 'otherworld' fantasy developed in the 19th century and makes it child-sized, melding it with folklore and Norse myth," notes Farah Mendlesohn, the author of "Rhetorics of Fantasy."

- "The Lord of the Rings" author JRR Tolkien (1892-1973)

- Danish author Hans Christian Andersen (1805-1875)

Baum began writing stories for children while working as a traveling salesman and found success with 1899’s “Father Goose, His Book,” a book of nursery rhymes. Its popularity made him realize children did not want moral education; they wanted escapism.

A lot of 19th-century British fantasy was often stiff; its children’s literature was often overly didactic. Carroll’s novel—about a young girl who falls into an unusual world full—was neither, offering vivid, psychedelic imagery and seemingly nonsensical word games.

The author is one of the genre’s most legendary names, constructing high fantasies like “The Earthsea Cycle” that detail intricate new worlds. In 2004, she delivered a lecture criticizing books and movies that rely on a simple formula: white characters, Medieval settings, and a battle between good and evil. “Whenever I find a fantasy that is set in a genuinely imagined society and culture instead of this lazy-minded, recycled hokum,” she said, “I feel like setting off fireworks.”

In fantasy, anything is possible, mirroring the supernatural worlds of history’s earliest stories. The narrative voice of fantasy is often similar to early tales, too, with an affinity for the magisterial rather than the contemporary.

Jacob and Wilhelm Grimm are responsible for putting the oral stories of the German people into print through the 1800s. Though not intended for children (and often quite violent), these folk tales would become the basis for the modern fairy tale. This article from the world's foremost Grimm specialist, Jack Zipes, uncovers the history of the Brothers Grimm and details how the stories intended to codify German values would eventually spread across the globe.

JRR Tolkien fought in World War I, an experience his grandson, Simon Tolkien, says informed the fantasy legend’s famous trilogy. The companionship between Frodo and Sam and Sauron’s pervasive evil, according to the younger Tolkien, were directly influenced by time on the battlefield.

The story is the earliest surviving poem in the English language and enshrined many Anglo-Saxon ideals about heroism, loyalty, and adventure. JRR Tolkein was an enthusiastic fan of the poem, even lecturing about it in 1936, and mirrored many of its themes in “Lord of the Rings.” Critics have also highlighted the influence on later fantasy stories, including “Harry Potter.”

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.

Fantasy is a literary genre that embraces supernatural and magical elements. While the stories often follow common narrative archetypes, like a quest, they frequently take place in elaborately constructed worlds, which sometimes have their own complex physics, lifeforms, and societies.

“Fantasy” itself is a rather broad way of characterizing fiction. The genre encompasses many subgenres, including epic (like JRR Tolkein’s “Lord of the Rings”), dark (like Neil Gaiman’s “Coraline”), or even superhero (like your favorite Marvel or DC comics).

The Nordic illustrator was asked to contribute illustrations for the 1960 Swedish translation of J.R.R. Tolkien's "The Hobbit." Some fans were critical, though, arguing that the images didn't accurately represent Tolkien's Middle-earth. One of their most convincing pieces of evidence was Jansson's portrayal of Gollum, which she turned into a massive beast. After seeing it, Tolkien realized he needed to specify that the character was "a small, slimy creature."

All literary genres use tropes, a word used to describe established plot devices, character types, and themes. Horror has many of them, like the "Creepy Child" and the "Evil Mask." Some are based on folklore, like the "Deal with the Devil."

Novels are often characterized as a form of cultural escape, but psychologists argue there are health benefits to the many elements comprising fiction. The Greek philosopher Aristotle explored this in his "Poetics," asking if literature was something meant to make us happier. This article highlights eight different innovations common to literature that provide psychological benefits, including the plot twist and more.

In "Lord of the Rings," there's Elvish. In "Avatar," it's Na'vi. In "Game of Thrones," it's Dothraki. The languages draw readers into these fictional stories, imbuing the worlds with a sense of realism. Linguist John McWhorter argues these are real languages because they have grammatical rules and evolve over time.

JRR Tolkien's epic fantasy trilogy "The Lord of the Rings" is a seminal work in the history of literature partly due to its creator's obsessive focus on systematic detail—including the calendars used in the world. Take a fantastic dive into the minutiae of Tolkien's creation by learning the different approaches to time organization in the Shire or Rivendell with this dense, comprehensive resource based on Tolkien's appendices.

Goethe's "Faust," Broadway's "Damn Yankees," and the American folktale about Robert Johnson all embrace the familiar details of the Faustian Bargain, in which a young, eager striver is offered their wildest dreams in exchange for the rights to their soul.

- Author Douglas Adams (1952-2001)

The subgenre—primarily aimed at female readers and sometimes bordering on erotica—has become a sensation, due in no small part to its popularity on social media platforms like TikTok. Writers like Sarah J. Maas and Rebecca Yarros harken back to early Gothic works, which similarly sought to combine the supernatural and the erotic.

Joseph Campbell, the literature professor who wrote about the power of mythology, suggested that "Star Wars" was a powerful modern myth that used classic archetypes to communicate a universal message.

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

The word is derived from the Greek for “bad place," but it's also an inversion of “utopia,” a term popularized by Sir Thomas More in his 1516 book, "Utopia," which imagined an ideal society free of oppression, inequity, and want. More recognized this place was a fantasy; "utopia" is derived from the Greek for "no place."

Kurt Vonnegut is among the most popular postmodernists, renowned for his humor and willingness to move between genres. This clip from a lecture on narrative is a perfect example of those tendencies, with Vonnegut diagramming typical story structures only to mock their predictability. It's not only an enlightening look at the way stories are told—it's also just good comedy.

- Author Philip Roth (1933-2018)

The company Palantir's name was inspired by this J. R. R. Tolkien reference. In fact, it's one of several Peter Thiel-cofounded companies that have a nod to The Lord of the Rings for a name, including Valar Ventures and Mithril Capital.

Many long-form stories written in English were originally considered "romances," a term derived from the Old French word for "the speech of the people." But changes in medieval culture, triggered by a number of 12th-century church reforms, led to a new interest in what we now consider romantic love, including a new view of marriage as a pursuit of love rather than a transaction. Those new perspectives were then reflected in the period's popular stories, including stories in Chaucer's "Canterbury Tales."

The term harkens back to decorative aspects of Gothic architecture, including mythical creatures like gargoyles. In literature, the grotesque describes similarly monstrous characters and situations.

Baum blended elements of Hans Christian Andersen, the Brothers Grimm, and Lewis Carroll, placing them in an American context. The illustrations of William Wallace Denslow brought the fantastical elements to life, as seen below. The book was an instant smash hit, selling out its initial 10,000-book pressing within the first eight months. By the time it entered the public domain in 1956, it had sold 3 million copies.

Fantasy stories take place in universes where magic exists; science fiction stories take place in universes that are still grounded in the physics of our world. In science fiction, supernatural powers have scientific explanations. Think of “Spiderman”: Peter Parker gains his powers after being bitten by a radioactive spider.

Author, editor, and thinker Kevin Kelly makes an argument for optimism. Not only as a personal philosophy, but as a moral obligation, focusing on the need for optimism in overcoming challenges. Drawing examples ranging back to the Wright brothers,...

Dr. John Dyck, an assistant professor of philosophy at Mississippi State, says admirers of "so good they're bad" works like "The Room" do not do so ironically. "They love it as a gorgeous freak accident of nature, something that turned out beautifully—not despite, but because of the failure of its creators."

Economics is dominated by numbers, but stories play a huge role in the emotional shifts seen within macroeconomic trends. For example, bitcoin is not just a cost-benefit winner, but a compelling tale of decentralization and independence. This is a 20-minute summary of Nobel prize-winning economist Robert Shiller's "Narrative Economics."

According to one professor, readers return to Shakespeare's plays, not for his storylines, but to learn how things unfold. In the process, they often use his plays to understand why humans act the way they do.

Elves originated as powerful human-sized beings in Norse mythology, closely tied to nature and fertility. In the 1800s, American writers reimagined them as tiny, toy-making assistants for Santa Claus, with later visual depictions by Norman Rockwell and Disney solidifying their role in Christmas folklore.

Michael Slater, a professor of Victorian literature at Birkbeck College, notes that Dickens' anger at Parliament and social injustice never got in the way of his optimism. "There is a constant allegiance to the lives of ordinary people and their pleasures," he said in a 2001 interview with "In Our Time."

Although Baum claimed his book was intended as a simple children's story, scholars challenged that notion. One high school history teacher, Henry Littlefield, began teaching the book as a satire of the Gilded Age and published an essay inspiring other scholars to consider the text as a politically charged allegory.

In 1917, two young girls took photos of one another appearing to interact with fairies and a gnome. Sir Arthur Conan Doyle, author of the Sherlock Holmes books and a fervent believer in spiritualism, published the photos in a magazine and asked the girls to recreate them, which they did. Conan Doyle went on to write a book about the fairies. In 1983, decades after his death, the girls admitted the photos had been faked.

- "Alice's Adventures in Wonderland" author Lewis Carroll (1832 - 1898)

This 8-minute video explores how time travel influences the narrative arc of several movies, books and video games, from Harry Potter to A Christmas Carol. (Warning: it contains spoilers!) J.K. Rowling and Charles Dickens set myriad parameters as they’re worldbuilding to avoid paradoxes and create quasi-logical timelines. By drawing diagrams as he’s speaking, the video breaks down how time works in some of popular culture’s most beloved fictional universes.