Scuf Valor Wired: two-minute review

The Scuf Valor Wired is a mid-range wired PC and Xbox controller. It’s actually the second controller to bear this moniker, with the previous version equipped with the less-sensitive Hall-effect thumbsticks rather than the TMR ones here. But is a wired controller worth the investment right now, when there are so many cheap wireless alternatives to pick from?

Despite its mid-market price, the Valor Wired feels suitably premium in the hand. Thanks to its lightly textured grips and thumbsticks, I always felt like I had a firm grasp on it, even with sweaty palms during particularly stress-filled FPS tournaments. I also love the silky-smooth plastic of its faceplate, while the Smoke colorway I tested looked gorgeous, with its translucent gray body and orange highlights.

The Valor Wired isn't a poser, though: many of its features equal those of the best Xbox controllers on the market, even if it can’t fully eclipse them.

Rocking the TMR thumbsticks more usually seen in premium pads, the Valor Wired won’t succumb to stick drift and should prove more sensitive than Hall-effect alternatives. Meanwhile, its dual-mode shoulder triggers allow you to switch between full-range analog movement and clicky micro-switches — sadly, they’re not quite as sensitive as the more premium TMR triggers of some pads — and provide discrete vibrations from the grips for more immersive gameplay. Remappable back buttons deliver plenty of options for in-game shortcuts, although I’d rather its face buttons were of the faster micro-switch variety than the more spongy ones here.

Many of these inputs are customizable in Scuf’s flexible and easy-to-use companion app, available for both Windows and Xbox. Whipping up personal profiles for shooting and racing games took barely any time at all — I was able to tweak dead zones and set custom curves based on my needs, as well as remap buttons to suit my requirements. Saving my preferred profiles to one of three slots on the controller was simple, and I could rapidly flip between them in-game with a single press of a button.

But how does all of this translate to performance? Pretty efficiently, it turns out.

Not only do those TMR thumbsticks offer better durability, but they felt sensitive and responsive, delivering great control over the steering wheel in Forza Horizon 6. I’m already fully converted to the benefits of dual-mode triggers, and they’re fantastic here, enabling me to fire off effective parries in Clair Obscur: Expedition 33, even if it wasn’t quite as snappy as on my more premium Asus ROG Raikiri II Xbox Wireless. And the separate rumble function in the triggers is a fun addition, even if I wouldn’t say it's a revolution in immersion.

And those custom profiles I created definitely seemed to have a material impact on my performance. With its dynamic response curves and trimmed dead zones for the triggers, my racing profile felt like it offered more granular control over the gas and brake pedals, enabling me go from seventh in some races to first place. Meanwhile, aggressive trigger curves in Call of Duty: Modern Warfare 3 made squeezing off headshots faster — although not quite as fast as when using the triggers’ micro-switch mode.

All things being equal, the Scuf Valor Wired is a strong PC and Xbox controller. Its TMR thumbsticks, dual-mode triggers, and sheer customizability are impressive. Its lack of wireless connectivity, TMR triggers, and micro-switch buttons stop it from being truly top-tier, though. Having said that, it's the price that makes it truly compelling. Getting so many features in a pad for $89.99 / £69.99 / AU$179.99 is fantastic, even if that means sacrificing the flexibility of wireless connectivity and the most premium features.

Scuf Valor Wired review: price & availability

• Launched on March 31, 2026
• Available from $89.99 / £69.99 / AU$179.99

Released on March 31, 2026, the Scuf Valor Wired is available now. While its list price is $99.99 / £94.99 / AU$179.99, we're already seeing reductions in some markets, seeing it go down to $89.99 / £69.99 in the US and UK.

Rather than a bunch of different versions for different platforms, the one-size-fits-all Scuf Valor Wired is just for Xbox and PC, so if you’re a PlayStation gamer this isn't for you.

On the plus side, it's available in a huge range of colorways — from the ash-colored body and orange detailing of the Light Grey to the red-and-black, dragon-bedecked Prosperity. Plus, removable face plates mean you can purchase multiple colorways to switch things up when you fancy a new look.

Scuf Valor Wired review: specs

Scuf Valor Wired review: Design & features

As soon as I got my hands on the Scuf Valor Wired, I was struck by how comfortable it is to hold. It’s pleasingly ergonomic, perfectly tailored to the shape of my palms, and using it feels effortless even over longer gaming sessions. The satin-smooth finish of its faceplate is wonderfully tactile, too, giving a distinctly premium vibe despite its mid-market price.

While I don’t always love coarser textures for controller grips, the hexagonal print on the rubber here meant the Valor Wired had decent traction in my hands. On top of this, the light texturing on its triggers and around its stock thumbsticks prevents either feeling slippery, even during the sweatiest shootouts I encountered while playing FPS games.

But the Valor Wired tickled more of my senses than touch alone. Visually, I’d say it’s a knockout — I legit love the translucent charcoal casing and orange highlights of the Smoke colorway I tested here. If that isn't your cup of tea, there are plenty of alternative options, such as the sakura-bedecked Cherry Blossom or the cyberpunk-coded purple and magenta Respawn. And if you’re perennially indecisive like me, its faceplate is easily removable, meaning you can buy a bunch of options to switch out depending on your mood on a given day.

Let’s talk inputs. Probably the most immediate attention grabber is its thumbsticks. Unlike Scuf’s previous Valor Wired controller, this incarnation comes with TMR sticks, rather than Hall-effect ones. So not only can you breathe easy knowing your controller won’t eventually succumb to the dreaded stick drift, but it should also offer far better sensitivity, more granular tracking, and better centering.

Like some of the more premium pads on the market, each of the Valor Wired’s triggers has a toggle that allows you to switch between full-range analog movement and micro-switches, giving you more rapid response for games such as shooters. While these aren’t the super-precise TMR triggers you’ll see on controllers such as the ROG Raikiri II, they do have their own discrete rumble function, which at least promises to add to the in-game immersion.

Perhaps a little less premium-feeling are the Valor Wired’s buttons. I’ll admit it took me a while to warm up to snappier micro-switch face buttons on my controllers, but now I find that the spongier buttons featured on this pad feel a bit less precise.

On the plus side, the mappable back buttons trigger with a satisfying click. However, their horizontal arrangement is a little unorthodox, forcing you to hold the pad in a certain way. When I rested just my index fingers on the pad’s triggers, the rest of my digits naturally found their way to these switches — but if you prefer to double up your index and middle fingers on the shoulder buttons and triggers, activating these switches feels more awkward. A vertical alignment would make the pad feel a little more grip-agnostic.

An equally novel — but definitely less controversial — design decision Scuf has made here is to include two distinct volume controls on either side of the 3.5mm headphone jack, one for controlling the volume of your mic and the other for in-game sound.

Admittedly, I don’t play a lot of online games — a skill issue more than a lack-of-friends issue — but I can absolutely still see the appeal here for those who do. Despite the fact that both dials are lightly notched, I’d say they still feel a little loose to offer super-precise control. Fortunately, though, their position at the base of the controller means you’re unlikely to knock them accidentally, so this is unlikely to cause you too much stress during day-to-day use.

So that’s it as far as hardware goes. But what about software?

Honestly, the Scuf Valor companion app is very strong. Not only is it easy to download and use on both PC and Xbox, but it also delivers a lot of granular control over various settings on the Valor Wired, which you can then save to custom profiles. You can remap all of its inputs, customize trigger and thumbstick curves and dead zones, and tweak the intensity of trigger or grip vibration. Once you’ve saved the resulting profile, you can then save it to one of three slots on the pad as either red, green, or blue.

Switching between these profiles on-the-fly is super easy. Any time I wanted to change to a different profile, I just had to tap the profile button on the back to cycle through them. Reaching this button can sometimes feel like a bit of a stretch — but, being charitable, this might be an intentional move on Scuf's part to reduce the risk of an accidental knock in the midst of a heated gun battle.

All things considered, the Scuf Valor Wired is well-featured and designed for its price. It may not come with cutting-edge tech such as TMR triggers or micro-switch face buttons, and — spoiler alert — it’s not wireless. But in return for sacrificing a few of those premium features, you get a seriously solid spec for a much lower price. So where’s the downside?

Scuf Valor Wired review: performance

Well, a major downside would be that the features the Scuf Valor Wired offers don’t translate to great performance. Fortunately, this isn't the case — while it can’t quite compete with the best Xbox and PC controllers I’ve ever used, it still does a pretty decent job.

First off, let’s start with those TMR thumbsticks. Not only did their action feel nice and smooth, but they rapidly spring back to their dead zone, making gentle steering corrections in Forza Horizon 6 a breeze. And thanks to that superior sensing tech, their responsiveness really wowed me, always feeling smooth and in control.

In addition, the discrete trigger vibration delivered some decent additional feedback for racing titles, offering a bit of haptic response as my tires locked when drifting around corners. I wouldn’t expect too much here, though — we’re not talking about a PlayStation DualSense level of immersive haptic feedback; it’s not going to substantially up the realism.

In my mind, there’s only one game that provides a worthy test of how responsive shoulder triggers can be: Clair Obscur: Expedition 33. Using the analog triggers, parrying attacks from new enemies could still be punishingly difficult, but after switching them to micro-switch mode, I found the Catapult Sakapatate's cannon attack in the Endless Night Sanctuary much easier to rebuff. That said, during some of the game's more complex combos, I still found myself flailing around like strips of flypaper glued to an electric drill, suggesting these triggers aren’t quite as responsive as some of the TMR options on the market.

But I wasn’t satisfied simply testing the Valor Wired’s stock settings. I wanted to get to the nitty-gritty of how you can really customize the controller to suit your play style. So I whipped up a couple of custom profiles: a Racing profile and my Pew Pew! profile (FPSes, for anyone with an emotional age of more than eight).

Trying out the pad’s default profile in Forza Horizon 6, I found I was regularly finishing center of the pack. Basically the only way I could keep control of my 2022 Toyota GR86 was to feather the accelerator approaching the bends, then pump the brake trigger to prevent my wheels from locking. But once I’d activated my Racing profile with reduced trigger dead zones and dynamic response curves, it was far easier to reduce the throttle in a controlled way before easing on the brakes for far more controlled drifts. After this, I happily netted several first-place spots on the podium.

By contrast, for my tailor-made profile for Call of Duty: Modern Warfare 3, I remapped the faceplate buttons to the rear paddles and stuck the triggers to an aggressive response curve. While it took some getting used to, the remapped controls made it easy to control the in-game action without ever taking my thumb off the stick. By contrast, the sharper trigger curve made a small difference, but it was switching on the Valor Wired’s micro-switches that really helped me click some heads.

And the nicest part about all of this is how easy it was to tweak these settings on the fly. My chief complaint about my beloved ROG Raikiri II is that I can’t access its Gear Link software on Xbox, meaning I have to fire up my PC whenever I want to tweak a setting. By contrast, updating my settings or swapping out the profile saved to the controller here was easy to do on either platform — I simply had to switch to the app mid-game, edit and save my profiles, and then I could leap back into the action.

Ultimately, the Scuf Valor Wired offers great performance. On many fronts, it comes close to many premium controllers in its performance, feeling highly responsive and customizable. While a physical umbilical cord connecting your pad to your console is a definite compromise, it’s one of the few sacrifices you have to make here to get snappy, pro-feeling performance without having to pay through the nose.

Should I buy the Scuf Valor Wired?

Buy it if…

Don’t buy it if…

Scuf Valor Wired review: also consider

How I tested the Scuf Valor Wired

• Tested over four days
• Tried out on a range of platforms and games
• Many years experience writing about gadgets

I tested the Scuf Valor Wired over a long weekend. I tried it out on both my Xbox Series X and my gaming PC, as well as playing a range of games of different genres, including racing games, FPSes, and RPGs. I particularly focused on the sensitivity and responsiveness of the TMR thumbsticks, the triggers, and the buttons to see how they compared to other controllers.

To really test the Valor Wired’s capabilities, I customized its settings in multiple ways. I experimented with different dead zones, utilizing different response curves for its thumbsticks and triggers, saving them to multiple profiles to see how they impacted different styles of game. I also created various custom button mappings to gauge their impact on play.

Alongside working and writing about tech and gadgets for over seven years, I’ve been playing games all my life. I play across multiple platforms, on my desktop PC, Xbox Series X, Nintendo Switch 2, and Steam Deck.

• First reviewed: August 2026
• Read more about how we test

The Lord Of The Rings: War In The North Legacy Edition (henceforth known as WITN) is a new version of the old action role-playing game (RPG) with a few quality-of-life fixes, tweaks, and improvements.

It ends up being diverting fun and well-priced for what it is, and gamers who loved the original (or perhaps loved games like it, such as Dragon Age: Origins) will enjoy the return to this sort of simple-but-satisfying gameplay loop of hitting orcs, looting gear, and upgrading your characters so they can hit orcs harder, faster, and for longer without falling over.

But while much of the game is fine, if not spectacular, it's a shame there are a few technical problems and deeper issues. Swapping between characters on-the-fly is novel, and there has been an effort to incorporate this into all aspects of gameplay. However, hot-swapping is obviously not quite what the original game intended, so there is some awkwardness here, while glitches and bugs sometimes mar the game at key points.

What about second Fellowship?

If you never played the old version, the basis of the game is this: as the Fellowship of the Ring embarks on their quest for Mount Doom, you play an adjacent, original party consisting of Eradan, a Dunedain ranger with all the skills of Aragorn; Farin, a dwarf warrior from the Lonely Mountain who looks an awful lot like Gimli with the serial numbers filed off; and Andriel, a Loremaster elf from Rivendell who can create magical blasts and forcefields.

Together, the 'other' Fellowship party chats with old friends like Aragorn, Arwen and Gandalf, visits familiar and new locations (book-readers will get a kick out of delving into the Barrow-Downs and fighting the famous Wights), and slices through hordes of orcs led by an evil man called Agandaûr, a fallen Numenorean like the Mouth of Sauron. Agandaûr is one of Sauron's trusted servants, one we've never heard of before or since.

So yes, it's all a bit fan-fictionesque, and it plays a lot like other action RPGs set in fantasy worlds, only this one takes the basic fantasy character set and plops them straight into Middle-Earth rather than a parallel-but-similar setting of elves, dwarves and dragons. It's even funnier when you get hold of special character weapon options, and you're controlling a random dwarf running around with legendary gear like Anduril or Sting. Dedicated Tolkien enthusiasts might find it a bit egregious, but it's all in the name of good fun and enabling the sort of repetitive hack-and-slash gameplay the genre is best at.

If you've played any other Lord Of The Rings games, whether the PlayStation 2's Return of the King or a more recent title like Middle-earth: Shadow of War, you'll be used to LOTR games taking these sorts of creative liberties. As a result, it works for what it is, and even as a die-hard hobbit-enjoyer I had fun scything through the dark lord's evil hordes and meeting characters never adapted like Elladan and Elrohir, Elrond's twin ranger sons.

Old game, new tactics

If you've played any action RPG, you'll know what to expect: you and your party are taking on wave after wave of mooks, weapons swinging with basic attacks, but you'll also trigger powerful maneuvers and spells that require cooldowns and replenishing a power meter, so tactical implementation of these moves is vital. Playing as Eradan, I would be skirting low on health and could use my disappearing skill, so I could make a break for it unharmed to Andriel's side, who can create a protective healing field. I'd quickly swap to Farin to unleash War Cry to up my party's health and durability.

It's this sort of synergy that creates tactical play beyond mashing light and heavy attacks until you see the 'Finish Him!' yellow triangle that pops up over an enemy's head. The ability to swap characters allows the quick-of-thumb to set up these combos without the use of the AI characters, who are otherwise competent enough to look after themselves and augment the main player. But you do need to be nimble, as the controls to do this are awkward on Switch: even ten hours in, I was accidentally drinking potions when I was trying to swap from elf to dwarf. Co-operative gameplay is available on most platforms (both online, in which you drop into someone else's game, and couch), but not on the original Switch.

There's a surprisingly steep learning curve once you learn the ropes: enemies come from all sides thick and fast, in numerous varieties, forcing you to switch from attack to defence, and then to ranged as explosive enemies approach, and implement your powers carefully.

You level up quickly too, and loot is plentiful, so there are plenty of regular rewards encouraging you to persevere through the samey waves of orcs and goblins, as PCs, enemies and environments begin to blend into various overlapping shades of brown and grey. I began the game thinking carefully about upgrading stats at each level, but after a while, I just pumped Stamina to keep myself alive while concentrating on that character's main attack stat, and that strategy seemed to work just fine too. I'm honestly not sure how much difference these RPG elements made.

Feeling thin, sort of stretched...

While a simple-but-satisfying gameplay loop, it's still very much of its time, and parts haven't aged well. The target lock-on can get tricky, and you'll occasionally find your character engaged in a long, sluggish animation, swinging their weapon at empty air while you cringe as you watch orcs running at you from behind.

Despite the hot-swapping feature and inclusion of each character's unique secret-finding ability (the dwarf, for example, can detect treasure hidden behind stone walls), the game is clearly still geared for a single-character experience. Ammo drops are still linked to the character you're playing at the time, so you might find you swap to a character without any ranged capacity. You'll also need to visit shops with each character in turn to do a proper gear comparison before buying new equipment, which is tedious.

Your health and power replenish slowly on their own, but once you've cleared an encounter, you're under no pressure to carry on. Occasionally, I found myself putting the controller down unpaused, heading off to make a cup of tea, and returning with my beverage to a rested, unmolested party at full health.

There's no sheathing weapons, so you'll occasionally be wandering around Bree or Rivendell, incongruously with swords drawn ready for action. There's also no jumping, which is fine on its own, but the frustration of encountering a chest-high wall and having to find a set of stairs is a sensation I've almost forgotten about, a relic of level design marred by the technology of the time.

Worst of all are the bugs, Aspyr's revamp of the game delivering fresh technical glitches alongside the improvements. These are quite common complaints on threads about WITN, and my experience was no different: from flashing inventory tiles to small areas of the map that caused my entire screen to flip to solid green. At one stage I was fighting blind, looking at chequered green flashes, while I could still hear Eradan's shouts of 'You face a Dunedan now!'

Others report platform-specific glitches, such as an 0KB save file problem on PlayStation 5.

The North Remembers

I think you already know if you want this game: you're either a Tolkien fiend who likes the idea of exploring and interacting with lesser-known locations and characters in an original story, a fantasy action RPG junkie, or you played the original and remember loving it. At the reduced price it's selling for, it's worth getting if you fit two out of three of the above criteria.

Personally, even though I'm as Tolkien-mad as they come and I've got no shortage of love for the RPG genre, I think The Lord Of The Rings: War In The North Legacy Edition is... fine. Serviceable. Enjoyable at times, but without much to set it apart from all the other games in the space, even back when it was first released, other than its LOTR wrapper and nostalgia goggles.

I liked my experience with the game, but I can't see myself going back to it once done. It's a poor man's bite of lembas compared to the previous generation's excellent Return of the King hack 'em up.

Should you play The Lord Of The Rings: War In The North Legacy Edition?

Play it if...

Don't play it if...

How I reviewed Lord of the Rings: War In The North Legacy Edition

I played Lord Of The Rings: War In The North Legacy Edition on my Nintendo Switch (generation 1) for 15 hours, trying each character's various combinations and progressing through the story mode. I used the Switch both in handheld mode and on my LG OLED TV. When I encountered glitches, I examined community pages and threads for similar reports.

First reviewed August 2026

Following the leak of the tech and a raft of unofficial mods, this week saw Nvidia's official launch of DLSS 5, with the company showing it off in NBA 2K27 at Gamescom 2026 and providing some further illuminating details.

Before, after Nvidia's initial DLSS 5 reveal in March, I was skeptical on some points, but I wasn't tearing holes in the idea like some gamers were. However, this week, we've seen a rapid shift in opinions and the general online sentiment around DLSS 5 — and I'm a good deal more excited about this AI trickery myself.

Indeed, I think there are a number of reasons to be hopeful that DLSS 5 could prove to be a compelling step forward for PC gaming, from Nvidia's clarification on support for GPUs, through to what modders have shown that the tech can achieve since it was leaked — some of which is truly eye-opening.

Here are my five reasons why Nvidia's incoming neural rendering model could turn out to be a very literal game-changer.

1. Nvidia has clarified that DLSS 5 won't just be for RTX 5000 GPUs

While DLSS 5 is currently only supported by RTX 5000 graphics cards — the tech went live this week in NBA 2K27 — Nvidia has confirmed that it will come to older GeForce GPUs. Indeed, we won't have to wait that long before wider support is ushered in, which is good news.

VideoCardz spotted an update from an Nvidia rep on Reddit which stated: "Our current focus is on optimizing performance for the GeForce RTX 50 Series with model updates expected later this fall. Once RTX 50 Series performance is more fully tuned, we plan to work on expanding official support to the GeForce RTX 40 Series."

So, we could be looking at early 2027 for work to begin on bringing DLSS 5 to RTX 4000 models — and possibly previous generations of GPUs will be in line for the same treatment. Modders have already got the tech working on RTX 3000 and 2000 models, after all — although the performance levels could well be the sticking point here.

At any rate, this puts paid to fears that DLSS 5 could remain locked to just the latest Nvidia RTX 5000 graphics cards.

2. Continual optimization should improve performance a good deal

I just touched on performance, and this is the area which has proved to be the biggest downer with the mentioned unofficial experiments that have been conducted with DLSS 5.

As Tom's Hardware observes, the performance hit with DLSS 5 is a nasty one, and it's generally causing a 40% to 50% drop in frame rates. In some reports, it's less than this (more like 30%), and what we have to remember is that all these unofficial figures are based on a pre-release version of DLSS 5 being fudged into play by modders.

The final version of DLSS 5 will likely provide better performance, and in any case, optimization is going to be high on Nvidia's list of priorities. I'd be surprised if there weren't major strides taken in this department as 2027 rolls around and more games are supported.

3. Experimental results with DLSS 5 are pretty incredible

Those modders playing with the leaked version of DLSS 5 have clearly shown us that this tech can be used to produce seriously impressive results. Of course, on the official front, the demo of NBA 2K27 at Gamescom 2026 proved the case that this AI-powered graphics uplift can work wonders, too.

That said, the benefits of DLSS 5 are situational to an extent, and it's not a silver bullet for making all graphics better. It really shines in certain use cases, though. For example, even if you don't want the main character models in a game to have the tech applied because you hate that idea, it can still make a huge difference to background details, and the likes of the faces of NPCs in the lurking atmospheric crowds which are the backdrop for open world games.

As one Redditor points out: "NPC crowd faces are one of the best use cases for it [DLSS 5]. It sometimes takes you out of the game when you're talking to a character model that's clearly been hand crafted with a lot of effort, and as you said then there's some janky smooth skinned ghoul walking by you lol. Watching an LTT [Linus Tech Tips] vid where they showed the difference in random NPCs was actually super impressive."

DLSS 5 can also transform lighting and shadows to make graphics look far more realistic, including character models — some of the results shared by modders in a megathread on Reddit make that crystal clear. I was blown away by some of these examples, frankly. When it works, DLSS 5 works really well — although it doesn't always come off.

That said, some of the wonkier examples that have been aired are down to modders being daft with the sliders and options on offer, which brings me onto my next point.

4. Tuning options are key for DLSS 5

As noted, some of the more stomach-churning moments from the various modders messing around with DLSS 5 have come from those folks ramping up the intensity of the sliders — sometimes intentionally just to provoke an anti-AI reaction.

There's a decent level of granular control over various aspects of what DLSS 5 does (including intensity, tone, and structure), and when a game developer properly tunes the tech for their particular release, the effect is going to be more subtle, appropriate, and in line with the overall art direction. (Well, hopefully — you'd assume this will be the case, anyway).

Used judiciously, it's clear enough that DLSS 5 can really enhance the visuals of a game — modders have proved that in some cases, and NBA 2K27 is a great official example of how this works, too.

Yes, it is very possible to get 'uncanny valley' kind of effects with character models if you're extravagantly flinging sliders up towards their maximum limits — and not every game's art or graphics style suits DLSS 5, by any means. But we come back to the last point — when it works, it really does work.

5. DLSS 5 will probably age like a fine wine (ahem)

My final point is a simple — but important — one. And okay, I've said this before, but I think it bears repeating. Rewind time back to when Nvidia revealed the original DLSS, the very first take on this tech that was purely about upscaling, and it had some quite pronounced flaws. Problems like blurriness, ghosting and artifacts proved a blight on the upscaled graphics, but these were issues that Nvidia resolved with the next iteration of the tech.

I'd expect there will be examples of DLSS 5 which show the visuals going off the rails in a similar kind of way, although it already looks off to a far better start than DLSS 1. The point being that whatever we think now, at launch, may change quite drastically in a year or two, and there's a genuine potential for DLSS 5 to be revolutionary in polishing up gaming graphics — albeit that caveats around its misuse and situational nature aren't going to go away.

Silent Hill: Townfall feels like the culmination of two recent trends: the renaissance of Konami's survival horror series, dormant for the past decade, and the rise of more culturally authentic Scottish games.

As a standalone spin-off, it delivers the first full-length first-person Silent Hill experience that was the initial promise of the cancelled Silent Hills meant to be directed by Hideo Kojima and Guillermo Del Toro (though its playable teaser 'P.T.' ultimately became a horror classic in its own right).

Its setting in the fictional Scottish town of St. Amelia couldn't be more perfect, given that the series is iconic for its fog, which actually occurs on the Scottish east coast when warm air passes over the cold North Sea during the summer and can make its way inland.

And who better to realise this vision than Screen Burn Interactive, the Glasgow-based developer whose acclaimed games Stories Untold and Observation (released back when the studio was known as No Code) were also experienced in the first-person perspective?

Yet despite the authenticity of its setting, the Scottish studio has opted not to feature Scottish-sounding characters in its main cast, unlike the BAFTA-winning Still Wakes The Deep. Protagonist Simon Ordell, played by British-American actor Jovan Adepo, is something of an outsider who has been instructed by a mysterious voice to come to St. Amelia to "make it right" — whatever “it” may be.

Make it right

For the Gamescom demo, things certainly start off not quite right. Simon arrives at the town's harbor not by boat, but simply emerging from the water. Judging by the red wristband with his personal details on one hand and tubes connected to the other (like he’s escaped from a hospital), something's clearly up with him too.

St. Amelia, meanwhile, is a ghost town, as evident by the sight of abandoned shops as well as one street lined with 'house for sale' signs. If you get a creeping fear that this might be one of those indie games from over a decade ago when you just walked around in a photorealistic area in the aftermath of the actual story, it’s instantly resolved by the ringing coming from a nearby public phone box just past the town square.

It goes dead when I pick it up. I survey possible numbers to ring and go with “100,” which tells you to "save yourself" (and is literally how you save progress in this game).

Back in the town square, I spot an upright man being fed some kind of fluid coming from a tube seemingly attached to the sky above. As Simon instinctively goes to free him, his voice is familiar — it's the voice from the beginning calling out to Simon to "make it right". When I next return to the square, things have changed again, with protest banners and placards alluding to a crime that had occurred that may be linked to a company with the acronym 'CEG'.

As eerie, enigmatic, and atmospheric as this beginning is, it also feels a bit aimless. There were several occasions during my session when I was still slowly plodding around St. Amelia's streets, only to discover doors that were locked, and the option to sprint had not yet been unlocked.

It turns out this is because I had overlooked a few key numbers I could have called on the phone. Whereas some games can be overzealous in marking the critical with yellow paint, Screen Burn seems quite content with letting you get literally lost in its world, even if that might make for an even slower burn than intended…

Tactile horrors

If there was one consistent thing about Silent Hill: Townfall, it's that you really do have to pay attention to every detail. That is, fortunately, the benefit of the first-person perspective: you can really scrutinize all the flyers displayed on a community noticeboard without having to bring up a larger text box.

There's also a real physicality to the clues and equipment you have access to, such as a double-sided map you have to hold and flip over manually rather than just bringing up a map UI. The most tactile of these is the CRTV, a portable television that you can tune using the analogue triggers.

So you're not completely lost, a couple of markers do appear at the bottom to hint at the signal you should be tuning towards. Once you get a video clip, it's about carefully scrutinising the image, often waiting for it to loop back, as a hint of what you need to find next or where to go.

Not that these hints will spell it out for you. In one case, I was supposed to look for a white house, which is not the most obvious clue when most of the houses in St. Amelia's streets have white walls.

The CRTV also has another function, as it can be tuned to detect enemies nearby. Even if they're obscured by walls, their outlines can still be made out through noise and static. Alternatively, you can also hold another button along with the left stick to peek around corners.

Even though I only encountered a couple of enemies during my hands-on, which stay true to Silent Hill convention as nightmarish deformed figures with uncanny movements, combat remains a clunky aspect of the game, made no better or worse in first-person. This made it more important for me to prioritise evasion as a tactic.

But from what I managed to play at Gamescom, it's the unsettling vibes that resonate strongest over hostile threats, such as the dread of what could be in a locked box that's meant for carrying human organs, or an extremely Scottish puzzle that involves having to top up an electric meter with a prepaid card from a newsagent.

Having moved to Glasgow under two years ago into a newly renovated tenement building that nonetheless still had one of these relics in the cupboard, it was a moment when Silent Hill: Townfall's mundane horror became a little too real. That's also sure to make this unlike any other Silent Hill game I have played.

Silent Hill: Townfall releases for PlayStation 5 and PC on September 24, 2026.

• Afterworld is a new strategy game by Paradox Interactive
• It tasks the player with building and managing a post-apocalyptic society
• Director Dan Lind says the studio won't "judge the player" for any terrible choices

Upcoming grand strategy game Afterworld is all about building your own society in a post-apocalyptic North America, and, like other games by developer Paradox Interactive, it offers an incredible level of freedom to run things the way you want.

In a recent interview with TechRadar Gaming, director Dan Lind opened up about some of the emergent possibilities that players might encounter as they build their own stories in the wasteland.

"A lot of it will come from the kind of things that you have to adapt your society to," he began. "One story could be like, 'oh, I found like this huge colony of only the elderly or something, and I took them in, and we worked with a lot of tech that meant people lived for a long time, but they're not able to contribute work-wise, and society is struggling...

"So now we figure out ways where they can, say, jump off cliffs at a certain age for the betterment of everybody, or something like that, right? The story becomes 'whoa, how did you end up there? Why do you have this kind of society? Well, it was because this thing happened and I had to make this thing illegal, so nobody could use this resource, and now we're all vegetarians or something. Those are the kind of stories I think you're going to get from this."

In addition to managing your own civilization, Afterworld also has you interacting with those ruled by others — including powerful, ancient tyrants who run large swathes of the wasteland and can subjugate you with military might.

"I also think you're going to get interesting stories when it comes to the big political space where it's like, 'well, I decided to betray this tyrant in this way, so now I have to manage all of New York' or something like that."

Lind said he thinks that the stories players create will make for perfect water-cooler conversation, and went on to reveal that the game won't prevent you from doing evil things like cannibalism or selling members of your society to other groups.

"One of the rules that we have is that we shouldn't judge the player for their terrible choices," he explained. "The game will, for sure, in the sense that your population is not gonna necessarily just like you doing terrible things.... Unless you have a terrible population. Maybe you managed to get them to that point, or you found some people like that.

"This [freedom] is definitely where I see the game sticking out a little bit. It's expected of the setting, right? People don't expect people to behave normally and with a moral code in the apocalypse [...] but as you develop, you can take it in different directions. There's certainly an advantage to having a society that is not doing too many crazy things if you want to grow."

The director went on to say that he's "super excited" to see what players manage to achieve when Afterworld arrives: "For all our games, that's the fun part. Someone's like, 'Whoa, you did that! That's crazy!' Right?"

In the packed halls of Gamescom with so many games to see, it's easy to get tetchy if a session goes on for too long when there's another appointment you have to rush off to see. Ace Combat 8: Wings of Theve was a rare exception where I wished I had more to go on than I was given.

On one hand, the Ace Combat series' appeal is a straightforward one. It captures the thrill of flying a fighter jet locked in aerial dogfights without the intimidating knowledge of actually operating an aircraft like Microsoft Flight Simulator, but with more control than a rail shooter like Star Fox.

A new instalment coming just a few years after a new Top Gun movie is even more tantalising for anyone eager to take to the skies like Tom Cruise.

Back to Strangereal

That the series also takes place in an alternate world called Strangereal, which nonetheless looks like our own, means you can enjoy the immersive realism without being drawn into the awkward politics of any real-world conflicts.

For the mission I got to play, titled 'The Fall of the Numbered Fleets', there's already a sense of a meaty narrative to get into, as my squadron, Joker Flight of the Federation of Central Usea (FCU), is tasked with launching an offensive to strike fleets belonging to the invading forces from the Republic of Sotoa.

An added wrinkle is that you also have to contend with a once-friendly squadron nicknamed the Sharks, who have recently defected.

This drama plays out during the mission; banter zips between your fellow wingmen Baxter and Tasha over the radio as you approach the targets on Newfield Island before being interrupted by enemy Sotoan chatter when you manage to deal damage to their fleet and supplies. And of course, it's only a matter of time before the Sharks turn up as sparks fly between factions that wouldn't be out of place in an anime if it wasn't for the game's realistic aesthetic.

Although you have targets to destroy, there are also different approaches you can take to tackle an objective, such as customising your loadout at the beginning. While there's a lot of information on the UI that can feel intimidating, it felt readable when a missile is definitely locked onto a target, while an outline below makes it clear where your bomb will drop when trying to sink ships.

There's a simple satisfaction to see the green display change from 'Hit' to 'Destroyed,' but if you really want to showboat, you can even switch to the camera looking back to enjoy the explosion in your wake.

Cloud control

If 2019's Ace Combat 7: Unknown Skies had already set a new bar for the series' realistic visuals and combat aircraft, then Ace Combat 8: Wings of Theve raises it again, not just with Unreal Engine 5 but also with Bandai Namco Aces' own upgraded Cloudly tech.

That said, I spent most of my time a little too close to the ground (a prompt repeatedly telling me to pull up) when trying to aim for targets on land and sea to properly experience getting into the clouds. Yet that showcased another visual leap too, as all the objects you see are rendered at a 1:1 scale. So instead of flying over flat textures or miniatures, you really do feel immersed in the world. That also allows for setpieces such as a moment when you can fly your aircraft through a tunnel to reach an airbase stationed on the other side.

But for anyone who enjoyed the sheer action spectacle of Top Gun: Maverick, it wasn't the action alone that made it a great watch; it was all the other human drama unfolding in between the training, so that you become invested in the characters you want to succeed. Even though I'm not sure any of the characters in Ace Combat 8: Wings of Theve are likely to have the same star power and charisma as Tom Cruise, that is something I still wish I could have seen more of in this relatively brief Gamescom demo.

As the first entry to have its story play out through a first-person perspective, it's surely meant to provide a more immersive way to spend time in the company of your wingmen, not just during mission briefings but also when catching up in the canteen or other bouts of R&R.

Having the in-mission banter is nonetheless also a key element, as are the small narrative choices you can make, such as in the demo where Baxter wants one of the Sharks pilots captured alive and asks that you only shoot around his cockpit, to which you can agree, or not.

But with the game's launch not far away, and arriving in time for the series' 30th anniversary, it's looking like Ace Combat 8: Wings of Theve is going to soar to a whole new plane.

Ace Combat 8: Wings of Theve releases on October 2, 2026, for PC, PlayStation 5, Xbox Series X, and Xbox Series S. Advance access is available from September 28 for those who pre-order the deluxe edition.

The pantheon of US crime dramas is peppered with ruthless, hyperreal villains who have risked it all for a shot at the American Dream. Michael Corleone, Tony Montana, Keyser Söze, Tony Soprano, and Marsellus Wallace are but five of the fictional strongmen now synonymous with getting things done by hook or by crook.

In the 30 years since the inception of the Grand Theft Auto franchise, Rockstar Games has evolved cinematic storytelling in video games to the point that you could, quite feasibly, add Tommy Vercetti, Toni Cipriani, Carl ‘CJ’ Johnson, Niko Bellic, and Michael De Santa to that list.

In the slipstream of Grand Theft Auto 6’s Extended Look, multiple questions emerge about what has become the most-anticipated video game of the 21st century. Most notably, will we soon be able to add Jason Duval and Lucia Caminos to this scurrilous list of ill-gotten individuals intoxicated by life, liberty, and the pursuit of happiness?

As a former developer at Rockstar Games and seasoned industry pro, Mike York is well positioned to explain what the condensed 26-minute slice of gameplay reveals about the lead characters and the title itself.

Miami twice

“I see a heavier tone and a slower pace,” York says of the follow-up to 2013’s GTA 5, which was set in San Andreas, a fictionalised version of California. This time, Rockstar has returned to Vice City, their neon-hued take on the sun-blasted, Floridian playground of Leonida, to bring the couple to life in a Bonnie-and-Clyde-style misadventure befitting the studio’s wild and vivid creative vision.

“Jason moves around very slow and methodical. That's the first thing I noticed. He seemed like a robot — a Terminator —walking through every scene and mowing people down with no emotion,” suggests York of the US military veteran, mirroring some of the observations – and criticisms – that have accompanied the exclusive Netflix promo since it launched last week.

Will the male lead stand up against the aforementioned icons, who have helped cement Rockstar’s brand as pixelated pioneers in these imagined, open-world environments?

York continues: “I want to see that. Niko Belic, for example, is a great character. He was witty and had some great lines, which is why GTA 4 became one of my favourites in the series. I hope we see more of that because right now, Jason seems quite deadpan and monotone.

“Rockstar usually gives us a bunch of neat characters who are funny and have their own flair. I don't know if we're going to see that with Jason, but I hope we do,” he comments. Certainly, if you rewatch the Extended Look, Jason’s demeanour – he warns Lucia to stay cool in the opening seconds as they become embroiled in a meth lab shootout and then scolds her for being late when the pair drive to meet aged accomplice Brian Heder – is of a more self-contained, uptight and introspective personality than his vivacious, chameleonic, and combustible counterpart.

Perhaps that’s the point. As switchable characters, will Lucia provide the Yin to Jason’s Yang? “I think that's what they're going to do,” continues York, pinpointing the passage where the duo emerges at the Effluvia rooftop bar.

“There's that moment in the trailer where they get in an elevator, and he says: ‘Sometimes I'm just more comfortable when I have to use a gun’. She replies: ‘Just be charming!’ Lucia's got this attitude where you can tell she's trying to break him out of his shell. She's the one that probably goes into missions gung-ho, all guns blazing.”

Wired for sound

Indeed, there are further clues about the duo’s depiction in the fluorescent, 80s-colored Extended Look soundtrack. When the focus is on Jason, People Are People by Depeche Mode (featuring the line “I can't understand. What makes a man hate another man? Help me understand”) is used for context. Meanwhile, Lucia’s section of the clip, which sees her marching into Zeke’s Gadgets store to shoot up the place and flipping the bird at a swarm of cops when they make their escape from a second robbery, aptly uses global chart-smashing Devil Woman as the musical backdrop.

“With evil on her mind… She’s gonna get you!” warns the enduringly improbable British pop star Cliff Richard, in a phase that could be seen as Rockstar’s opportunity to showcase a central theme of female empowerment and mutual respect between sexes that has been almost entirely absent from the GTA series. In the toxic shadow of an era defined and divided by the manosphere, could this be an attempt to reset this predominant tone against countless accusations of misogyny that have stalked each title?

“A lot of their games have been viewed in that light. It'd be cool for them to shake that up and flip it on its head,” confirms York. Currently working on Six Days in Fallujah for Highwire Games in Seattle, Washington, he joined Rockstar New England – a studio based in Andover, Massachusetts – in 2012, leaving three years later after playing an active role in the development of GTA 5 and its online incarnation.

Red Dead detention

York’s induction into the much-mythologised studio’s work culture would prove to be prophetic. On his first day, he was instructed to play Red Dead Redemption in full – for the first time, in fact – to prepare for what was coming down the track: extensive animations on its Western-themed successor, where he was charged with designing multiple animal models intended to maraud across the North American frontier at the turn of the 20th century.

Elsewhere, his portfolio – including trailers for Dead Island: Riptide, Fortnite, The Walking Dead, Borderlands 3 and Vampire: The Masquerade – Bloodlines – suggests York could illuminate the top-secret processes that underpin the massively hyped Extended Look, which is only the third official piece of formal storytelling to accompany GTA 6 and pulled in more than 30m views on Netflix in four days.

“We weren’t told anything about trailers, and then, all of a sudden, my animations would end up in one. It’d be like: ‘There's one of my shots!’ I only found out once they were completely released, and we were all watching it.” He says this level of secrecy is baked into the studio’s DNA. “They try to instill in all their employees that you don't say anything anywhere. If you look up most of the people at Rockstar, they don't have any social media presence because they're scared to. I was. When I worked there, I didn't say anything ever.”

Across the industry, how does the decision-making play out for this type of media content? “You don't want to spoil it or give too much away. You want to hint and leave things to the imagination, get people to want to find out what the story is. But things are changing. More and more studios and companies are releasing big deep dives, reveals, and whole chunks of gameplay. We're getting to see a lot of stuff that we never used to back in the day.”

Face off

York was impressed by many components of Rockstar’s mega preview, in particular the visual clarity, use of lighting, and the lifelike physics deployed in specific graphical elements, such as the movement of individual characters’ hair.

However, he also admits being disappointed by some of the “rough” facial animations. He explains: “It doesn't seem like they're using MetaHuman capture technology. It looks like they're still doing it the old-school way, like in GTA 5. It's very similar to that. That might be because of the limitations and what's important.

“I’ve worked with Unreal Engine 5. The high-fidelity facial animation has hundreds of bones in the face. When you add those to the character, it slows everything down. This is the type of stuff you put in cutscenes for The Last of Us Part 2, for example. You want it to look super realistic. On GTA 4, they're not doing that. Everything they show is in-game footage. It's the cinematic version of the character, which still needs to be low-resolution enough so it can do all these things without bogging down the rest of the game.”

York pinpoints other features – citing the weapon wheel and mini map – that also look “a bit outdated and weird”. “The whole UI doesn't really match the style of game and what we're used to,” he comments. “Rockstar has a big and very talented team. If they wanted, they could go in and change those elements before a final release. Will they do that? That's another question because there’s probably a lot of other stuff they're sweating about.”

That said, he praises the overarching LOD (Level of Detail), suggesting that – to date – only the CD Projekt Red team behind the once maligned but now widely celebrated Cyberpunk 2077 has been able to match it. “There are levels to this shit,” he states. “Rockstar are the kings of that.”

Despite any minor quibbles, the Extended Look has reassured York – who runs York Street Gaming on YouTube – that GTA 6 will set a new high bar stretching years into the future. “People will still say it's one of the best games of all time,” he says. “It will perform really well and become something we'll be able to play for a decade later like GTA 5. Online will come out and probably be an ever-evolving metaverse which will carry the franchise forever.”

Grand Theft Auto 6 will be released for PlayStation 5 and Xbox Series X and Series S on November 19, 2026.

• Afterworld is the first Paradox grand strategy game with an original fantasy setting in a decade
• Director Dan Lind says this brings a level of "design freedom" that would be possible in few real-world settings
• He also wanted "to do something different" after working on historical games for so long

The recently revealed Afterworld stands apart from the rest of the recent Paradox Games portfolio. It's the studio's first title in a decade to take place in an original fictional setting, this time post-apocalyptic North America, rather than a real-world historical one.

The game is being directed by studio veteran Dan Lind, who has been working at Paradox for almost twenty years. He started out on Europa Universalis 3, working his way up to eventually become game director of the supremely popular Hearts of Iron 4 — a massive-scale WW2 sim.

In an interview with TechRadar Gaming at the company's Stockholm HQ, Lind explained that not being tied down by history allows for a whole new level of "design freedom."

"I worked for like 15 years on just Hearts of Iron and history, so you want to do something different," he said. "That was a big motivator."

He also thinks that Afterworld, which features a map based on just part of one country rather than a chunk of the globe, will be able to fill a specific niche in Paradox's offering.

"Looking at our games, I think there's a niche in between a couple of them that we're not tapping," he explained.

"I think there's another different, fresh grand strategy game experience that you can have at a bit of a smaller scale, but with more detail basically. Also having worked with 'crunchy' games such as Hearts of Iron, I wanted to see if we could find a way to make the game easier for people to get into."

He continued: "It's kind of a bit 4X like this, and you can start scaling the mechanics over time. It makes it so much easier, right? It's hard to do that with a historical setting, unless you're doing something like a migration era, but this game can also tap a lot of those ideas."

He also revealed the surprising origin of his pitch for the game, which he's wanted to bring to life for over two decades.

"I think the first draft for this was super long ago. I'm not sure; it might have been like 2011 or something," he began. "We used to do these brainstorms at the pub, where the idea was to just come up with a bunch of games."

The team would sift through all of them at the end of the night, deciding which were "a terrible idea" and which were "actually an interesting idea."

"This was a good idea. I had one that was playing DNA chains through primordial soup, which we rejected, but this one was something that was pretty cool.

"I've always believed that you could do grand strategy games at slightly different scales. It doesn't always have to be big; the entire world. It can be just as interesting, but you've got to add details in the other direction as well.

At that point, it was a different scale. It was even smaller; I would say it was maybe the size of three states or something like that. When I was working on Hearts of Iron and a bunch of other stuff, I always had this in the back pocket as something I wanted to try and get back to."

Naturally, the idea evolved over time as Lind became "more and more interested in things that were...less board game, more simulation," leading to the current scale and focus on deep societal simulation.

"Now I'm shifting it more to groups of people, but not country level."

Afterworld is set to launch for PC in the future.

Persona 4 was my belated introduction to Atlus's Japanese high school RPG series, so it still has a special place in my heart.

The PlayStation 2 original was, however, also usurped by the greatly expanded and far superior Persona 4 Golden, which is where I racked up my New Game+ playthroughs. Even as I have become more time-poor over the years, I would still dip into its subsequent post-Vita ports.

That does, however, present a problem for Persona 4 Revival. When a perfect expanded version of the game already exists and is available on all current platforms, is a $70 modern remake really needed?

The elephant in the room is that this is also a way for Sega to plug the gap for the long-anticipated Persona 6, though given that it was only given the briefest announcement this year, fans will likely have a much longer wait ahead.

But after about an hour of hands-on time with Persona 4 Revival at Gamescom 2026, I can appreciate the different touches that have gone into making this JRPG classic more palatable to modern audiences, while still preserving key elements of the original.

One more remake

Persona 4 Revival's hands-on demo was split into three parts: the first focused on story, the second on its dungeon-based battles, and the last let me choose how to spend several calendar days as a transfer high school student in the rural town of Inaba.

As a remake, it follows a similar approach to Persona 3 Reload. Character models aren't just a huge visual upgrade over their original lower-poly PS2 counterparts; they're even better than Persona 5's and look virtually on par with the character portraits that typically accompany dialogue boxes. Turn-based battles, meanwhile, have been updated to mirror Persona 5's control scheme, where commands are mapped to different buttons rather than scrolling up and down a menu.

Just like Persona 3 Reload, Persona 4 Revival has also updated its audio with a completely new voice cast and a re-recorded soundtrack, including at least one or two brand-new songs. I don't mind so much the decision to recast the roles, especially as several of the original voice actors have become much higher profile (including Troy Baker, Laura Bailey, and Yuri Lowenthal).

Still, the voice of Teddy takes time to get used to because while some may have found his original voice a tad annoying, now he just sounds a bit too much like another teenager rather than a mysterious being inside a mascot suit.

From what I played, the story seems to unfold virtually beat-for-beat in line with the original. I think that's fine, and given how long the game already was, the script really doesn't need fleshing out in the same way as the Final Fantasy 7 Remake series, for example. But there are still some interesting changes within that.

The most notable is the more interesting camerawork going on, including close-ups, that make extensive cutscenes more engaging to sit through instead of just lengthy dialogue you might be inclined to skip if you can read faster than the characters speak.

The script itself has also undergone some subtle adjustments in the localization process. It might seem very minor, but I picked up on how Yosuke now addresses the other female students like Chie and Yukiko more formally by their family names, which is closer to how real-life Japanese classmates who aren't close friends behave.

I'm still intrigued by how and to what extent Yosuke's character is updated in Persona 4 Revival, as in the original, he behaves like a creep and is pretty insensitive at times. Given there's a moment in the story demo where he gets annoyed with Teddy and pushes him over, my guess is P Studio is still retaining at least some of the more abrasive side of his personality.

Holding on to the past

Persona 4 Revival's visual upgrades apply to the environments too. With a completely free-looking 3D camera, you can appreciate more of the details in the Dojima household, while in the Twisted Shopping District, you can look up and see the strange red and black vortex instead of a sky that indicates you're in the Midnight Channel's parallel dimension.

Nonetheless, the places you go to are still very much as I remember them. Rooms are still separated by loading screens; Inaba's main commercial district has the same businesses, including the item shop that turns into a bar at night. That's also fine for me, as I don't think it would necessarily benefit the game to suddenly expand the real estate.

While seemingly still randomly generated rather than having the bespoke design of Persona 5's palaces, the dungeons you explore have nonetheless been adjusted to be a little less tedious, from having objects you can break to gather resources to a subtle wayfinder if you just want to get to the next floor ASAP. Ironically, I took this as a cue to go the other direction to explore more of the map.

When encountering enemy shadows on the map, the game even clearly indicates whether you've got the drop on them to get a pre-emptive attack. Failing that, Persona 4 Revival also adds the ability to guard against a shadow's attack so that you're less likely to start a turn-based battle at a disadvantage.

During battle, the Baton Pass mechanic has also been passed down from Persona 5 and Persona 3 Reload, which allows you to attack again if you've hit an enemy with their weakness, but pass that turn onto another party member who may have the right attack to exploit a different enemy's weakness.

But whereas Persona 3 Reload was criticized for not being a truly definitive remake, given the lack of an option for a female protagonist like in Persona 3 Portable, Persona 4 Revival at least is confirmed specifically as a remake of Persona 4 Golden. That means it will include that expanded version's additional story content, such as Marie, the mysterious and temperamental guest in the Velvet Room.

Despite those smart updates, I'm still curious why some other elements have been left untouched. For instance, character portraits were used prominently in JRPGs as they were more expressive than in-game models. But when Persona 4 Revival's character models are better animated and expressive, having these portraits seems arbitrary.

Similarly, when you knock down all enemies and trigger an all-out attack, Persona 4 would originally cover the enemies in a cartoon cloud for comical effect, yet the remake opts to keep this visual despite also having party members running in to perform a lot of flashier animations alongside it.

There might be some nostalgic charm to retaining these conventions, but it also feels unnecessary in the context of a modern remake. Similarly, once my hands-on time was up, I came away impressed with what I had played, yet still not convinced why I would drop $70 on it when Persona 4 Golden is right there for a fraction of the price.

Persona 4 Revival releases on February 18, 2027, on Xbox Series X and Series S, PlayStation 5, and PC.

Does every existing IP need a movie adaptation? The answer is no, of course, but I'm quietly confident in the upcoming live-action version of hit Hideo Kojima franchise, Death Stranding.

Why? Well, let's start with the concept. In the game, courier Sam must reconnect a broken America after an apocalyptic event merged the worlds of the living and the dead. Add in distributor A24 and the man who directed Pig and The Death of Robin Hood — which is now in UK cinemas after its June US release — and you've surely got gold.

However, there's one immediate snag. While we don't know much, we do know that the new movie won't follow the same premise as the existing Death Stranding games.

In fact, according to director Michael Sarnoski, not only is it a standalone movie, but will be made with a lot of creative freedom — and something about the way he explains this makes me nervous.

'I need the space to find authorship and find the things that I really believe in'

"I actually like to make things difficult for myself," Sarnoski tells me. "I like to do projects where the initial instinct is 'Oof, that could be a really bad idea.' Another Robin Hood movie? A prequel to a horror franchise? I like things where it could be easy to miss the mark."

This in itself is a concerning statement. I prefer it when my movie directors don't go into an adaptation thinking that things could potentially go horribly wrong. Whatever happened to positive mental attitude?

"I like the challenge," he continues. "I like finding the humanity in things that otherwise could not work. On Death Stranding, they're giving me a lot of freedom to tell the story that I want to tell separate from the core video game stories. It's its own standalone thing. I need the space to find authorship and find the things that I really believe in... I'm really excited about it."

Playing devil's advocate here, creative freedom could be a good thing. If fans expect a movie to replicate its original source material exactly, nobody ends up winning. But with so few details to go on, we've got to keep our fingers crossed that good decisions are made in the meantime.

But is Sarnoski concerned about appealing to existing fanbases, or is he happy to stick to his guns? "A little bit of both," he responds. "I feel the pressure, but I have to set that aside and focus on what creatively excites me. I can't make stuff as a reaction to what I think someone else wants — it has to come from a place of love and fascination."

Make of that what you will, folks... and watch this space.

• Two DualSense wireless controllers inspired by Grand Theft Auto 6 have been revealed
• Both editions are said to "capture the essence of Vice City"
• Pre-orders open on September 10

Sony has announced that it will release two limited-edition DualSense wireless controllers inspired by Grand Theft Auto 6 when the game launches.

Revealed during today's State of Play broadcast, the controllers come in black or white with purple chrome, feature the GTA 6 logo on the touchpad, with distinct palm tree designs and glowing buttons inspired by Vice City.

"The black and white limited-edition DualSense wireless controllers each capture the essence of Vice City, from bright days along the coast to vibrant city nights," Sony describes in the PlayStation Blog.

"Both editions feature a shimmering, color-shifting finish that brings together the hues of a Vice City sunset and the glow of neon lights. They both also feature custom palm tree details molded directly into the controller, adding a unique tactile element alongside official Grand Theft Auto 6 branding."

The white edition "embodies Vice City at daybreak, from its white sands and pastel skies to all its laid-back glamour," while the black version "captures the energy of Vice City’s iconic nightlife."

The DualSense Wireless Controller – Grand Theft Auto 6 Black Limited Edition and DualSense Wireless Controller – Grand Theft Auto 6 White Limited Edition will be available for pre-order on September 10 and launch alongside the game on November 19.

Both controllers will cost $84.99 / £74.99 through PlayStation Direct in limited quantities.

Ahead of the game's launch, Rockstar Games treated fans to the Grand Theft Auto 6: An Extended Look, which offered a deep dive into the game running on the base PS5. A new report also confirmed that the game will run at 30fps on consoles.

The spirit forms of The Warrior of Light, Terra, Zidane, and Cloud bob up and down behind each character in my party as I get into battle in an early dungeon in Final Fantasy Resonance.

When the trio of monsters is briefly staggered in front of me, I’m given a choice of which iconic character’s power to unleash to end the battle, and I promptly pick the spiky-haired and Buster Sword-wielding hero of Final Fantasy 7. My reward is a flashy CG cutscene of Cloud obliterating everything on screen in a visual display that seems strangely at odds with the rest of the game's HD-2D style.

But this clash is perhaps to be expected when you learn that Final Fantasy Resonance adapts parts of an old 2015 mobile game, Final Fantasy Brave Exvius, to create a brand-new entry in the traditional turn-based style of Final Fantasy’s NES/SNES golden era.

For players like me whose formative gaming years were spent playing those classics and who long for more old-school turn-based RPGs, it’s the kind of pairing that should shoot Resonance right to the top of the must-play list. And even in just the brief hour I spent with the game, I could feel myself getting sucked into its combat and presentation style almost immediately.

I can’t speak much on the story that frames this fan-service-heavy premise, given I got to experience so little of it, but it feels very much in the vein of a Final Fantasy of old. There are warring factions, a party of adventurers, and crystals to protect in temples dotted around the world.

However, it didn’t matter that I had very little exposition to set up my time with Resonance, given that I immediately saw so much to dig into with the characters and combat.

Alongside the four that were already assigned to my party, there are signs that many more familiar faces from across the full history of the series will make an appearance as Visions that you can equip to your characters.

These provide a vast number of active and passive abilities that can be brought together to create particular builds or strengths that you want characters to focus on.

For example, The Warrior of Light has several physical attacks and defensive magic that work together to make the equipped character a strong frontline warrior or damage-mitigating tank. You can further build upon that with abilities learned and masteries gained from other Visions to perhaps buff your health or offer other worthwhile passives.

I enjoyed tinkering with the makeup of my party to create the classic areas of expertise across all four members — the tank, the physical damage dealer, the mage, and the healer — and I’m sure you’ll be able to create more interesting hybrids as more Visions and their classes become available.

And like the best turn-based RPGs, it was even more fulfilling to see those builds succeed in combat. It led to a satisfying rhythm where you exploit the elemental or physical weaknesses of an enemy to stagger them, earn bonus turns for your characters to create an even bigger advantage in battle, and then unleash a Vision’s special attack once all opponents are in a staggered state.

It’s nothing hugely revolutionary in the world of turn-based combat, but it does add some flair to a familiar formula.

Throw in summons, limit breaks, and more abilities that are exclusive to each Vision, and you have the makings of an exciting and dynamic battle system that still retains some old-school charm.

And that sums up how it felt to play Resonance. Anyone with a hankering for some classic Final Fantasy will find a lot to love here — even beyond the fan service with its large cast of well-known characters from across the series. If that sounds like you, a demo is available to try right now.

Final Fantasy Resonance launches on PlayStation 5, Xbox Series X and Series S, Nintendo Switch 2, Nintendo Switch, and PC on October 22.

It's been a long search for a new gaming chair that suits my sedentary working lifestyle, especially when diving into those long hours of gaming sessions. There are plenty of options on the market, but it's not exactly easy to pinpoint one that's ideal for comfort.

I've been fortunate enough to get my hands on AutoFull's M6 Ultra+ 2.0 gaming chair, and without any doubt, it's easily among the best gaming chairs I've used and is my personal favorite.

It's a feature-rich chair with several options for relaxation, such as shiatsu back (specifically lumbar) massaging capabilities, a 3D ergocloud headrest and footrest, 360-degree adjustable armrests, leg massage (via vibration), and most importantly, cooling and heating.

The latter comes in handy for both hot and cold seasons; yes, the ventilation for cooling could be a lot better, but it's designed to stop your backside from getting too warm on those hot summer days — and does a fairly decent job.

Today's best AutoFull M6 Ultra+ 2.0 gaming chair Labor Day deal

With summer coming to an end, the Ultra+ 2.0's heating is what matters most, and I can promise it does a fantastic job of keeping you warm (and pretty quickly too). Perhaps its leather design is what helps speed up that process, but a word of warning: if you're looking to upgrade from a mesh chair as I did, you're going to feel a significant change in temperature sitting at your desk, even when you're not using the Ultra+ 2.0's heating function.

The AutoFull M6 Ultra+ 2.0 gaming chair is available on AutoFull's online store for $799.98 (was $999.99), with a big 20% discount making it more affordable in a Labor Day sale.

It certainly isn't the perfect gaming chair, and frankly, I don't think such a thing exists. I'd appreciate it if AutoFull had used a comfier legrest, with a faux fur design, and if the cooling ventilation was a little stronger, but otherwise, I have no complaints.

It's hard to see any other chair I'd opt for as a replacement, and while it's a fairly expensive option, I wouldn't think twice about taking advantage of its current Labor Day deal.

Shop more of today's best Labor Day sales

• Amazon: 45% off TVs, AirPods, air fryers & vacuums
• Apple: iPads, AirPods & MacBooks from $99
• Appliances: up to $1,200 at Samsung
• Best Buy: 60% off appliances, TVs, laptops & more
• Casper: up to 30% off mattresses
• Dell: laptop deals from $249.99
• DreamCloud: up to 60% off mattresses, 66% off bundles
• Home Depot: 40% off appliances, furniture, grills & tools
• Lowe's: $1,000 off appliances, patio & tools
• Nectar: up to 50% off mattresses, deals from $349
• Saatva: up to $625 off luxury mattresses
• Samsung: up to $2,000 off 4K, QLED & OLED TVs
• Target: 45% off clothing, tech & furniture
• Walmart: 58% off back-to-school, furniture, & clothing

Last month I travelled to Paradox Interactive's HQ in Stockholm, Sweden, for early hands-on access to its next big grand strategy title, Afterworld, before its big reveal at Gamescom 2026.

Set in the studio's first original setting in a decade, it takes you to a post-apocalyptic vision of North America as one of a handful of possible groups faced with rebuilding life amid the ruins or tearing what's left of society further apart.

Paradox's most popular releases truly put the 'grand' in 'grand strategy' — with the likes of World War 2 wargame Hearts of Iron 4 offering complex systems that replicate everything from economics to supply chains, unit management, politics, and diplomacy on a daunting global scale.

They give you all the tools you need for tens, hundreds, or (for some players) even thousands of hours of immersive play, but only if you're willing to overcome a steep learning curve.

Sure, the games all have tutorials, but the amount of information you're bombarded with practically necessitates at least a few hours watching explanatory YouTube videos or consulting community guides if you're new to the genre.

Slow and steady

With Afterworld, however, Paradox aims to make its most approachable game yet.

Even so, director Dan Lind, who previously helmed Hearts of Iron 4, tells me that the upcoming release will still offer "some of the deepest simulation" we've seen from the studio yet.

"We're not really designing it much simpler," he adds, "it's the first game that actually has a population model that keeps track of which sex the person is and stuff like that."

He explains that some higher-level systems will also track the opinions and beliefs of different groups in your growing society.

This is something players will have to manage carefully as they set out establishing cities, harvesting resources, and creating military units to defend against the many threats of the wasteland.

The difference is that Afterworld is designed to steadily introduce its mechanics rather than throw players in right at the deep end.

It's a philosophy reflected in the overall scale, with a map that's condensed down to just North America rather than the whole world. Individual cities and units are represented in more detail than ever before.

"It lets you get closer to the ground," Lind explains. "I can do stuff where a unit is actually [just] ten people."

Things start small, but the scale ramps up as you progress. With multiple cities established, the action slowly builds into something that doesn't look too far removed from Hearts of Iron 4 or Europa Universalis 5.

"What we're trying to do is to manage the complexity with how you're unlocking it," Lind says.

"I think anyone can learn to play a Paradox game; you just might not be able to play the entire game if we shove it in your face right away. The idea is instead to drip-feed you until you're hooked."

If successful, Afterworld could help bring in a new generation of grand strategy fans when it releases for PC in the future.

• CD Projekt Red's joint CEO Michal Nowakowski has confidence in game consoles coping with the RAM crisis
• Nowakowski is convinced consoles will 'weather the storm', as analysts expect shortages to continue through 2027
• Sony isn't just facing the RAM crisis, but also a major backlash over its decision to end physical game discs

The RAM crisis is continuing to cause havoc with the hardware market, affecting component prices, PC makers, and potentially delaying next-gen console launches. However, it's not so bleak as you might think, at least in the eyes of CD Projekt Red's boss.

As reported by IGN, CD Projekt Red's (CDPR) joint CEO Michal Nowakowski was interviewed by The Game Business and voiced his confidence that next-gen consoles will survive the RAM crisis despite the prospect of high pricing.

This comes amid concerns and projections from industry insiders and analysts that RAM shortages are going to get worse in 2027 and beyond. The big three memory chip makers — Samsung, SK Hynix, and Micron — are expected to increase combined capital spending to nearly 340% from 2024 to 2027.

It doesn't look like RAM shortages and high hardware prices will die down anytime soon, but this doesn't faze Nowakowski, at least when it comes to ensuring CDPR delivers the best possible content.

"Consoles are still necessary to broaden the audience on the casual or semi-casual level. It's important to have easy to plug in and enjoy gaming," Nowakowski says.

"I'm a big believer that they're [consoles] going to weather the storm. Pricing is the objective challenge. And the rumors... we hear them about the next-gen being delayed. I don't know if they're true."

RAM isn't the only worry for Sony

Besides the RAM crisis pushing up prices and causing potential console launch delays, Sony in particular may have an uphill battle ahead. Its recent decision to end production of physical game discs for PlayStation consoles, starting in January 2028, already has gamers in the ecosystem protesting and planning alternatives to escape the impending doom of discs.

An all-digital future means any form of game ownership will cease to exist, as digital content can theoretically be taken away from gamers at any time, and that has led to a loud (and justified, I think) reaction from the console community.

The Game Business didn't question Nowakowski directly about physical game ownership, but did probe further on the effect that delayed next-gen consoles might have, with Nowakowski making CDPR's stance very clear.

"If the next-gen gets delayed, it could be the case that some ideas [for games] are put on a shelf for the future. We'd have to adjust. We're not worried on the commercial side. Consoles are here to stay."

It's fair to say that Nowakowski's last statement is a realistic assessment. Even given Sony's dismissal of physical game discs, this isn't going to lead to a complete collapse in the popularity of consoles.

However, Sony may not make life easy for itself and publishers such as CDPR, as from 2028, when the discs are dumped with the PlayStation ecosystem, a hit to games sales is far from impossible — especially if the ongoing backlash from gamers is anything to go by.

• Free-to-play live service game Let it Die shut down earlier this week
• It's not the end, though, as players will still be able to play the game in a new offline state
• The new offline version costs just $19.99 / £16.99 / AU$28.50 and has all microtransactions removed

It feels like a live service game is shutting down every few weeks, and I'm no stranger to the crushing disappointment of learning that one of your favorite games is going offline.

Normally, the news means you lose access to the game for good — with all your progress, achievements, and in-game items vanishing along with it. Just look at Vampire: The Masquerade - Bloodhunt, Anthem, or Hawked: three offline titles that died in the last few weeks alone and are now completely inaccessible by official means.

Although the reasons for such shutdowns are often understandable, it still seems like a massive waste of resources, development time, and sometimes some genuinely good game mechanics or ideas.

With Let it Die, however, developer Grasshopper Manufacture is defiantly bucking that trend. The free-to-play game shut down earlier this week after nine whole years on the market, but that doesn't mean it's now unplayable.

The company put in the work to create an offline version, which you can buy on PC or PlayStation 4 for $19.99 / £16.99 / AU$28.50. You lose some of the original's offline features, but all microtransactions are removed so you can experience the full game without having to open your wallet more than once.

You can even bring over your progress from the online game if you played it before.

A positive example

If you're not familiar with Let it Die, it's a roguelike hack-and-slash with a challenging, almost soulslike combat loop that has you battling your way through a massive enemy-filled tower.

Players loved its wacky writing (with iconic characters like its skateboarding rendition of the Grim Reaper) when it first released back in 2016, but microtransactions were pretty pervasive. In short, it was designed to make you part with real money to keep reviving your characters when you died, which, given the high level of difficulty, was pretty often for most.

With these mechanics now removed, I'm already seeing long-time fans call this new release the definitive version.

"Great to see this game won't ever die due to its servers being shut down now," wrote one Steam reviewer. "Plus all the crappy monetization which held the game back a ton is gone."

Others praise the decision to keep the game alive in some form: "Shutdown the servers but made sure the game was still playable afterwards. That's how you actually end a live service."

Of course, the irony of a game called Let it Die carrying on forever is not lost. "Can't say the devs don't have a sense of humor," quipped one player.

It goes to show that the end of a live-service title doesn't have to screw over gamers, and I hope other developers take note of the positive reception.

When I previewed The Blood of Dawnwalker, its prologue was an impressive snapshot of what Rebel Wolves was hoping to achieve with its vampiric open-world role-playing game (RPG). It was a tight and tense introduction to a game that encourages you to spend your time wisely, live with the consequences of your actions, and balance Coen’s newly acquired Vrakhir abilities with the hope of maintaining his humanity.

Now, after sinking dozens more hours into the full release, this team that includes several ex-Witcher 3 developers hasn’t quite made that formative game’s spiritual successor. However, I can’t fault the ambition found in the studio’s debut release — even if not every idea is fully realised and a few elements lack polish.

Ever since playing through that exciting opening, which sees Coen’s village razed and his family held captive to be used as sacrifices in an upcoming coronation for the valley’s vampire overlord, Brencis, I've been desperate to get back in and see what awaited in the rest of the game.

So, it’s strange that when you first hit the open world, the game starts to feel a little aimless. Your main goal may be to kill Brencis and save your family, but the direct approach is almost certainly going to lead to your death. Instead, it’s smarter to take the time to destabilise Brencis’ reign by going after his generals and increasing your power for the upcoming showdown.

No rest for the wicked

Unfortunately, that means engaging with a lot of dull and fairly repetitive tasks dotted around the map, mostly clearing camps of soldiers and smashing up boxes of supplies. The set dressing changes a little depending on which vampire lieutenant you’re going after (it may be blood supplies for Ambrus or slivovitz distilleries with Bakir), but you’re ultimately going through the same motions.

And I was surprised at how little some of the vampire leaders actually feature in the story while you’re being such a thorn in their side. Most development happens off-screen, while notes are found on soldiers bemoaning Coen’s actions and edicts are issued as you become more notorious.

There isn’t as much time given to interacting with these villains before an inevitable confrontation. And that’s a shame, because when you do come face-to-face with these flamboyant, furious, and fascinating characters, they end up being killed off just as they’re starting to get interesting.

I did find that The Blood of Dawnwalker found its feet when you dig into one of its many lengthier multi-part quests. Given the developer’s history and pedigree, and what was shown off in the prologue, this is more of what I expected. You get to spend time with some entertaining and well-written characters, explore interesting environments and dungeons, tackle challenging combat encounters, and often emerge with some nice new loot.

Choices and consequences come front and center in many of these quests, and I felt the game gives a surprising amount of room, as your investigations can open up different approaches or outcomes. And quite cleverly, not all effects are felt immediately, with some outcomes or repercussions only felt much later down the line. It shows Rebel Wolves really thought about the interconnectivity of its world and wanted to show the impact you have on it. A huge plus for the RPG lovers who thrive on that level of world-building.

The final countdown

Tying it all together is the 30-day time limit that’s central to The Blood of Dawnwalker. Much has been said about this mechanic, but the countdown to Brencis’ coronation and your family’s execution wasn’t a constant threat looming overhead. I considered it a lot at the start, but eventually, instead of making me question whether every single action was worth doing or made worthwhile progress, losing chunks of time eventually became something I just accepted as the price of doing business.

Where it was always a frustration, though, was during levelling up, where almost all skills and perks require you to spend time learning them, meaning you could lose half a day (or night) simply to make Coen stronger. I would understand this if it were reserved for learning more advanced skills, but when the same price must be paid to get 25 per cent more health or some passive stamina regeneration, it doesn’t feel worth the cost.

The transition from day to night didn’t substantially change the game, either. Yes, it enables Coen’s vampiric powers, with neat tricks such as shadowstepping across chasms or walking up walls, but these don’t have the impact I feel they could have.

For starters, there’s so much blood available in consumables or animals to hunt out in the wild that I never felt this moral dilemma the game wants to push about Coen needing to feed. There is a neat idea that only happens if you’re low on health in vampire form and chatting with a non-player character (NPC), where you risk Coen giving in to the hunger and sucking the blood from his conversation partner, but it didn’t happen to me once in my playthrough.

Tonight I'm going to suck...your blood

When it comes to a clash of steel and fangs, the vampire powers don’t elevate what is a perfectly serviceable, if mostly underwhelming, combat system. The foundation is based on directional inputs to attack, block, or dodge, and picking the correct direction will set up your opponent for a devastating riposte from your sword or claws.

You can weave in a few abilities that range from the mundane, such as using pocket sand to temporarily blind an enemy, to several witchcraft or vampiric skills that burn your opponent's blood or set them up for a gruesome and bloody explosion. And while it all works fine, it never flows as smoothly as you would like or feels as impactful as you wish it did. Combat ultimately became something that I got through impassively rather than finding myself excited for the next encounter.

And that’s ultimately what makes me struggle to wholeheartedly recommend The Blood of Dawnwalker. Too many elements are dull, repetitive, or underused to keep me fully engaged over its lengthy playtime. There are captivating moments, though, that I feel some may be able to appreciate more if you’re able to overlook some of its flaws. Perhaps with some updates or a sequel, the ambitions of Rebel Wolves can be fully met.

Should you play The Blood of Dawnwalker?

Play it if…

Don’t play it if…

Accessibility

The Blood of Dawnwalker has limited accessibility features. Subtitles are available in 14 languages, but you cannot customise the size, color, or position on the screen. Two control options are available, with the ability to invert both axes if required.

There are more choices when it comes to refining the difficulty of the game, though. As well as general preset options ranging from Story to Duelist, you can also specifically tweak enemy health, enemy aggressiveness, how easy it is to perform perfect blocks, and whether blocking is automatic if you want an easier combat experience.

How I reviewed The Blood of Dawnwalker

I’ve put around 25 hours into The Blood of Dawnwalker over the past week and a half, and while I haven’t completed it yet, I feel I’ve seen more than enough of the game’s main story and side quests to offer a comprehensive verdict.

I spent all my time playing on a PlayStation 5 Pro on a Samsung S90C OLED TV and Samsung HW-Q930C soundbar while using a DualSense Wireless Controller.

I played on Balanced mode, which aims to run the game at 40 frames per second (fps) in dynamic 4K. A 30fps Quality mode is also available, but I preferred the option with a more stable fps that didn’t impact the visuals significantly. A Performance mode targeting 60fps will also be made available at launch.

First reviewed September 2026.

• Nvidia unveiled DLSS 5 at Gamescom 2026, showing it off in NBA 2K27
• DLSS 5 will launch alongside NBA 2K27, and be available from September 3, 2026
• DLSS 5 is exclusive to RTX 5000 GPUs, but Nvidia is working to eventually make it available on older GeForce cards

It's no secret that Nvidia's reveal of DLSS 5 earlier this year led to instant controversy and a backlash from gamers, not to mention game developers. The technology was branded as generative 'AI slop', effectively changing the look and style of character models, notably Leon S. Kennedy and Grace Ashcroft in Resident Evil Requiem.

Since then, Nvidia has worked on developing its neural rendering tech, and DLSS 5 is now ready for launch — and it's arguably being used in the game that's most appropriate for it.

DLSS 5 will debut on September 3, 2026, and will be first available in NBA 2K27 on September 4. The new tech will be exclusive to RTX 5000 GPUs, but Nvidia made it clear that it will explore ways to bring DLSS 5 to older generations of GeForce graphics cards eventually.

At Nvidia's Gamescom 2026 booth, I was treated to a brief hands-on sample of DLSS 5 running in NBA 2K27, on multiple systems including an RTX 5060 gaming laptop and also on GeForce Now.

Much to my surprise, DLSS 5 looks absolutely amazing with NBA 2K27's environments and character models, providing a level of realism that can only be described as the next leap in visuals for gaming.

The level of detail in character faces in terms of lighting and shadows is truly next-level, and it's all possible thanks to AI-enhanced lighting on the rendered frame, which Nvidia states is trained to 'preserve artistic intent'.

When DLSS 5 was first revealed in March, I was bewildered by what Nvidia was attempting, which appeared to be generative AI used to make everything in-game more lifelike. If it wasn't clear already, I have strong feelings against generative AI in gaming, but my initial fears were misplaced, as this isn't what DLSS 5 is about.

DLSS 5 uses three different models, with each including options for structure intensity, tone intensity, and masking. Structure and tone are both responsible for aspects such as ambient occlusion, contact shadows, reflections, and broader lighting.

Masking allows manual or automatic control of where each effect is applied, and Nvidia has designed DLSS 5 for developers to have full control over the final frame that's rendered.

The DLSS 5 model running in NBA 2K27 was fine-tuned directly by the game's developer, not Nvidia, and the result is way different from the first glimpse of DLSS 5 in March. What was illuminating here is that the team at Nvidia stressed that the initial reveal had the sliders for each of those models at maximum levels.

As I saw with NBA 2K27, when put in the hands of developers, it's easier to see just how great DLSS 5 is when used appropriately. Developers will be able to adjust the intensity for each scene for both the environment (foliage and other objects) as well as character models.

Performance is a different ball game too

DLSS 5 isn't exactly easy to run, which isn't a huge surprise considering how realistic the results are. However, Nvidia has made significant progress in six months: DLSS 5 required two RTX 5090 GPUs to function at the initial reveal, and now works with any RTX 5000 series GPU.

The RTX 5060 gaming laptop running NBA 2K27 displayed very smooth performance, only using Frame Generation x2 with DLSS 5 enabled. This was a big surprise to say the least, and suggests that it may not take as long as expected to introduce this new tech to RTX 4000 series GPUs (and older).

My only concern at this stage isn't related to Nvidia at all, in fact. DLSS 5 on its own now looks very useful for producing lifelike visuals, and seems set to be the future for impressively detailed graphics.

Visual Concepts, the developer behind NBA 2K27, has done enough here to quell my fears that DLSS 5 would somehow mess with game art and design direction in a negative way.

However, we're yet to see how other developers will implement the tool in their games. I'm somewhat worried that many could fall into the trap of using DLSS 5 as a shortcut for great game visuals, rather than an added bonus on top of already well-crafted graphics.

I shared similar concerns regarding Nvidia's Multi Frame Generation, and how developers may rely on this very useful tool as a band-aid for poor game optimization.

Fortunately, though, if NBA 2K27 is anything to go by in terms of what to expect from the likes of Capcom, Bethesda, and Ubisoft, then I'm excited to see DLSS 5 implemented in upcoming games. After all, it is an optional game setting, so if you don't like it, you don't have to use the tech.

• Sony is launching a new free ad-supported service on PS5 consoles
• Its 100 live channels cover a wide range of titles across film, TV, news, sports, and more
• Live TV on PS5 is available to US users now, with availability for Canada and other regions to follow

Sony is dipping its toes back into free streaming channels with its new Live TV on PS5 platform — following platforms such as Tubi, Google TV Freeplay, and The Roku Channel.

The gaming and entertainment giant announced Live TV on PS5 yesterday (August 31), revealing that PS5 owners in the US can now access the service’s 100 ad-supported live channels and on-demand titles. Sony also has plans to expand Live TV on PS5 to Canada and additional regions, and will roll out the free service to Bravia TVs later this year.

For a new free streaming platform, Sony is already going big with its entertainment offerings. As far as its movie channels go, Live TV on PS5 has a slew of titles spanning action, horror, sci-fi, and more, all while housing popular anime titles from Crunchyroll.

The service also has a rich catalog of TV titles, including shows such as Community, The Shield, Hell’s Kitchen, The Walking Dead, Forensic Files, Unsolved Mysteries, Deal or No Deal USA, and Fear Factor.

Movies and shows aside, current affairs and news viewing is also available for free, offering programming from NBC News Now, Fox Weather, and LiveNOW from FOX. Additionally, you can also access channels including FOX Sports, NASCAR, NBC Sports Now, and UFC, so sports fans aren’t being left out of the experience.

Just like other platforms in our roster of best streaming services, Sony will keep Live TV on PS5 refreshed with new programming, titles, and channels to expose you to new content and keep you on your toes. Hopefully its library won’t remain stagnant and outdated, but it’s not as if Sony doesn’t know what it’s doing — it’s dipped its toes into the FAST channels waters before.

PlayStation Vue was a live TV service that allowed you to watch titles without the need for a cable box, before Sony axed it in 2020. It’s safe to say that PlayStation Vue was a widely admired service, and countless PS owners have been reminiscing about its nostalgia on Reddit following the announcement of Live TV on PS5 — however, whether the new platform will be a welcomed addition is debatable.

Sony’s decision to kill off physical games and shift to digital ownership is still under intense scrutiny, not to mention the uproar that came when Sony deleted 500 movies users paid for following a licensing conflict. So there’s still the burning question regarding ownership: if everything is digital, do users really own it? There’s also the question of how different Sony’s FAST streaming service is to existing platforms.

In the Reddit discussion mentioned earlier, some users flagged that a lot of the FAST channels available on Live TV on PS5 are strikingly similar to the ones already available on services such as Tubi and Pluto TV, as one user said it ‘sounds like the same channels as [my] Roku TV’. Similarly, another commenter wrote that Sony’s streaming platform looks ‘like a copy of Roku TV, where they only show reruns and older shows, or lesser known shows’.

The common denominator with the best free streaming services are the providers, as another user highlights in the thread, so running into the same types of programming across these platforms isn’t out of the ordinary. For users who use their PS5 consoles as their main media hub, it’s a solid free upgrade and it’s there if you want to use it. At the same time, you can already download Tubi and Pluto TV on PS5, so the competition is tough.

• Asobo Studio says it's interested in making a new A Plague Tale game set in the modern day
• The studio says it would be like The Last of Us, since Naughty Dog's game was a "big inspiration"
• Actor Anna Demetriou says a modern-day spin-off would work well since the Macula is "fantastical"

Asobo Studio has said it "would love" to make a new A Plague Tale game set in the modern day, since Naughty Dog's The Last of Us influenced the series.

In an interview with TechRadar Gaming at Gamescom ahead of the launch of the studio's latest game, Resonance: A Plague Tale Legacy, Valérian Robert (lead level designer), Carol Ann Bañuls (lead writer), and actor Anna Demetriou, who played the part of Resonance protagonist Sophia were asked about its next project and confirmed that a modern-day spin-off is something they're asked about frequently.

"Absolutely," Bañuls replied when asked if the setting would be a good pick for Asobo. "Definitely. Personally, I think so. I think it would be great."

Demetriou said, "It's one of the things a lot of people ask me about," with Bañuls adding, "It would be really Last of Us kind of."

Bañuls went on to say that, "Yeah, definitely, because it was a big inspiration. So yeah, if it's in modern days, it would be great."

In the A Plague Tale universe, the Prima Macula is an ancient curse that poisons the blood of certain families and is something that appears in every major A Plague Tale game, including Resonance: A Plague Tale Legacy. Demetriou thinks the Macula would work very well in a modern-day setting, because the plague is "fantastical."

"It would be amazing," Demetriou continued, "I would love that to fit into a modern-day setting. Yeah, it would be interesting to see what that would look like. I would love that."

Asobo Studio hasn't announced its next project just yet, but A Plague Tale game set in a time gamers are familiar with sounds awesome. Now, fans can pick up Resonance: A Plague Tale Legacy, which is available today on PS5, Xbox Series X, Xbox Series S, and PC.

FiiO FG3: one-minute review

As an audio journalist, I’ve covered FiiO plenty of times; the brand is known for beloved digital audio players like the JM21 and digital-audio converters like the FA15. But I was surprised to see the brand enter a totally different market, trying its hand at a gaming headset.

The FiiO FG3 is the resulting device, and it clearly bears some of the audiophile DNA that FiiO is known for. It offers a coaxial dual-driver set-up, which is uncommon in games-focused headphones, and also totes a lightweight DAC control module to jump between audio presets.

So it should be a gaming gem, right? Right? Well, I think something was lost in translation.

FiiO’s hardware is fantastic for music, and the FG3 is the same, with the dual-driver set-up and handy EQ modes working well. However, it’s not quite as good for gaming, which isn’t ideal for a 'gaming' headset.

Audio is often too muddy and rumbly to do justice to the layered sound design of an immersive environment or frantic battlefield. It’s largely the low-end which lets the side down, with higher-pitched sounds cutting through pretty effectively. This won’t affect all games, and dialogue-heavy or rhythm ones will benefit massively from the tuning.

The fit of the headphones isn’t perfect either. While the cups are incredibly soft, the headphones squeeze and the headband is too firm. I had to take breaks from long gaming sessions to avoid my head hurting.

That all may sound like a series of criticisms, but there’s a lot to like here too. The cans are easily portable, and the control app being online-only is a breath of fresh air in this bloatware-riddled world (even if it rules out EQ control when you’ve got no internet).

The FG3 is also, crucially, pretty affordable, and I can see a discount or two making it an absolute bargain. If you’re reading this when they’re even $10 / £10 off, they’ll be an absolute bargain.

So it’s easy to look past some of the more annoying elements, or rougher edges, of FiiO’s sound tuning and design. But I can’t help but hope that the brand’s second foray into gaming headsets makes some improvements on what we’ve currently got.

FiiO FG3: Price and availability

• List price: $69.99 / £69.99 (around AU$140)
• Available in the US, UK and Europe
• Matches RIG R5 Spear Pro HS, undercuts other rivals

The FiiO FG3 sells for $69.99 / £69.99 (about AU$140, though at the time of writing, it’s not on sale in Australia), and was unveiled in June, 2026.

At that price, it undercuts many of the best wired gaming headsets, though it matches our top-rated pick: the catchily-titled RIG R5 Spear Pro HS. That makes it fairly good value for a gaming headset, with many alternatives going for three-figure sums.

For your money, you get the headset as well as a removable microphone, control cable and USB adaptor (which lets you plug the USB-C control cable into a USB-A port, if that’s what you have available).

FiiO FG3: specs

FiiO FG3: design and features

The FiiO FG3 comes with a non-removable cable, which connects into a 3.5mm jack. It’s not long, but it’ll reach a hand-held controller. However, it’s best to connect it to a control module which comes in the box; this offers you the ability to mute, change EQ or modify volume, and has a much longer cable which connects to a device via USB-C (or USB-A, thanks to an included adaptor).

These cans aren’t particularly unique-looking, although the cups are slightly canted, which helps them fit a head shape better. They rotate a little horizontally and vertically, which also helps with the fit, though some other elements like the thin metal headband or certain cheap-feeling plastic elements discourage any notion of these being premium headphones. There are no on-cup controls either.

While the ear pads are soft and comfortable, I did find that the padded headband wasn’t padded enough. Longer gaming stints ended in growing aches; the FG3 fit isn’t as comfortable as other gaming headsets I’ve used. A slight squeeze offered by the cans didn’t help either.

You can fold the cups in on each other, and remove the microphone, transforming the headset into a compact unit which is easy to transport (though it doesn’t come with any kind of carry case). Combined with a feature we’ll get to later, it’s a great headset for people who game in different venues.

Now onto the feature set. A potentially-divisive feature of the FiiO FG3 is that you don’t need to download a control app to clutter up your PC. Instead, FiiO’s website offers the ability to change EQ and flick between presets.

I loved the fact I didn’t need to download more bloating software onto my rig, and that I could tote the FG3 between different systems and locations and still customize them, but it does mean that you get no control while offline.

The control site lets you choose three presets, which the control module lets you change between: a gaming mode, a cinema one, and a music one. The latter list, which includes the custom mode, is the one I found myself using most.

This module also means you can still jump between your EQ presets when you're on a console or handheld, so your decision to play on a Switch, PlayStation or Xbox doesn't mean you're banned from customizable sound.

Don’t expect any Active Noise Cancellation (ANC) here. I found that the Passive Noise Cancellation (PNC) or natural ear cup blocking, managed to cut out annoying background sounds from my street, as did the closed-back design. But it won’t save you from louder interruptions.

FiiO FG3: performance

True to its audiophile heritage, FiiO has packed the FG3 with two drivers per cup: one 50mm dynamic driver designed to handle mid- and low-end, and a smaller 16mm dynamic driver for higher-end sounds. The benefit of dual drivers, rather than the sole unit found in most gaming headsets, is twofold: firstly, each being dedicated to different frequencies means that they can be better catered to them. Secondly, simultaneous sounds can be delivered with better clarity.

This latter is certainly true of the FiiO FG3, which has a distinct V-shaped sound profile; that means that bass and treble are well-defined and clear, though mids are a little lost. This isn’t a huge issue for gaming, as most sound effects are low or high ones, but it’s audible in music (including game scores).

It’s also clear that the high-end dynamic driver does its job well. Dialogue is easy to make out, even in frantic battles, including in-game audio and friends’ voice chats during gameplay. It’s also easy to make out nearby footsteps or the twinkle of a distant collectible.

However, I’m not as sold on the bass capabilities of the larger driver. In music it’s scooping and well-defined, but while gaming it lacks the power or ‘oomph’ of some other headsets I’ve tested. This means the chatter of your gunfire sounds a little dulled, nearby explosions lose a visceral edge, and roaring monsters sound like they have a sore throat.

Perhaps most importantly, the background rumble of a city or busy landscape which so often defines an alive-feeling open world felt a little too ‘rumbly’ for me. Some of FiiO’s equalization modes go some way to fix its issues, but not the whole way; I never found a way to stop the sound feeling a little muddy, and sometimes even made it worse.

A much-touted selling point of the FG3 is the use of Virtual 7.1, an algorithm which spreads sound to give a feeling of surround sound, without using 8 speakers (which would simply be 7.1 sound). It helps a little in spreading environmental and atmospheric sounds about you, though you’ll never forget that you’re simply getting spread-out headphone sound.

The removable microphone is… fine for purpose, but won’t deliver especially crystalline audio. Even recording onto my PC’s own voice recorder app, speech is a little crackly. However, I appreciate how dexterous the strut holding the microphone is: you can move it to different angles or heights, and there’s far more versatility than in many other headsets I’ve used.

Should I buy the FiiO FG3?

Buy it if...

Don't buy it if...

FiiO FG3: Also consider

Here are two more gaming headsets that we've given positive reviews to, if you're not sold on the FiiO FG3.

How I tested the FiiO FG3

• Used for three weeks
• Tested for gaming and other tasks
• Mainly connected to gaming PC

I tested the FiiO FG3 for roughly three weeks in order to write the review. Through this time, I used the headset while connected to my gaming PC; I tried to plug it into my Android phone, but the connection was stuttery.

The majority of the testing was done gaming; predominantly Nioh 3 and Total War: Pharaoh, but with time also spent on Old School Runescape, Isonzo, Slay The Spire, Crying Suns and the Mortal Shell 2 beta. I also used the headset to stream music while at work, and watch YouTube videos and TV shows.

Since I review audio products for a living, I have plenty of experience testing gaming headsets (and using other headphones for gaming purposes). I've also tested other FiiO products.

First reviewed August 2026

Read more about how we test

Onimusha: Way of the Sword has blown me away after 30 hours with its engaging, emotional, and immersive narrative, filled with epic combat encounters. Capcom nailed the sword-fighting in almost all areas, further aided by some of the best boss battles I've ever played in the action-adventure genre.

The enemy variety in Way of the Sword appears a little weak initially, but fortunately, there is surprisingly a decent number of diverse enemy types to tackle, some of which will put players' skills to the test, and enemies that tie directly to some of the darker and morbid aspects of the story — giving me every bit of motivation to defeat those responsible.

Much like previous games in the Onimusha series, upgrades and enhancements work by collecting red souls from defeating enemies or by finding other necessary resources to stay well-equipped for more difficult encounters or boss fights (because there are many of them).

Capcom has blended elements from the beloved franchise with modern elements (notably thanks to the RE Engine, used in Resident Evil Requiem), creating a sword-fighting, narrative-driven experience that successfully revitalizes the franchise for future entries — and yet again, it proves that it's in the best form it's ever been in.

What it takes to be the strongest

In Onimusha: Way of the Sword, we follow Miyamoto Musashi, a confident young samurai looking to climb to the very top to be the best swordsman there is, battling rivals and those with the same goal. When an encounter with a fierce rival, Sasaki Ganryu, goes wrong, both Musashi and Ganryu are thrust into lives and roles neither could ever expect.

Genma (demons) are seeping into Kyoto, Japan, from the depths of hell, and chaos is unfolding, with the lives of innocents taken brutally, and formidable Genma tormenting those who are vulnerable.

Musashi and Ganryu seek the same goal: master the blade and become the ultimate swordsman. However, both will eventually learn that far more important matters are at stake: humanity's attempt to repel Genma is in dire need of attention, and with Ganryu led astray, it's up to Musashi to forge the right path to heroism.

Equipped with Oni gauntlets, Musashi and Ganryu possess strengths far above the ordinary human, with plenty of abilities to challenge and defeat Genma. However, as expected, with that power comes plenty of responsibility.

Do strength and power derive from one's own efforts? Is it honorable to seek absolute power with the sacrifice of innocents? These are questions Musashi is left to answer throughout his journey, learning through victory but also through trial and error, ultimately creating an engaging rollercoaster that kept me on the edge of my seat.

Musashi is far from perfect in his use of Oni powers, but the character's development throughout the Way of the Sword and his bravado (significantly amped by the face model of the late and legendary Toshiro Mifune) are the strongest aspects of the game, keeping you coming back for more after each main story mission.

Miyamoto Musashi shines in every single cutscene, with a level of charisma that accurately represents the legendary Japanese figure, Musashi himself, and Toshiro Mifune's prowess. (Video Credit: Capcom)

As much as Onimusha: Way of the Sword maintains a strong focus on sword combat, it's very much a strong cinematic experience, with cutscenes that are absolutely phenomenal. The level of detail in every character's facial expressions and speech makes it feel like you're watching a movie at times.

Unfortunately, that makes the switch back to gameplay and dialogue sequences quite jarring. It's not that the visuals aren't great during gameplay; it just doesn't match up to those cinematic sequences, and I found myself constantly wishing gameplay looked as great as those important cutscenes — but ultimately, those beautiful visuals are designed for what's most important: the story.

Exceptional, addictive sword combat

Unsurprisingly, the combat in Onimusha: Way of the Sword is fantastic, taking fundamentals from what series veterans are accustomed to, alongside new and exciting skills, making every encounter entertaining.

As mentioned in my preview, the Issen technique makes its return, allowing players to viciously strike enemies right before being hit, and it makes for an incredible spectacle.

More importantly, parrying and deflecting are pivotal to overcoming foes in Way of the Sword. Just like Sekiro: Shadows Die Twice by FromSoftware, both defence options significantly deplete enemy stamina or 'posture', leaving them open to attacks for huge damage.

Way of the Sword treats Sekiro's 'deathblows' slightly differently; instead of one central area to attack, players have several options for areas to strike against bosses.

In scenarios where Musashi runs out of Hozuki (used for quick healing), most bosses will have a limb or part of a weapon (notably with the Byakue boss) highlighted in purple that is filled with red, yellow, blue, and purple souls, but does less damage to the enemy compared to the traditional main attack.

It's an aspect of combat that creates a dynamic back-and-forth between Musashi and various bosses, especially if you need more yellow souls for health from dealing too much damage earlier on.

Patience is key when attempting to execute Issen or Chain Issen, as the timing window is very narrow, more so than those for parries and deflects. When mastered, though, you'll overcome most enemies with ease. (Video Credit: Capcom)

Capcom did promise that enemies further into the game's story would be more difficult, after players voiced concerns that the demo was too easy. While I can say that endgame enemies are certainly more formidable and aggressive, some even making me sweat when in larger numbers, most basic enemy encounters are still easy.

This is directly due to Capcom's design for Way of the Sword's combat, which is very obviously focused on replicating samurai-like fights, taking after historical samurai duels that often ended in a single strike. Enemies won't attack Musashi in groups, making clashes with enemies easy, but I can see what director Satoru Nihei was aiming for with slower, more deliberate, and steadily paced sword clashes.

Fortunately, once you beat the game, you'll unlock the hard mode, Carnage, which is encouraged for use in New Game Plus. This raises the stakes to a new level, as a single hit could result in death, similar to Sucker Punch's Ghost of Tsushima and its Lethal difficulty.

While that doesn't directly address the fundamental aspect of enemies not attacking Musashi all at once, it will keep players on their toes to remain efficient in combat.

Onimusha: Way of the Sword genuinely has some of the best animations I've ever seen in any video game, particularly when parrying. Musashi oozes so much swagger in every single fight, making his confident and cocky attitude shine through combat, not just dialogue and cutscenes.

At the same time, I was slightly disappointed to see that Musashi's katana is the only primary weapon to use throughout the game. Yes, you'll find Oni Armaments on the journey, which effectively act as secondary weapons, but they require blue souls to pull off special attacks. It's a step away from a series tradition, where characters like Samonsuke or Jean Reno had a wide arsenal of weapons to use on the fly.

The game excels at its parry and deflect animations, but is surprisingly lacking in the number of animations for enemy finishers — and I couldn't help but feel like another primary weapon besides the katana would instantly fix that.

Nonetheless, Onimusha: Way of the Sword's boss fights make up for it, as they are easily the standout in an already immersive and addictive game experience. While some of the boss encounters are repeated too often, particularly during the game's climax, they are easily among some of the most epic boss battles I've played in games.

Besides the final boss battle, Dohatsu-ten is a strong favourite of mine, putting my reflexes to parry fast attacks to the test, and its design reminds me of Capcom's very own familiar and beloved half-demon, half-human demon hunter, Dante. (Video Credit: Capcom)

If difficulty is a major concern, fear not, because not only are the boss fights a fantastic spectacle, but they're also very challenging. Bosses will often launch attacks (where swords have a purple glow) that can't be dodged or blocked, so players must parry or deflect them or lose plenty of souls in the process.

Losing souls from being hit by an enemy's unblockable attack is very risky, as they'll be collected and used to make them even stronger mid-fight — and this is the last thing you'll want to happen during the final boss fight, which I won't spoil.

Players will also have to look out for bosses attempting to grab Musashi by hitting the dodge button just before it lands, as mistiming this results in serious damage and can single-handedly decide a fight. Pulling off well-timed dodges, parries, deflects, and counters to grabs makes the entire combat experience addictive, and once you unlock the Oni transformation, the game takes a new leap to greater heights.

What about performance?

I played Onimusha: Way of the Sword on my main desktop gaming PC, equipped with an RTX 4080 Super and an AMD Ryzen 7 5700X3D processor, and performance was the least of my concerns. Through most of my 30-hour playthrough, I played at maximum graphics settings at the 3440x1440 display resolution, with DLSS Quality enabled, and consistently stayed above the 100 fps mark.

When testing the game on my Lenovo Legion Go S Z1 Extreme handheld gaming PC, I could easily hit around 40fps with graphics settings preset to medium, with FSR set to balanced, at around 24W (power consumption).

This is another Capcom game that runs very smoothly, which was a worry considering some of its semi-open world hubs. The RE Engine seems to struggle in open-world (open-area) games like Dragon's Dogma 2 and Monster Hunter Wilds, rather than those with linear environments in Capcom's Resident Evil games.

I did experience a few odd moments of heavy frame rate dips during some cutscenes, but these were few and far between, so it didn't break the flow of important narrative development.

There is full ultrawide support in both cutscenes and gameplay, which isn't exactly common for PC ports, as the former is often restricted to the 16:9 aspect ratio.

Should you play Onimusha: Way of the Sword?

Play it if...

Don't play it if...

Accessibility features

Onimusha: Way of the Sword has plenty of accessibility options, notably color blindness aids alongside visual and auditory accessibility presets. Within those presets lie options such as subtitles (toggle on or off), subtitle size, subtitle background, menu text size, and HUD size.

There are also numerous options to change the blood color, disable dismemberment, remove action prompts, and motion sickness reduction settings.

Players can also change keybinds for mouse and keyboard play, while there are several different options for sprint control (toggle or hold), deflect control, menu cursor speed, and even one to disable the Windows key's functionality.

The game ships with DLSS 4.5 and FSR 3 frame generation, CPU performance presets, and ray tracing, which doesn't seem heavy to run — at least on a high-end gaming system.

How I reviewed Onimusha: Way of the Sword

Most of my 30-hour playthrough of Onimusha: Way of the Sword was on my main gaming PC, using the LG 45GS95QE OLED ultrawide display, providing exceptional immersion thanks to its 800R curvature.

During my trip to Gamescom, I put Onimusha's performance to the test by lowering my Lenovo Legion Go S handheld's TDP as much as possible, and was quite impressed by how steady it was around 40fps. It's certainly possible to achieve 60fps, but it would require lowering graphics settings further and increasing the TDP.

First reviewed August 2026

MSI Claw 8 EX AI+ review: two-minute review

The MSI Claw 8 EX AI+ is a high-octane handheld games console that can run PC and Xbox games from a wide range of game stores. With the Intel Arc G3 Extreme chipset — featuring the Intel Arc B390 GPU and 32GB RAM — it’s easily the most powerful portable console I’ve ever (quite literally) gotten my hands on. But there’s a pretty huge catch to that performance: a price tag that would buy you two Steam Deck OLEDs or a mid-price gaming laptop.

Let’s start with the superficial stuff: the MSI Claw 8 EX AI+ looks gorgeous. Its screen is an extensive eight inches across, offers wonderfully rich colors and a silky-smooth 120Hz refresh rate. Combined with its discreet RGB lighting around the asymmetrically placed thumbsticks and Void Purple colorway, it has a unique look that definitely helps it stand out from the crowd.

But its design goes far beyond aesthetics. Its Hall effect thumbsticks and triggers should not only offer greater longevity, but they felt really responsive, even if they’re not quite as sensitive as the TMR versions now offered by some controllers. Meanwhile, it felt perfectly ergonomic in my hands — I was genuinely surprised how light it felt for a 1.73 lb / 786g console — although its laser-etched grips sure made my hands feel sweaty, for some reason.

What cements the MSI Claw 8 EX AI+ as one of the best handheld games consoles out there, though, is its performance. It’s the first gaming handheld on the market with the Intel Arc G3 Extreme chipset and, boy, does that have a pronounced effect on how it plays. While benchmarks showed it offered similar CPU performance to the recent Asus ROG Xbox Ally X, thanks to its Intel Arc B390 GPU and 32GB RAM, it managed to smash its 3D Mark benchmarks by between 35% and 76% — that’s a significant performance upgrade.

Numbers only tell part of the story, though: what was the Claw actually like in action? Well, Baldur’s Gate 3 looked truly gorgeous on Ultra graphics settings and yet it hovered around a decent 38fps. Meanwhile, despite only being released in 2025, both Doom: The Dark Ages and Clair Obscur: Expedition 33 played at a rock-solid 60fps — whether I was punching demons to death or countering devastating attacks, there wasn’t a hint of latency or lag. Even the boss-level challenge of The Elder Scrolls 4: Oblivion Remastered hit 60fps at points… before plunging to a stuttery mess in busier areas. Still that’s impressive stuff for a handheld console.

But the MSI Claw 8 EX AI+ has a pretty huge barrier to Fosbury flop over: its price. In return for its premium components, you’ll pay a seriously premium price tag of $1,799.99 / £1,399.99 / AU$2,849. Not only is that significantly higher than any other gaming handheld to date, it’s also as expensive as some mid-range gaming laptops.

And that presents an enormous problem for the Claw. Despite the fact that some of the best gaming laptops come in at a similar price, many of them offer superior performance in our benchmark tests. Now don’t get me wrong: no gaming laptop offers the kind of ergonomics or compact form factor you get here, but I do have doubts that the pro gamers that can afford this kind of device will be willing to trade performance simply for the sake of increased maneuverability.

That’s a real shame because in almost every respect, the MSI Claw 8 EX AI+ is a fantastic gaming handheld that has really stretched my expectations of what this kind of device is capable of. I want one. And you should too. But I’m not convinced either of us will be able to justify the spend.

MSI Claw 8 EX AI+ review: price & availability

Having launched on June 23, 2026, the MSI Claw 8 EX AI+ is available now. As you can see from the specs — or if you took sneaky peak at the benchmarks in the performance section — it’s seriously mighty for a gaming handheld.

It’s the first handheld console on the market that rocks the Intel Arc G3 Extreme chipset, which includes the 12-core Intel Arc B390 GPU and a hefty 32GB RAM. That puts it considerably ahead of most of its competitors, even if it can’t quite rival any of the best gaming laptops for sheer processing punch.

Unfortunately, like the hero in a Greek tragedy — or Oddyseus, apparently — it has a fatal flaw. The price. At $1,799.99 / £1,399.99 / AU$2,849, its cost is possibly the most eye-watering thing I’ve come across in a while and that includes all the people on social media that bragged about raw-dogging the solar eclipse in August. While the price tag here might not literally melt your retinas, it’s likely to give you second thoughts.

By comparison, we threw some shade on the Asus ROG Xbox Ally X for its price on its release — and that only retailed for $999.99 / £799.99 / AU$1,599. The Claw 8 EX AI+’s sticker price outstrips every other handheld console by quite some margin, sitting more up the gaming laptop end of the spectrum. For example, a mid-spec Alienware 16X Aurora, with Intel Core Ultra 9 275HX, Nvidia GeForce RTX 5070 and 32GB DDR5, goes for $1,999.99 / £1,799 (around AU$2,800). Ultimately, I think there aren’t going to be that many mainstream gamers able to pay this price and those that do are going to expect stellar performance in return.

MSI Claw 8 EX AI+ review: specs

MSI Claw 8 EX AI+ review: design

I’ll be honest: when I first picked up the MSI Claw 8 EX AI+, I was pretty shocked by how light and manageable it felt. Fundamentally, this is not a small console — it’s as broad-shouldered as the Steam Deck OLED or the Lenovo Legion Go S and weighs in at 1.73 lbs / 786g, which is the heaviest gaming portable I’ve gotten my hands on to date. But despite this, it never felt at all bloated, sitting comfortably in my grasp.

I’d chalk this up to its ergonomic design. On top of feeling well balanced, it offers flared grips, unlike previous iterations of the MSI Claw. These sat really comfortably in my hands, although they aren’t quite as easy to wrap your hands around as the controller-mimicking forked grips of the Asus ROG Xbox Ally X.

This was also helped by the laser-etched texture of its grips, which enabled me to keep a decent grasp on the Claw. But I will say they aren’t quite as comfortable as those on some of the best Xbox controllers I’ve tested, feeling a little on the rough side and quickly getting sweaty as I tried to splat sakapatates in Clair Obscure: Expedition 33.

The MSI Claw 8 EX AI+ also left a pretty good impression on some of my other senses too. No, I didn’t lick it — I’m talking visual appeal here, rather than gustatory. Subtle RGB lighting around each of the thumbsticks is my personal highlight, although I’ll also give its gentle curves and Void Purple colorway honorable mentions as well. Honestly, I’m a little less jazzed about the way the screen juts out past the bottom of the device, but this does seem to be a more common look these days, with the jutting grips of the Asus ROG Xbox Ally X creating a similar effect.

Speaking of screens, despite it not quite rocking the richness of the Steam Deck’s OLED display, the Claw 8 EX AI+ has a beautiful looking screen. As a result of its expansive eight-inch breadth and 16:10 aspect ratio, it rocks a 1920 x 1200 resolution, not to mention a variable refresh rate of up to 120Hz. Every game I played always felt detailed and smoother than whipped cream under a heat lamp. Meanwhile, its 500 nit typical brightness felt plenty bright enough in most settings — on max brightness, I even found I was able to play it outside, although when I faced it directly toward the blazing August sun, it was quickly overpowered by the fiery onslaught.

Anyone familiar with previous incarnations of the MSI Claw will be pretty familiar with the layout here. The Claw 8 EX AI+ has the same combo of asymmetrical thumbsticks, Xbox-style face buttons and vertically aligned Menu, MSI Center M, View and Quick Setting buttons that you’ll have seen on previous iterations. There’s only two macro buttons on its rear, which honestly feels a bit stingy compared to the four offered by the Steam Deck and many Xbox controllers.

On the plus side, the Claw 8 EX AI+ is packing both Hall effect thumbsticks and triggers — as well as preventing the inexorable drift issues that plague potentiometer thumbsticks, Hall effect sticks and triggers also offer smaller deadzones and increased sensitivity. They’re not quite as sensitive as the marginally fancier TMR thumbsticks and triggers you see in a lot of premium controllers these days but I’m not aware of any portable consoles that offer those currently.

So for the most part, its control scheme is suitably versatile. The only area it falls a little short is the lack of built-in mouse control for games that require a cursor. Unlike the Steam Deck’s super flexible trackpads or the quirky hybrid mouse-cons offered by the Nintendo Switch 2 and Lenovo Legion Go 2, the only way I could mimic a mouse input on the Claw 8 EX AI+ was by jabbing its touchscreen with my greasy hand-sausages. That ain’t gonna cut it for some Steam and Windows games. Now, in MSI’s defense, it has never pitched the Claw as a substitute for PC gaming, but it is a shame that some sections of my Steam library will lay tantalizingly just out of reach. Of course, I could connect a mouse via USB or Bluetooth, but that then prevents the MSI Claw 8 EX AI+ from being as portable.

Another criticism I have is the fingerprint scanner. While I appreciate that these narrow scanners are space-efficient, they’re not efficient in any other sense of the word. Every single time I tried to log in to the MSI Claw, I found I had to pop my pinky on the scanner three or four times just to access the home screen. Given my MacBooks’ Touch ID readers require just a single tap to unlock, I honestly wish MSI found a way to squeeze in a circular scanner here.

MSI Claw 8 EX AI+ review: performance

While the MSI Claw 8 EX AI+’s looks are impressive, what makes it exceptional is what’s going on underneath the surface. While gaming handhelds have previously involved some performance tradeoffs in return for their diminutive size, that’s not the case here, thanks to the Herculean Intel Arc G3 Extreme chipset it’s packing. MSI claims that the Arc G3 Extreme should unlock 42% faster performance on average compared to the AMD Ryzen Z2 Extreme that the Asus ROG Xbox Ally X is rocking, although this requires a little unpacking.

Certainly, performance benchmarks alone don’t suggest the Arc G3 Extreme is leading the field. The Claw 8 EX AI+ hit 2,492 single-core performance and 12,550 multi-core performance in our GeekBench tests, compared to the 2,788 and 12,883 scores nabbed respectively by the ROG Xbox Ally X. So for raw processing power, there’s not a huge amount of light between the two chipsets, with the Ryzen Z2 Extreme taking a narrow lead.

But factor in graphical performance and Intel’s SoC absolutely spanks AMD’s. With the help of the Intel Arc GPU B390, the Claw 8 EX AI+ gets some seriously punchy 3D performance — in our 3DMark benchmarks, it scored 3,544 in Port Royal, 12,358 in Fire Strike and 6,534 in Time Spy, compared to the 2,006, 9,141 and 4,033 the ROG Xbox Ally X hit. Those are 76%, 35% and 62% increases respectively, gains which show the Claw’s graphics are seriously swole.

And that translates to some staggeringly smooth performance in-game. On Ultra settings, Total War: Warhammer 3 comfortably averaged out at 81.3fps, while on Low settings Dirt 5 ran smoother than a nitro cold brew at 95.7fps and still managed a very creditable 48.3fps on Ultra. But what blew me away most is how well it ran Cyberpunk 2077 on Ultra settings with ray-tracing disabled, netting a reasonably polished 43fps — that’s downright playable and throws some serious shade on the ROG Xbox Ally X, which only managed 8fps.

Unfortunately, while these benchmarks are impressive compared to other gaming handhelds, at this price those aren’t the Claw’s biggest competition. Several of our picks for the best gaming laptops have costs in the same region and yet offer significantly better performance.

For example, the Alienware 16X Aurora with Intel Core Ultra 9 275HX, Nvidia GeForce RTX 5070 and 32GB DDR5 we tested costs only a few hundred dollars / pounds more at $1,999.99 / £1,799. And yet its performance is leagues ahead of the Claw, hitting a 3DMark Time Spy score of 13,594 and Fire Strike score of 31,480 — that’s double and nearly triple the Claw’s scores respectively. Naturally, you’re not getting the same compact form factor but I wonder how much that truly matters for the kinds of gamers that are willing to drop almost one and a half grand on a pro gaming device.

Okay, enough nerding out over numbers. Time to focus on the thing you actually care about: how the MSI Claw 8 EX AI+ actually feels to play.

Honestly, what the MSI Claw 8 EX AI+ is capable of kinda blew me away. As those benchmarks would suggest, it can offer ludicrously smooth frame rates. Playing a 2D game like Hollow Knight: Silksong, it remained rock solid at 120Hz, with all the action as Hornet zipped around the rich, mysterious landscapes of Pharloom as slick as ice on a spring day.

Granted, that might not feel like much of a challenge, but this unflappable stability carried over when I transitioned to modern 3D games. Clair Obscur: Expedition 33 ran at a wonderfully smooth 60fps. Rather than having to strip it down to the basic visuals required to get it running on the Steam Deck, it actually looked pretty great and ran so stably I was able to crack out counter after counter on chromatic bosses. Being able to enjoy the game on the go felt like such a novelty that I’d honestly be happy to mop up the game’s remaining optional bosses purely on handheld.

Keen to push the MSI Claw 8 EX AI+ to breaking point, I even tried playing a bit of The Elder Scrolls 4: Oblivion Remastered on Xbox. I’ll admit my expectations were pretty low here, as I’ve heard plenty of people complaining about performance issues on their 5000 series Nvidia GPUs. And yet, amazingly, it was playable.

Well, kinda. With the graphics settings on Low while in the depths of Xedilian, performance plowed along steadily at 60fps, which is truly wild for a AAA Bethesda game. However, it didn’t take long for it to start exhibiting some pretty hinky behavior — sporadically I encountered some audio stuttering and, once I entered a more densely populated open area, the frame rate dropped so far it was more 19th century zoetrope than an RPG from 2025. But I feel like most gaming handhelds would spontaneously combust if you even had the cheek to try this, so Imma still put this one in the win column for MSI.

On top of this, the Claw 8 EX AI+ seems to be able to keep a cool head during all of this. In comparison to its predecessor, the Claw 8 AI+, MSI promises the EX AI+ can achieve an extra 5W cooling capacity, 25% higher static pressure for fans, and 9% higher airflow, thanks to fans that are 0.5mm taller. I can’t speak to how accurate such granular figures are but certainly even slamming out epic boss fights or pushing the CPU to its limit, I rarely noticed the EX AI+ getting unbearably warm, which speaks to the strength of its cooling.

What the MSI Claw 8 EX AI+ is capable of is honestly pretty staggering. The only criticisms I have come down to software and input issues.

The Claw’s MSI Center M launcher felt a little unreliable. Occasionally, I got locked out from being able to access it — hitting the MSI button did nothing, and switching between windows just returned me to the Xbox app. On top of this, sometimes switching out to this menu then returning to a game would lock the input, meaning I could no longer use controller settings till I’d switched out and back again. That’s not a total deal-breaker, but it is a shame, given how stable the Steam and Xbox OSes feel by comparison, and shows that even the mighty MSI Claw 8 EX AI+ isn't immune to Windows 11's unsuitability for gaming handhelds.

MSI Claw 8 EX AI+ review: battery

Given its huge 80Whr battery capacity, I was expecting the MSI Claw 8 EX AI+ to have some serious endurance. Unlike the ephemeral life I get out of my 40Whr Steam Deck — where I’m lucky if I get 90 minutes out of many 3D games — the whopping battery in the Claw had me anticipating some pretty epic gaming sessions. Which is why I was a bit bemused by the actual results I eked out during our benchmarks.

Running our standard PC Mark 10 Gaming Battery benchmark with all the settings switched to balanced in both MSI Center M and Windows 11, I was shocked to see the battery discharged from 100% to 0% in just 1 hour 36 minutes. So sure was I that I must have made a mistake, I recalibrated the battery using the Claw’s built-in software, revisited all the settings and ran the benchmark two more times. Despite this, I was only able to squeeze out 1 hour 40 minutes and 2 hours 31 minutes on subsequent tests.

Certainly that’s not completely incompatible with my objective experience — on the console’s default AI Mode, I comfortably drained its full battery in a two-hour play session of The Elder Scrolls 4: Oblivion Remastered, for example. But that’s an incredibly demanding game, even for the MSI’s specs, and 2D games didn’t seem quite as thirsty in comparison.

So what’s going on here? Ruling out a fault with my review unit, I suspect that the capacious 80Whr battery the unit ships with is only part of the picture when it comes to the life you’ll squeeze out of it. The more important part? Its AI performance mode.

While our standard benchmarks set consoles and gaming laptops to balanced mode, the default performance mode for the MSI Claw 8 EX AI+ automatically adjusts its power consumption on the fly for the best efficiency in any given moment. That means the mode you’re most likely to play it on will stretch out the battery life without causing a noticeable dip in performance.

Even when the battery has run dry, it doesn’t take long to top it up again. With its 65W charging, you’d expect it to take about 90 minutes to juice up that 80Whr battery — and that’s bang in line with my experiences. When plugged into a cable capable of at least 65W, charging up the Claw only ever took around an hour and a half. However, I did occasionally experience some glitchy behavior here, with progress freezing at 98% or 99% full even when left for 20 minutes, suggesting the console’s battery monitoring software can occasionally be a touch off.

Should I buy the MSI Claw 8 EX AI+?

Buy it if…

Don’t buy it if…

MSI Claw 8 EX AI+ review: also consider

How I tested the MSI Claw 8 EX AI+

• Tested it over two weeks
• Tried playing a wide range of titles at different graphics settings
• Conducted TechRadar’s full suite of testing benchmarks

I tested the MSI Claw 8 EX AI+ over the course of two weeks. I made sure to play a wide variety of games from multiple game stores, whether they were from TechRadar’s Steam library or Xbox Games Pass Ultimate. On top of this, I tried out a wide variety of games at different graphics settings, from relatively undemanding 2D games to AAA 3D titles.

When it comes to more detailed assessments of its performance, I conducted our usual suite of benchmarks. Not only did that entail getting detailed performance scores from 3DMark and GeekBench 6.5, but I also conducted a range of in-game fps benchmarks at both ultra and low graphics settings. To test the console’s battery life, I ran multiple PC Mark 10 Gaming Battery tests to see how rapidly it drained the battery from 100% and I also timed how long it took to charge the console from 0% to 100% using a cable that was rated more than its 65W max charging rate.

During my career, I’ve tested a wide variety of gaming gadgets and accessories, from wireless controllers to gaming handhelds. I’ve also invested a truly ludicrous amount of my four decades on this Earth playing computer games, whether they be RPGs, action adventure games or creative sandboxes. And while I’m a little hazy on the details, I’m told this investment will pay dividends any day now.

• First reviewed: August 2026
• Read more about how we test

Recently I’ve been playing Deathloop, Twelve Minutes and The Forgotten City: three time loop games all released in 2021.

That year produced a bumper crop of time loop games, with games released one after another in the span of three months. But while I’d first experienced — and since replayed — Twelve Minutes when it was first released in August 2021, The Forgotten City and Deathloop had been stuck in my backlog for a while, their critical acclaim placing them high on my priority list until I finally made time for them.

Time loops fascinate me because, in a way, the device is endemic to videogames. If you can’t get past a certain segment in a game, you would play through it over and over again, the repetitions of these game loops a facsimile of these temporal cycles. The key difference, at least in a time loop game, is the character’s growing knowledge of their circumstances, as they are driven to figure out why this seemingly inescapable reality is happening to them.

As such, time loop games become a nifty narrative puzzle, with new details fed to them in every cycle, while introducing wrinkles in gameplay that transform a typical game loop, be it exploration or point-and-click, into invigorating, investigative work.

What I’ve learned playing these games is that time loops are also a way to invite introspection. While Twelve Minutes is a stylishly intimate nightmare of Freudian proportions, The Forgotten City reckons with the concept of immortality and morality, set in the days of the Roman Empire.

Then there’s Deathloop, in which the very people who stay on Blackreef Island wield the time loop anomaly as a device to be abused. The games are all remarkably evocative from the very first loop, although some are eventually ensnared by the repetitive, sometimes verbose trappings of this narrative device.

And for these three games, the loops have unravelled the mysteries at their core in vastly divergent ways.

Cycles of brutality

Let’s start with Twelve Minutes, a star-studded affair that features the voice talents of Hollywood heavyweights Daisy Ridley, James McAvoy and Willem Dafoe.

A top-down point-and-click game, it begins with you arriving home after work and settling down for dinner with your wife. Some minutes later, a cop barges in to interrogate both of you, resulting in a violent scuffle that you would eventually pass out from. The cycle restarts, and you’re returning home from work once again.

It’s an extremely gripping start, and changing your circumstances means tinkering with objects in the vicinity, from a hidden, unopened present to even fiddling around with a light switch. And as the cycles inevitably continue, you’ll see patterns emerge, like your wife reading a book, or her anticipation as she waits to break an exciting piece of news. In a world where the perimeters of time have disintegrated, these become routines that you simply must disrupt in order to glean more insights.

The unfortunate reality, however, is the sheer violence it inspires. Twelve Minutes is ultimately bogged down by these cycles of brutality, with the consequences-free nature of these cycles meaning you can even stab your own wife just to see what happens. At the same time, these routines soon become dreary and tedious to relive over and over again.

Then there’s its twist ending about your wife’s actual identity, a revelation that remains just as distasteful when I experienced it again years later.

Historical loops

The Forgotten City, on the other hand, uses the time loop mechanic to tell a vastly different tale of historical fiction.

You stumble upon a portal that takes you back centuries and into an underground city in ancient Rome, where its denizens have to obey the Golden Rule at all costs: when one sins, everyone will be turned to gold.

The point is to break the cycle, and your first lead is to discover the identity of a would-be sinner who may doom the whole city. Unspooling the narrative thread that holds The Forgotten City means exploiting the time loop, as each cycle introduces new information that can reshape the outcome of its mystery.

What’s notable is that The Forgotten City takes its time to portray its denizens as folks with very personal stakes in this hellish reality, with some even bringing up intriguing theories about the Golden Rule. It’s a deftly written tale rooted in a historically accurate setting, filled with fascinating twists and turns that hardly become overwrought.

Yet some quibbles persist. The incredibly helpful Galarius will be your best guide and buddy in this city, but his tendency to dash off and fulfill tasks you’ve completed in previous cycles (so you don’t have to do them again), unquestioningly, is an oddity you’ll need to overlook, alongside some inexplicable coincidences the story throws at you.

Then there’s the game’s finale, which concludes on a cheesy and self-aggrandizing note that slightly sours the experience.

For a game predicated on tightly conjured twists and in-depth discussions on morality, it’s a pity that The Forgotten City struggles to find its footing towards the end.

Breaking the cycle

But perhaps my favourite time loop game from 2021 is Deathloop, which wields the time loop conceit without falling prey to tedious repetitions.

Like Twelve Minutes and The Forgotten City, Deathloop doesn’t steer far from the basic structure of investigating and breaking the loop, but it does inject new ideas into this formula so the cycles never feel trite. Waking up every morning at a deserted beach, you eventually realize that you’ll need to kill eight individuals in Blackreef within a single day.

It’s a seemingly impossible objective initially, but becomes within reach as you tamper with the events through your knowledge of the time loop. But rather than chuck you in a constrained space, there are four different districts, across four time periods (morning, noon, afternoon and night) to visit.

Every cycle still remains compelling to revisit even after your day ends and the loop restarts, as Deathloop drips tantalizing leads and revelations to you gradually.

Each district, too, will differ depending on the time of your visit. Certain events may render a part of the map inaccessible until a specific hour; for instance, one of your targets may be hosting a party only at night in the Updaam district, and another would be busy tinkering away at their research in the afternoon at the Complex.

Making your jaunt across these places even more hair-raising is the abrupt appearance of your arch-nemesis Julianna, the only other person on this island who retains her memories across these temporal cycles. She’s hellbent on stopping your progress, and her appearance tends to ratchet the tension to a thrilling degree.

Yet the inability to quick save and exit the game at any point is extremely aggravating. This is by design — a means, perhaps, to avoid save-scumming — but quitting the game before you exit a district means losing whatever progress you’ve made in the same visit.

One thread that ties these three games together is the need to achieve the perfect, flawless run. It’s a trait that harkens to the original, endemic loop of videogames, and therein lies the lasting appeal of time loop games as well; you keep trying, and trying again, to make sure you eviscerate every foe, uncover every conspiracy, and discover the reason behind the time loop’s existence.

You’re neatly checking off every task in the list. It’s the ultimate display of efficiency and accomplishment — a satisfying way to complete and bring these games to the finish line.

Nvidia's DLSS 5 has been nothing short of a bubbling cauldron of controversy ever since the next-gen gaming tech was first aired. That initial reception shocked Nvidia as what seemed like a legion of PC gamers took up arms and vowed, well, all sorts of colorful things — most of them involving the term 'AI slop' in some fashion.

However, there are signs that this overwhelmingly negative tide of opinion is turning courtesy of a fresh revelation this week. This comes in the form of a leak rather than anything official from Nvidia, with Team Green's only DLSS revelations at Gamescom 2026 pertaining to the current incarnation of the feature (namely DLSS 4.5 Ray Reconstruction for better quality ray-traced graphics, alongside some interesting GeForce Now announcements).

To refresh your memory and recap — in a nutshell, as there's a lot more to it than this — Nvidia has billed DLSS 5 as a 'real-time neural rendering model' that polishes up a game's visuals using AI (without altering the game assets, and with the developer being given a decent level of control over the exact implementation).

What actually happened here was that on Friday, VideoCardz spotted that following NBA 2K27's early access going live, a DLSS 'neural rendering' DLL was discovered in the build. It didn't take long at all before modders (in the RenoDX community) fudged things to get this working in games ('SpeedLemur' being the principal modder who "made this happen").

So, in theory this is effectively our first glimpse at DLSS 5 in the wild, with those modders demonstrating what it looks like by using the third-person fling-stuff-about action-adventure Control – as seen on Reddit. However, do note that the tech is only working for application to character models for now (not the environment or objects).

Nuts and bolts

There have been some very interesting revelations from those experimenting with this apparent leak of DLSS 5 in terms of how it works, how it runs — and perhaps most telling is the broad reaction to this spillage, which I'll return to shortly.

First, the nitty-gritty. In this leaked form — so add a whole heap of seasoning, because nothing here is remotely official — DLSS 5 seems to have a small set of adjustable parameters, including seven different 'styles' and various sliders to play with intensity, tone and structure. We're told that neural rendering doesn't need much in the way of data to do its stuff, and works off much the same inputs as regular DLSS (basic upscaling – where all this started, remember?).

It's also for Nvidia RTX 5000 GPUs only (although that's still not fully confirmed, it was always likely to be the case anyway). The news on the performance front goes a bit awry, though, with the discovery that in Control the frame rate is cut in half by the AI polishing up the visuals. With an Nvidia RTX 5070 Ti running Control at 4K with ray tracing on high and DLSS (Quality), the frame rate was 71 fps and it dropped to 35 fps with neural rendering.

That is, of course, a nasty hit indeed. However, this is a piece of leaked code – in an unknown state as far as the stage of development is concerned (one clue suggests that the model may date back to the start of July) — extracted and fudged to work on an old game. Given all that, we can't take this as anything like an indication of what the finished version of DLSS 5 might be like performance-wise.

Although it's at least comforting that it works in a playable (enough) manner on a single RTX 5070 Ti graphics card, because if you recall, Nvidia's demos used not one, but two, RTX 5090 GPUs. Clearly a 50% frame rate drop won't fly, granted, but Nvidia wouldn't release this neural rendering trick if the hit was anything like that, because no gamer would use it in that state.

Change in tone

What we can really take from this leak and the modding efforts thereafter is quite limited, then. But what's clear is that as mentioned, there's been a marked turnaround in the commentary and debate on the image quality on offer with neural rendering.

As one Redditor observes: "Remarkable difference in tone of the reactions compared to when the [initial] Resident Evil footage was released."

Someone replying to that says: "People freaked out about what was obviously just a bad demo, and failed to see what was actually going on with the underlying tech.

"There were a few talking about how different tone mapping fixed the issue with minimal effort, or how it wasn't actually adding/changing details, and it turns out they were correct. People freaked out over nothing imo."

Another gamer notes: "This looks like legit magic. I was saying this when the reveal happened and people wanted to burn Nvidia down: the tech is amazing, the demo might be off because it's too heavy handed, but the tech itself is incredibly impressive."

And a further Redditor enthuses: "Insanely huge graphical update. There's no going back."

You get the idea, then, and it's quite an eye-opener how many comments there are along these lines. Quite a lot of gamers are impressed by this leaked spin on DLSS 5 — and I can see why, frankly, at least with the Control material presented here.

And remember, this is with DLSS 5 working on character models, with the facial tinkering and tweaking being one of the main causes of concern with Nvidia's initial demos. The likes of Flight Simulator addicts are positively drooling about what this might mean for the graphics of the landscapes beneath their virtual wings.

And there's a lot of excitement about how the tech might be applied to older games like Control to make them look a good deal better.

Skeptics remain

Naturally, not everyone is convinced. The detractors remain and are unswayed by the material which has popped up around this leak so far. They argue that the AI-enhanced Jesse (Control's protagonist) is still all too 'uncanny valley' in appearance, and that DLSS 5 is still very much a visual downgrade.

Others also worry that there aren't enough fine-grained controls for the developer in what we see here. Although again, we can't take this leak as evidence of what DLSS 5 will turn out to be eventually, whether that's the end result of the graphics themselves or the suite of dev controls under the hood.

The performance hit has been seized on, too — as noted, though we can't judge on that yet, not with an early leak — and some feel that while screenshots might look good, this doesn't hold up in motion.

Simply put: it is still too early to judge, and we need to grab large handfuls of seasoning with all this. But the general sentiment on DLSS 5 appears to be turning around in quite a sizable shift of opinion — and Nvidia may yet convert PC gamers to its AI-enhanced vision of the future (providing any performance hurdles are cleared, of course).

At Gamescom 2026 in Cologne, fresh off Samsung's reveal of its 2027 Odyssey OLED lineup, I sat down with two of the people shaping the company's monitor and TV strategy: Jeremy Demont, Product Management Director for TV, Sound and Monitor at Samsung UK & Ireland, and Pepe Dijkstra, Head of Monitor for Samsung's European visual display organisation.

We chatted about everything from the prevalence of 1000Hz and higher refresh rate screens to 6K gaming, the brand's ongoing commitment to glasses-free 3D and how important strong partnerships with eSports professionals and studios are to getting the best out of screens.

A triple mode screen is more useful than you might think

Triple mode gets its debut on the new Odyssey OLED G8, a 32-inch 4K tandem QD-OLED panel that runs at 360Hz natively, drops to 1440p resolution for 520Hz, or goes all the way down to Full HD for 680Hz.

It's a first for Samsung: dual-mode switching already exists on its 6K panels, the ultrawide G9, and other, more conventional choices, but triple mode isn't something that can be patched in later via firmware. Dijkstra confirmed it's baked in on the panel side.

I pushed on whether this is solving a real problem or just adding a marketing bullet point. Halving your resolution to double your refresh rate is a genuinely large image quality penalty, so a middle ground – dropping from 4K to 1440p rather than all the way to HD – makes sense on paper.

However, Dijkstra was refreshingly candid about the uncertainty here: "If it's high-end gamers, they'll definitely benefit. But if the average Joe Bloke buys the gaming monitor, are they actually going to use it practically?" He described it as something Samsung still needs to watch play out once the hardware reaches the market, and said community feedback will directly shape what comes next.

1100Hz might not be the limit, after all

The number causing all the excitement is 1100Hz, supported by the new Odyssey G6 G60H – a 1440p Fast IPS panel that runs at 600Hz natively, but which can drop to HD resolution to unlock that 1100Hz ceiling, the fastest refresh rate I've seen on a gaming monitor to date. It wasn't long ago 500Hz felt like an extreme number, so I put it to Dijkstra directly: is there a point where refresh rate just stops mattering?

He didn't dodge the eSports-only framing. "If you deliver only 1100Hz and focus purely on eSports, that's a small market," he told me.

The reasoning behind Samsung's dual- and triple-mode panels, he explained, is about giving that headroom without forcing everyone to live with it – you can drop back down to a lower resolution for everyday use rather than running flat-out all the time. Whether the industry pushes past 1100Hz next, he wouldn't commit to. "If we go faster in the future, we'll have to see."

6K gaming screens have a genuine purpose outside of vanity

I've used 6K panels in a professional context on a few screens in the past, but never on a gaming screen, and 4K is already a heavy ask for most GPUs. So who is Samsung's 6K gaming monitor for?

Dijkstra's answer leaned on future-proofing rather than the present day: those with high-end PCs can already drive that resolution, and the dual-mode option covers anyone who can't.

It's worth noting the new G9 ultrawide also carries a dual-mode option of its own – 5120 x 1440 at up to 360Hz, or 'dual HD' at 2560 x 720 for 720Hz – so the same philosophy runs across Samsung's 2027 range rather than sitting in one flagship alone.

Likewise, he noted that the option for a 6K gaming screen offers a higher refresh rate than the professional screens on offer with the same resolution, which are stuck at 60Hz. Offering a higher refresh rate at that detail level aids both responsiveness for productivity tasks and helps where it counts for games, too.

After all, as both he and Demont noted, people are buying monitors for more than one purpose, so a 6K gaming screen covers off the pros who need the detail for high-res creative work and the gamers who have a beefy enough system to play games at 5K or 6K, assuming the game supports the resolution of course.

Glasses-free 3D is back – but content, not hardware, is the bottleneck

Samsung has kept glasses-free 3D alive longer than most of the industry, and at CES it showed a 6K, 32-inch glasses-free 3D panel. At Gamescom, it reaffirmed its commitment to glasses-free 3D and the importance of working with developers to keep the dream alive.

Dijkstra's framing was that the previous failure wasn't really a hardware problem – it was a content problem. "People were mind-blown by the product capability, but it's the content" that lagged, he said.

Rather than pour more resources into pushing the panel technology further, Samsung's product teams have shifted focus toward securing AAA game support, headlined by the newly announced Cyberpunk 2077 3D compatibility. It's a bet that immersion sells itself to gamers specifically – people who already spend hours in front of a screen – in a way it never quite did for passive TV viewing.

Demont drew the TV parallel further, comparing it to Samsung's early, unpopular push into 4K resolution at a time when broadcasters barely had any programming in such high-resolution or the likes of the BBC had caught up: "We can't just do it by ourselves, we need the whole industry behind it."

He sees HDR10+ gaming following a similar adoption curve to HDR10+ on TV, where streaming giants like Prime Video and Netflix moved quickly once the ecosystem made it easy to support. Samsung's own numbers back that up: the new Call of Duty is among the titles confirmed to support HDR10+ gaming, with more than 20 games expected to carry the standard by the first half of 2027.

OLED burn-in isn't as big of an issue as it used to be

Samsung has introduced a new fifth-gen QD-OLED panel for a lot of the new monitors it announced at Gamescom, which features the brand's Penta Tandem tech and an RGB stripe sub-pixel layout for greater power efficiency, longevity, and sharper text.

Compared to the quality of OLED panels for gaming monitors when they were first introduced, this tech has been through several generations of optimization and improvement.

At the time OLED gaming monitors were first introduced, it seemed you couldn't go five minutes without someone talking about burn-in (an issue with early OLED panels where static images that were displayed for too long could damage the screen). Now, both Demont and Dijkstra tell me it's virtually a non-issue. It's barely raised internally anymore, sitting towards the bottom of presentations as an improvement point.

Demont also noted that the improvements made to the OLED panels is a particularly good thing, especially because "if we can increase the product lifecycle or the durability of the product, that's all in the benefit of that end customer". After all, a high-end monitor or TV is a big purchase, and it's important that it lasts.

For what it's worth, my own two-and-a-half-year-old 32-inch 4K 240Hz OLED monitor has never shown a hint of burn-in – though the new Odyssey OLED G8 is, I'll admit, tempting me to upgrade anyway.

Pro feedback filters down for monitors, too

On the subject of product development, Dijkstra confirmed Samsung takes direct input from eSports professionals – citing an ongoing relationship with a multiple-time League of Legends world champion in Korea, where the eSports scene is especially demanding. "Their team plus others are just continuously pushing back that feedback," he said.

The trickle-down effect is vital to this, according to Demont – Samsung's stated strategy is to introduce new technology at the top of the range first and cascade it downward over time, never the reverse – something he framed as core to protecting the end customer's investment in what remains a significant purchase.

Monitors and TVs are converging – deliberately

Perhaps the most interesting part of the conversation was Demont noting that Samsung is folding its monitor team into the same visual display division as TV in the UK, given the convergence between them. We're at a point where some desktop monitors are the same size as TVs; this also works the other way, as people can use TVs as monitors, either on a desk or with a living room PC.

He was upfront that this decision is about capturing overlap: customers can opt for an equally rich spec TV or monitor depending on their situation, and there is an overlap in certain features for a consistent experience whichever product you go for.

For instance, some of the brand's smaller-sized OLED TVs boast a 165Hz refresh rate, while there are specific variants of some of its gaming monitors that come with its Tizen OS smart TV operating system built-in.

I maintain Tizen's presence on monitors is one of the more underrated moves Samsung's made recently: a screen that's a smart TV in one moment and a 240Hz gaming monitor in the next, with Samsung's Gaming Hub meaning you don't need a console or PC to access cloud gaming services like Xbox and GeForce Now.

We all agreed that this remains a surprising niche, and Demont stated Samsung is trying to change this with its TVs through retail bundling with the likes of Argos and Currys in the UK by offering incentives such as free controllers or game vouchers tied to TV purchases, specifically to get people asking what "Gaming Hub" actually means.

The bigger picture

Both executives repeatedly came back to the idea that Samsung's scale is its advantage: a portfolio broad enough to cover a 49-inch ultrawide monitor, a portable outdoor TV, and a glasses-free 3D gaming panel simultaneously, developed with a genuinely global customer base in mind rather than any single region's habits.

Demont pointed to the brand's clever Movingstyle TV, originally designed with Southeast Asian markets in mind, that ended up selling worldwide once its appeal proved broader than expected.

Whether triple-mode refresh rates or glasses-free 3D end up following that same trajectory – from a niche flex to a more mainstream feature – is, by Samsung's own admission, still an open question the company is waiting for customers to answer for them.

• Digital Foundry says getting Grand Theft Auto 6 to run at 60fps on current-gen consoles is "extremely unlikely"
• The tech experts say the 30fps footage from the Extended Look was "the most impressive example of real-time game rendering" they've seen
• It says the eventual PC version running at 60fps would be "genuinely challenging"

Tech analysts have suggested that getting Grand Theft Auto 6 to run smoothly at 60 frames per second would be a massive challenge on console.

After Grand Theft Auto 6's Extended Look, which finally offered a deep dive into Rockstar's biggest game yet running on the base PS5, reports confirmed that the game will run at 30fps on PlayStation and Xbox, with the possibility of 60fps being added post-launch.

That's no surprise considering the scale and how hyper-realistic GTA 6 looks, but according to the tech experts at Digital Foundry, it may be impossible for current-gen consoles to even hit 60fps.

Speaking about last night's extended look footage, the folks at Digital Foundry said it looks like "the most impressive example of real-time game rendering" they've ever seen; the gameplay shown is "relatively stable and well-paced 30fps output, with only very occasional single frame drops (though the nature of the 30fps asset means there could be more, unseen)."

It's believed that, while 30fps might seem low for a current-gen title such as GTA 6, Rockstar appears to be targeting this level to maximize the game's level of visual detail.

"It's clear that the focus was absolutely maximizing the level of visual detail at a fixed 30fps frame rate on all platforms," Digital Foundry wrote. "The rendering, simulation and presentation have all been tuned around that constraint — and the result is an unprecedented level of density, material quality and world coherence, with trade-offs landing primarily in image quality and animation smoothness rather than systemic scale or fidelity."

It continued, "The evidence suggests that the game maintains its 33.3ms cadence with care, and Rockstar has clearly spent immense effort balancing CPU and GPU workloads to fully saturate the hardware."

For this reason, Digital Foundry believes "a 60fps version extremely unlikely on console hardware — there's no way to regain enough GPU and particularly CPU time to make a 16.7ms update rate work without compromising the world."

It also suggests that the game could look better on PS5 Pro, thanks to the console's powerful GPU with PSSR upscaling, but Rockstar has yet to reveal official gameplay running on the hardware.

As for the eventual PC release, which hasn't been announced yet, "some level of caution is required" as while the platform could allow higher resolutions and benefit from upscalers like Nvidia DLSS, the CPU demand of GTA 6's complex world could "make hitting 60fps genuinely challenging in a way we don't often see, and will likely require a high-end CPU like a recent Ryzen X3D to avoid bottlenecks."

GTA 6 launches on November 19 for PS5, Xbox Series X, and Series S, and Rockstar has confirmed that the game can take up to 80 hours to beat.

• Grand Theft Auto 6's hand-crafted NPCs have over 600,000 animations
• Rockstar North co-head Aaron Garbut says Rockstar established a new team that art-directed every single NPC
• Garbut says every single room and the NPCs inside them were hand-crafted

To achieve the grand scale and realism we witnessed this week in Grand Theft Auto 6's extended look, the development team went above and beyond, according to Rockstar.

In an interview with The New York Times about the game's development, Rockstar North co-head Aaron Garbut revealed that the studio established a new Los Angeles-based team of writers, directors, and producers to focus solely on realizing non-player characters (NPCs).

"We art-directed each individual one of them," said Garbut, revealing that GTA 6 has over 600,000 animations, compared to GTA 5's 55,000 and double Red Dead Redemption 2's 300,000 animations.

"Every room in the game, somebody thought about this," Garbut said. "Who's sitting where, what they're drinking, the marks that are left on the table. The pictures on the wall will have the people that are in that room, with their tattoos on their arms and their family behind them. That whole thing has been made, and built, and photographed, and placed in this random room in a random building in a huge city, in a world."

Rob Nelson, the head of development and co-studio head at Rockstar North, also emphasised that the game is "an evolution" of what the studio achieved with Red Dead Redemption 2 and its impressive gameplay systems.

"Once we managed to accomplish that level of interactive fidelity in a more sparsely populated version of America 100 years ago," Nelson said, "we were already imagining what it would be like if we could do that at the scale and density of a modern environment."

GTA 6 launches on November 19 for PS5, Xbox Series X, and Series S, and a new report has confirmed that the game will run at 30fps on consoles at launch.

• Grand Theft Auto 6 can take up to 80 hours to beat
• Rob Nelson, the head of development, says it took him 80 hours, including the main story and some "optional goals with narrative ramifications," to complete the game
• This makes GTA 6 Rockstar's longest game yet

I hope Grand Theft Auto 6 fans have booked enough time off work, because the game will take up to 80 hours to beat, and that's just the main story.

In a new interview with The New York Times, Rob Nelson, the head of development and co-studio head at Rockstar North, revealed that his playthrough took 80 hours to finish, including the main story and some "optional goals with narrative ramifications."

Though we don't know what these "optional goals" are, they sound like side quests that affect the story's outcome, such as personal missions that could pertain to either Lucia or Jason.

This means the game can take up to 100 hours, possibly more, if players want to spend time exploring Leonida and Vice City, engaging in interactive activities, completing side missions, and messing around in the vast open world.

"I hope that there will be people that want to get up, have a cup of coffee, shower, get dressed, go out for a little exercise," Nelson said. "Interact with some people, explore, maybe get into some trouble. Rob some places, make some money."

For context, GTA 5's story takes around 30 hours to beat, while Red Dead Redemption 2 can take up to 60 hours. This makes GTA 6 Rockstar's biggest and longest game yet.

GTA 6 launches on November 19 for PS5, Xbox Series X, and Series S, and Rockstar has confirmed that it will run at 30fps on consoles at launch.

If you missed out on the Grand Theft Auto 6: An Extended Look premiere, here are 16 new GTA 6 details we learned, including new details about Jason and Lucia's romance system.

• Grand Theft Auto 6's romance between Jason and Lucia is completely optional, Rockstar confirms
• Rob Nelson, the head of development and co-studio head at Rockstar North, says if players aren't into it, "don’t bother with it"
• He says players will need to nurture their relationship if they want it to be romantic

Rockstar Games has confirmed that the romance between Grand Theft Auto 6's co-protagonists, Jason and Lucia, is completely optional.

Speaking in an interview with IGN ahead of the Grand Theft Auto 6: An Extended Look, Rob Nelson, the head of development and co-studio head at Rockstar North, revealed that Jason and Lucia's relationship will be central to the story, but whether the player chooses to nurture their romance is completely up to them, and they won't be penalized for avoiding it.

"I have to say it feels great — if you are into it as a concept. Don’t bother with it if you aren’t. Up to you," said Nelson.

"The narrative is structured in such a way that the circumstances they find themselves in require them to stay together for most of the story and work together. At the very least, they will get through most things as partners in crime."

Nelson avoided talking spoilers, but he said the duo's relationship "adds a compelling element to things."

"It’s one of the reasons we wanted to approach this sort of story, because it's completely different for us," he said. "Could we bring some sort of emotional resonance to GTA for people if they wanted to engage with it? Could we also provide mechanisms for people to just opt out of it if they're not into it? If they feel like, 'I don't want a relationship in this?' That's what we're going to find out. It's not something that we want to foist upon players."

If players do want to make Jason and Lucia's romantic relationship flourish, however, they'll have to spend time nurturing it by spending time together in Leonida. Whether that's taking trips, holding hands, walking on the beach, or doing crime together, these activities will build up their bond.

"When you bring them together, it feels like you’re a steward of their relationship, and you feel protective of them as a unit," Nelson continued. "But this is something we did not know when we started, and it really had to be something we felt our way through.

"But I will say that whether you’re getting in trouble, or you’re running from the cops, or getting in a car, or waiting for the other one — playing as them together feels very cool. It feels like you’re taking care of them, if that’s something you’re into."

Last night's gameplay showcase was filled with a mountain of new details, with a new report later confirming the game will launch at 30fps. To catch you up, here are the 16 things we learned from GTA 6's extended look ahead of the game's November 19 launch.

• Grand Theft Auto 6 will launch at 30fps on PS5, Xbox Series X, and Xbox Series S
• Rockstar could reportedly add higher performance modes post-launch
• The footage from the GTA 6 Extended Look was running on the base PS5, which means everything fans saw was 30fps

Grand Theft Auto 6 won't run at 60fps and will reportedly launch at 30fps on consoles, but Rockstar Games may add more performance modes later.

That's according to YouTuber Davy Jones, a content creator who recently visited Rockstar North to preview GTA 6. Jones reported that Rob Nelson, the head of development and co-studio head at Rockstar North, told him the game is currently running at 30fps on console during development.

Flow Games also interviewed Jones about his time at the studio (translated via Kotaku) and reported that performance could change post-launch.

"According to Rob Nelson, Lead Developer and Co-director at Rockstar North, during this development period, the consoles are running the game at 30 frames per second," the Flow Gams report reads.

"According to the director, it is still necessary to consult the technical team to determine if there will be a 60 FPS option at launch (or in the future). He also emphasizes that he does not currently have details on resolution and other technical qualities, such as the use of Ray Tracing, but the performance, for now, is 30 FPS."

For now, Rockstar also hasn't confirmed whether the game will run at 60fps on PS5 Pro.

Last night, the long-awaited Grand Theft Auto 6: An Extended Look finally premiered and offered a deep dive into gameplay, cinematics, and co-protagonists Jason and Lucia.

The footage looks incredible and was confirmed to be running on the base PS5, and knowing what we do now, this means the extended look was also capped at 30fps.

As TechRadar Managing Editor Rob Dwiar puts it, "The amount of technical brilliance and sheer detail that will likely go into GTA 6 will surely translate into the amount of demand on a console’s GPU and CPU," which is why a 40fps mode on PS5 Pro would be perfect balance.

In case you missed it, here are the 16 new GTA 6 details learned from the big Extended Look, including an improved combat system, interactive gameplay mechanics, story hints, and more.

GTA 6 launches on November 19 for PS5, Xbox Series X, and Series S.

• Asobo Studio played A Plague Tale: Requiem's soundtrack while motion-capturing Resonance: A Plague Tale Legacy
• The cast would listen to the game's music to get into the right headspace for emotional scenes
• SPEAKER 3 says it helped "get into the sadder moments, the darker moments"

Asobo Studio has revealed that it used A Plague Tale: Requiem's music while motion-capturing Resonance: A Plague Tale Legacy, so the cast could get in the mood for the darker scenes.

Speaking in an interview with TechRadar Gaming during Gamescom, developers Valérian Robert (lead level designer) and Carol Ann Bañuls (lead writer), and the actor for the game's protagonist, Sophia, Anna Demetriou, discussed the design process for the game's atmosphere and the music that goes with it.

When asked how the team implemented audio and the game's score for the upcoming sequel, Anna Demetriou explained that Asobo played music tracks from A Plague Tale: Requiem to allow the actors to get into the right headspace for emotional scenes.

"A lot of the time, for emotional scenes, we would be playing the Requiem soundtrack to help us get into the sadder moments, the darker moments," Anna Demetriou said. "So it felt really like the beating [heart] of the [Plague Tale DNA] was still in the mocap room because we were using them and using this reference for some of the hard bits and stuff."

Resonance's score was composed by Olivier Derivière and sounds quite different from any of the prior games, with an emphasis on Greek culture, as the game's setting has moved from Middle Ages France to the Greek island of Crete.

"The incredible Greek soundtrack that has been done by Olivier, I had none of that at all," Demetriou continued, "So hearing it coming out, and the whole thing's on YouTube right now, I was sat on my laptop for the day, just listening to it all, just being like, 'I can't wait to play it because I I haven't connected what we've done with this with the music yet.'"

Bañuls added that Olivier also used choir vocals to give the soundtrack a more "authentic" feel for the time period, withRobert explaining that the music is also woven into the new gameplay systems and combat.

Resonance: A Plague Tale Legacy is available today on PS5, Xbox Series X, Xbox Series S, and PC.

The Grand Theft Auto 6: An Extended Look is finally live! Those tuning in for the Netflix premiere were treated to 26 minutes' worth of new content about the game ahead of its November 19 launch, including huge amounts of gameplay footage, cinematics, and a deeper look into the lives of Jason and Lucia.

If you don't have Netflix, you'll be able to watch on Rockstar's YouTube channel at 9PM ET / 6PM PDT / 2AM BST / 3AM CEST.

There is so much to unpack, from a revamped combat system, interactive gameplay mechanics, story hints, and more — but to make things easier, we've gone ahead and created a breakdown of the top things we learned in case you missed it.

Cinematics and gameplay blend right into each other

The extended look began with Lucia and Jason walking into an apartment block looking to pick up a package for someone named "Boobie." For this mission, it looks like Jason is the playable character as he guides Lucia through the building and encounters some incredibly detailed NPCs.

Here, and in several other instances, the gameplay appears to instantly shift into a cutscene before the action kicks back in again. Another instance happens later on; Jason and Lucia are fleeing from the police with a client, and Jason must shoot at them out the window while Lucia evades — the scene quickly transitions into something cinematic before going back into gameplay.

At the end of the extended look, Lucia and Jason get separated on a mission; as soon as he finishes shooting some guys under player control, it suddenly cuts to a cinematic scene showing him texting with Lucia, which then transitions to her point of view, and the end of the cutscene leads to you controlling her.

There will be quick time events

During a fight scene between Lucia and an enemy at the end of the extended look, the player is prompted with a quick time event, which is surprisingly old-school for this game. But there seems to be a choice in the matter — there are two options on-screen, and in the video she picks up her heel and nails the guy in the face, making a quip based on your choice of button to mash. We get the sense this will appear throughout the game.

There will be slow-mo with enemy weak zones

Jason can be seen firing his weapon at some enemies and the gameplay suddenly slows down after he uses his his focus meter seen in the top left corner. During this same encounter, an enemy's body becomes highlighted showing red and yellow weak zones for the player — we're assuming red is a killshot and yellow will disarm or disable.

There will be disguises… lots of disguises

There were quite a few moments were we see Jason and Lucia on story missions wearing disguises with new identities when taking on certain clients, such as personal security for a party. The footage showed changing outfits being a mechanic, and we see lots of different hairstyles on Lucia — it seems like it'll be necessary, not just fun.

There's a six-star Wanted system

Unlike GTA 5, which has a five-star Wanted system, GTA 6 will have six stars. What does this mean? Well, it's one higher, isn't it?

The gun handling is better than GTA 5

Picking up and swapping out weapons looks incredibly slick; Jason and Lucia have their own weapons they can pull out on their respective weapon wheels, but they can quickly swipe up downed-enemies' weapons mid combat, too.

You can race cars in an actual track

Driving around Leonida looks amazing, but players will also be able to take part in races on an actual race track, with cars and bikes, if you want a high-speed challenge.

Lots of water activities

Players will be able to drive fanboats, jetskis and canoes, and explore bodies of water across Leonida. Admittedly, the fanboat looks a little less high-octane than some sections of the video…

You can base jump

As shot near the end of the extended look shows the player guiding Lucia to run and jump off a skyscaper before pulling out her parachute and getting an incredible view of Vice City.

Environmental destruction

During police chases, Jason and Lucia can shoot out the tires of their pursuers, which will lead to police cars flipping and crashing, causing dynamic environmental destruction that looks incredibly cinematic.

A wide range of people will hire you for jobs

While we don't know specific story details yet, it seems that Jason and Lucia have their own business going on where they'll work for an assortment of clients. They'll rob banks and stores, protect clients, deliver goods, and more. Standard GTA stuff, but it's the first time we've seen what this will look like.

You can pet the dog

It's the main thing some of us care about.

An improved HUD

The game's HUD looks way cleaner than GTA 5's, and quicker to access; switching between Lucia and Jason is as quick as pressing one button, and the weapon wheel is minimal and fast to use.

Switching between Lucia and Jason is really fast

As I just mentioned, switching between both co-protagonsits is unbelieavably fast. In one moment, you see Lucia base jumping and when the player switches to Jason, it takes just a couple of seconds — there's flash, the camera zooms into the sky, pans across the city, then zooms down into a building and we're with Jason again. And that's running on the base PS5!

You can scuba dive (and regular dive)

Players will be able to dive into bodies of water to swim, but also scuba dive to see all the pretty fish below the surface!

The weapon icon from GTA 4 returns

During combat, the equipped weapon icon from GTA 4, can be seen in the top right corner, under the Wanted stars and ammo. It was missing in 5, but 4 stans will feel a warm, familiar feeling.

• Ubisoft confirms players can't complete Rainbow Six Tactics without killing any enemies
• Game director Martial Potron says, "No, you cannot do the game 100% without killing"
• Some missions require players to kill enemies; however, they're incentivized to do non-lethal takedowns in others for valuable intel

Rainbow Six Tactics game director Martial Potron has confirmed players won't be able to achieve a 100% non-lethal playthrough.

Ubisoft has recently revealed its new Rainbow Six Siege spin-off, Rainbow Six Tactics, a single-player turn-based tactics experience that puts players in the shoes of Six, the leader of the elite Rainbow squad.

Players can choose high-stakes assignments to strategize on the tactical battlefield with 15 Operators, all with unique abilities, specialized gadgets, and distinct skill trees.

The game will also offer distinct mission types, including Hostage Rescue, Bomb Disposal, and Target Elimination, offering a variety of ways to complete each one.

Some missions require players to take down targets non-lethally to collect important intel bonuses that will help the squad in future missions. But can players do a complete non-lethal playthrough?

According to Potron, who discussed the game at length in an interview with TechRadar Gaming at Gamescom, you can't, explaining that some missions will require players to kill enemies who are out of range for non-lethal takedowns.

"Can you?" the game director said. "I'm thinking about it. There is no incentive to kill, but can you? I think you can't."

He continued, "We don't have missions where we force you to kill anyone. Most of the time, in fact, it's valued to arrest people to subdue enemies. But we have a few missions when sometimes you cannot reach enemies."

Porton said the game features a Venice map bisected by a river, with enemies on one side, and so there is no way to take them out non-lethally, as you simply won't be able to reach them.

"No, you cannot do the game 100% without killing," he added, "but you are strongly incentivized, as much as possible, to arrest people without killing because you will be able to really get intel from them, and it's very valuable."

Rainbow Six Tactics launches in 2027 for PC, PS5, Xbox Series X, and Xbox Series S.

Game of Thrones: War of Westeros is the franchise's latest video game adaptation, following on from several disappointing titles that feel only tangentially related to the HBO fantasy series.

But I'm pleased to report that the newest video game is the closest we've come to actually feeling like the Game of Thrones series we know and love. Finally, we have a strategy game that places us right in the heart of the Seven Kingdoms.

House Stark and House Lannister are at the forefront of Game of Thrones: War of Westeros, centering in on two of the biggest families in George RR Martin's series. Additionally, the White Walkers and the Targaryens will unlock in the full game, set for release in 2027, so there are lots of familiar faces here for fans.

The addition of the Targaryens was inevitable, as they've become big enough to get their own TV series. While you wait for House of the Dragon season 4, you can live out your own Targaryen-fronted battles via this game.

Before you read my experience playing Game of Thrones: War of Westeros, take a look at the new gameplay trailer below.

Canon complaint, but you can flip the script

If you care about the Game of Thrones factions acting like they do in the series, this next part should please you. Instead of just having the Lannister or Stark banners plastered on a random army, it does feel like you're immersed in the world.

For example, The Starks can use packs of direwolves to fight, while the Lannisters can generate resources with gold mines. So whoever's side you choose to fight on, there's enough variety to separate both factions and keep them feeling lore accurate. Even small details like this sets Game of Thrones: War for Westeros apart from other fantasy strategy games, positioning it firmly in the series' universe instead of just slapping the branding on it and calling it a day.

If, like me (and let's face it, many others), you're disappointed with the way Game of Thrones ended, you can rewrite your own story here. By taking control of well-known characters like Robb Stark, Jon Snow, Tywin Lannister, and Jaime Lannister, you can make them attack each other however you want. It doesn't quite make up for the show's ending, but it's good enough.

There's something deeply satisfying about brutally murdering Tywin Lannister, for example, which is likely a testament to just how well Charles Dance played him in Game of Thrones because he really is the worst. Speaking of, he does provide some great narration in this game. Just saying.

I'm now excited for the Targaryens and the Night King to enter the battle in the full version, as I'm sure it will only heighten the drama and danger I experienced by testing out the two factions in this demo.

Co-op support for up to four players

I only had access to 1-v-1 skirmishes in Game of Thrones: War for Westeros via the demo, but when the full game launches, it will support up to four players. You can play with other players or against an AI, meaning it's just as suited to those who prefer to play alone.

In Game of Thrones: War for Westeros, units are divided into four main types: melee infantry, ranged, mounted, and siege. Each player starts in their own zone and has to capture strongholds to claim others. Once you've done that, you're able to claim resources and create buildings in your newly conquered zones.

As far as real-time strategy games go, it's what we've all come to expect, meaning fans of the genre should settle into it in no time. That doesn't mean it's without its challenges though, and at times you have to make quick decisions and stay focused. Those who like a faster pace should have a good time with this game.

It's also a very good-looking game, and feels well polished as a result. I am looking forward to trying out the game in full, because it's made a strong impression on me so far. I only had a few minor issues, like bugs when it came to the AI opponents, but these feel easy to iron out.

Game of Thrones: War of Westeros releases on Steam in early 2027, and you can wishlist it right now. At the time of writing, it doesn't have a confirmed retail price.

• Grand Theft Auto 6 will let you play as both Jason and Lucia, or individually
• The game will also feature interactive systems that affect their weight and appearances
• Rockstar says that while these features will give players a lot of freedom, "these characters aren’t empty avatars that you can do whatever you want with"

New Grand Theft Auto 6 details have been revealed, giving fans a fresh idea of what to expect from the game's narrative and interactive gameplay systems.

In a massive interview with Dazed ahead of the release of Grand Theft Auto 6: An Extended Look, Rockstar Games confirmed a ton of new details, mainly about the game's co-protagonists Jason, revealed to be ex-military, and Lucia, an amateur fighter.

One of the main features discussed was the character-swapping system, an iconic GTA feature that allows players to "choose to either play as a couple, or go off and cause chaos independently," according to Dazed.

One scenario described finds Jason driving around, with Lucia in the passenger seat scrolling on the in-game phone that houses usable social media apps; players can switch between them seamlessly while they're together, or explore and complete missions individually.

"When the job inevitably goes wrong and spirals into a car chase, the fluid system enables players to take the wheel in one moment, then fire on pursuers out of the passenger window the next," Dazed said.

GTA 6 is the first game with a romantic pair as the co-leads, and according to Rupert Humphries, senior vice president of narrative at Rockstar, players can expect "a Bonnie and Clyde-type narrative" at the game's center.

The game will also offer plenty of customization, from clothing, hairstyles, tattoos, makeup, vehicles, and more, and it seems like Rockstar is also implementing features from Red Dead Redemption 2 with life-sim interactive systems that will affect how Lucia and Jason look.

For example, Jason and Lucia's weight can be affected by food, and "exercising visibly builds and tones their muscles." Additionally, if players let them spend a long time away from bed, on the run from police, or "on a multi-day bender," their appearances will take a toll.

While these features will give players a lot of freedom, both characters will still have complex identities within the story, with Rob Nelson, head of development and co-studio head at Rockstar North, explaining, "We want to enable as much self-expression as possible, without losing the essence of the characters."

He added, "The thing we love about this medium is the way these characters aren’t empty avatars that you can do whatever you want with. Their story becomes a journey you share with them."

GTA 6 launches on November 19 for PS5, Xbox Series X, and Series S. If you missed it, Netflix has confirmed the runtime for the upcoming extended look, and all footage shown will be captured on the base PlayStation 5.

• Meta's official GTA San Andreas VT port never launched
• So a modder has vibe-coded a port for the Meta Quest 3
• You can play it yourself, but it's not easy

The Resident Evil 4 VR remaster on the Oculus Quest 2 was the best the platform had to offer, so a Grand Theft Auto: San Andreas VR port was easily the most exciting news to come out of Meta’s 2021 Connect event. But it never arrived. So now modders are making up for Meta’s biggest letdown by finally bringing San Andreas to Quest systems.

In fact, there’s a whole VR porting community that connects via the Flat2VR Discord. One such member, called GeT_RiCh, has made it his mission to bring the long-promised GTA title to Quest headsets, though you will need a Meta Quest 3.

It’s still a work in progress — you can follow updates on Discord — and installing this game isn’t as easy as pressing a button. As the mod’s GitHub explains you’ll need not only this mod but an original copy of GTA San Andreas from the Google Play Store (specifically version 2.11.311 exported as an APK), a PS2 sound pack for the game, a PC, a Quest 3 headset in Developer Mode (to authorize USB debugging), and around 15GB of space on your PC and 6GB on your headset.

Plus, you’ll need plenty of time and confidence that you can accurately go through the technical steps. I was considering trying to jump into the game before writing this piece up, but quickly realized that might be a challenge.

Despite the shortcomings, the effort is pretty incredible. It’s also, interestingly, being aided by Claude, which the modder is using to help him vibe-code aspects of the software.

Say what you will about vibe coding in the wider coding world, but the tool’s apparent effectiveness at helping someone complete a long-term passion project like this is pretty incredible.

Better late than never

It’s never been officially confirmed what went wrong withMeta’s version of the GTA VR remaster but general development issues of converting all the flat games’ elements into first-person VR, problems with the Quest 2’s low processing power being able to handle the game world, profitability concerns (especially when faced with the massive profits GTA Online expansions or GTA 6 promise), or one of a dozen other possibilities have been floated.

Regardless, all we know is that after that tease, GTA San Andreas VR never managed to get out of the starting gates.

Many have questioned this decision over the years — GTA in VR would be a slam-dunk for plenty of gamers — and others have been perpetually frustrated at Meta for hyping them up into buying a Quest headset, then killing the project.

Thankfully there is now a way to sort of play San Andreas in VR on Quest. Yes, it’s a Quest 3, and yes, it’s not the simplest port to set up, but it’s better than nothing — which is what Meta and Rockstar gave us.

• The Grand Theft Auto 6: An Extended Look will be 26-minutes long
• Netflix has released the first details ahead of its premiere later today
• It confirms that all footage shown is captured in-game on the base PS5

Netflix has revealed the first details of the upcoming Grand Theft Auto 6 extended look, including runtime, and confirmed all footage shown will be captured on the base PlayStation 5.

The much-anticipated Grand Theft Auto 6: An Extended Look is scheduled to premiere later today on Netflix at at 3pm ET / 8pm BST / August 28 at 5am AEST, giving fans a deeper look at the most anticipated game of all time.

There's been much speculation leading up to the event about what the extended look will offer, with many fans hoping for the long-awaited look at gameplay and possibly Trailer 3.

Now, Netflix has revealed additional details just hours ahead of the event, confirming that everything showcased will be captured on the base PS5.

"The new iteration in the blockbuster series comes 13 years following the debut of Grand Theft Auto V, the same year that Netflix was beginning its push into original programming," the Netflix Tudum post reads.

"Captured entirely from in-game footage on PlayStation 5, this extended look at the next Grand Theft Auto showcases the biggest, most immersive evolution of the series yet."

What's more, it seems the runtime for the GTA 6 extended look will be 26 minutes, according to The Verge journalist Tom Warren, who shared a screenshot of the updated mobile page on X.

That's much shorter than I expected, but it's still long enough to offer a good amount of gameplay footage for fans to obsess over ahead of the game's launch on November 19.

If you're unable to watch the GTA 6 extended look as it premieres on Netflix, don't worry, because it will be available for free six hours later on YouTube at 9pm ET on August 27 / 2am BST / 11am AEST on August 28.

"Grand Theft Auto reveals have become cultural moments in their own right. The anticipation and fandom around Grand Theft Auto 6 is unprecedented, and we’re honored that Rockstar Games has partnered with us to debut the next part of the Grand Theft Auto story with Netflix members first," Brandon Riegg, VP of Nonfiction Series, said in the Tudum post.

"It’s a reflection of what we hope Netflix is becoming: a place where the most ambitious storytelling, from any medium, can find the biggest possible audience."

The new IKEA x Xbox collection is the talk of Gamescom, and while its absurd thumbstick stool and D-pad cushion might be head-turners, if it's affordable and actually useful gaming kit you're after, then I'd suggest looking at the existing IKEA range. The Swedish homeware titan already makes dozens of gaming-friendly products, including affordable furniture, clever storage solutions and quirky accessories.

I've rounded up my favorites below. I'm a big fan of the Malomrade desk with its built-in monitor arms, straps to stash your peripherals neatly on display, and sit-stand functionality to keep your back happy. In terms of functional storage, standouts are the Brannboll basket with its hinged arms that can turn into a stand or a handle, and the shelving unit from the same range, which has spots for all your kit and can be wheeled to exactly where it's needed.

Scroll down for more excellent gaming gear to tide you over until the official Xbox range drops at the start of October.

IKEA gaming gear — US

Jump straight to the UK range

IKEA gaming gear — UK